Sentences with phrase «secession groups»

The group said the despicable agitations presently mounted by secession groups or separatist movements, domiciled in the Southeast region, in the guise of self - determination has metamorphosed into criminal gangsterism.

With Alfred Stieglitz Edward Steichen helped to set up the Photo - Secession group and the journal Camera Work.

Stieglitz established the Photo - Secession group in 1902 and the influential periodical Camera Work in 1903.

The same year, he became a founder, along with Stieglitz, of the Photo - Secession group.

Not exact matches

The last group is that of the ethnic - power politicizers, who claim not only that their group is beautiful, but also that the preservation, maintenance, enhancement and survival of their group depend upon the achievement of political power, whether it be through benign quotas, proportional representation, community control, caucuses — or in a few cases, outright secession, rebellion or the use of violence.

In line with his secession plan, Bob sold his successful, growing business in September 2011 to a private - investor group headed by brothers Jeff and Gregg Hamann of El Cajon, Calif. - based Hamann Companies.

Pressure for more autonomy, or even secession, has come from within some of the national groups incorporated into the UK.

Secession is about reclaiming the economic opportunities Upstate has lost and restoring the liberties Upstate residents once enjoyed,» the groups said in a news release announcing their rally.

The Magistrate said it could not hear the case against the group of persons advocating for the secession because it is outside its jurisdiction.

In reading the officially reported speeches given by a quite diverse group of senators, who felt passionately about their beliefs, one feels that secession by...

Central to the Jugendstil movement in Vienna was Gustav Klimt, a painter and president of the «Secession» group of artists.

The Play of the Unsayable, Wiener Secession, Vienna, Austria (curated by Joseph Kosuth) Laurie Simmons et Allan McCollum, Urbi et Orbi Gallery, Paris, France Group Show, Richard Kuhlenschmidt, Los Angeles, USA

Selected group exhibitions include Art through the Eye of the Needle, Henie Ondtad Kunstsenter, Oslo (2001); ARS 01, KIASMA, Helsinki (2001); Sharing Exaustism, 5th Biennial de Lyon (2000); Human Being and Gender, 3rd Kwiangju Biennial (2000); The Sky is the Limit, 2nd Taipei Biennale (2000); Hypermental, Kunsthaus Zürich (2000); ArtWorld in Dialogue, Museum Ludwig, Cologne (1999); d'APERTutto, 48th Venice Biennial (1999); Echolot, Museum Fridericianum, Kassel (1998); 5th Istanbul Biennale (1997); Manifesta 1 (1996); Traditions / Tensions, Queens Museum; Cities on the Move, Secession, Vienna; P.S. 1 Contemporary Art Center, New York, 1997 - 2000.

His works have been shown in numerous international solo and group exhibitions, including the Gemeentemuseum Den Haag (2014), in the Secession in Vienna (2010), in the Neue Nationalgalerie in Berlin (2010), at the Centre Pompidou, Paris (2009), the Venice Biennial (2003), the documenta11 in Kassel (2002) and at Portikus in Frankfurt a.M. (2000).

Solo exhibitions of her work have been put on at the Kunsthalle, Basel (2007), the Palais de Tokyo, Paris (2009), Wiener Secession, Vienna (2009), Kunsthalle Fridericianum, Kassel (2009) and MUSEION, Bolzano (2010), and she has taken part in group exhibitions, including the Venice Biennale (2003 and 2005), Manifesta (2004), the Moscow Biennale (2005), the Berlin Biennale (2006), the Biennale of Sydney, After Nature (New Museum, New York)(2008), and Chasing Napoleon (Palais de Tokyo, Paris, 2009)

Paglen has had solo exhibitions at Vienna Secession, Eli & Edythe Broad Art Museum, Van Abbe Museum, Frankfurter Kunstverein, and Protocinema Istanbul, and participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.

In May 1898, the» Berlin Secession» was founded with Liebermann as president, and one year later the group put on its first exhibition of German artists, attracting nearly 2,000 visitors on opening day.

Opie's work has been exhibited extensively, including solo shows at the ICA London, the Vienna Secession, and London's Hayward Gallery, and group shows at venues such as the Tate Britain, the Royal Academy of Arts in London, and the Museum of Modern Art.

Major group exhibitions include Carnegie Museum of Art, Pittsburgh (2018, forthcoming); Rubell Family Collection, Miami (2015); the Whitney Museum of American Art, New York (2008), the Van Abbemuseum, Eindhoven, the MoMA PS1, New York (both 2006), the MoMA, New York (2005, 2001, 1999), the Institute of Contemporary Art, London (1997, 1992), and the Secession, Vienna (1994).

Famous for his widely read essay Take Care among other accolades, curator Anthony Huberman will take up all three exhibition areas at Secession with a group show that reflect on the way machines are not only physical objects but have become infrastructural, a part of the technological present that is more difficult to shut down or turn off.

Paglen's work has had solo exhibitions at Vienna Secession, Eli & Edythe Broad Art Museum, Van Abbe Museum, Frankfurter Kunstverein, and Protocinema Istanbul, and he has participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.

Major group exhibitions include Weserburg Museum for Modern Art, Bremen, Germany (2016), Yokohama Museum of Art, Yokohama, Japan (2016), Fondation Fernet - Brancat, Saint Louis, France (2015), Secession, Vienna, Austria (2012), Tate St Ives, St. Ives, UK which travelled to Mead Gallery, Coventry, UK (2012) and The National Museum of Art, Osaka, Japan (2009).

Her work has been included in countless group exhibitions at museums worldwide, including the Museum of Modern Art, Brooklyn Museum, Queens Museum (all NYC); Albright - Knox Art Gallery (Buffalo, NY); Aldrich Museum of Contemporary Art (Ridgefield, CT); Worcester Art Museum (Worcester, MA); Baltimore Museum of Art (Baltimore, MD); Bibliothèque nationale de France (Paris, France); Wiener Secession (Vienna, Austria); Museo de Arte Contemporanea (Sao Paulo, Brazil); Museo Nacional de Artes Plasticas (Montevideo, Uruguay); and National Art Gallery (Wellington, New Zealand), among many others.

Her work has been included in countless group exhibitions at museums worldwide, including the Museum of Modern Art, Brooklyn Museum, Queens Museum (all NYC); Albright - Knox Art Gallery (Buffalo, NY); Islip Art Museum (Islip, NY); Aldrich Museum of Contemporary Art (Ridgefield, CT); Worcester Art Museum (Worcester, MA); Baltimore Museum of Art (Baltimore, MD); Bibliothèque nationale de France (Paris, France); Wiener Secession (Vienna, Austria); Museo de Arte Contemporanea (Sao Paulo, Brazil); Museo Nacional de Artes Plasticas (Montevideo, Uruguay); and National Art Gallery (Wellington, New Zealand), among many others.

She continued her education by studying with Hans Hoffman in Munich and working as an assistant to Diego Rivera prior to participating in her first group exhibition organized by the Secession Gallery at the Brooklyn Museum in 1935.

His work has been featured in numerous solo and group exhibitions around the world, in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, the Vienna Secession, the Serpentine Gallery in London and the Centre Georges Pompidou in Paris.

[12] The following listing indicates by curator the group and solo exhibitions in which Cai participated that were curated or cocurated by the leading émigré Chinese critics and curators — Fei Dawei: Art Chinois 1990: Chine demain pour hier, Pourrières, Aix - en Provence, 1990, and Cai Guo - Qiang, Fondation Cartier pour l'art contemporain, Paris, 2000; Hou Hanru: Cities on the Move, which opened at Secession, Exhibition Hall for Contemporary Art, Vienna, 1997 - 98, and traveled to Bordeaux, New York, Helsinki, Humlebaek, and London; Gao Minglu: Inside Out: New Chinese Art, which opened at P.S. 1 Contemporary Art Center and Asia Society, 1998 - 99, and traveled to San Francisco, Monterrey, Tacoma, Seattle, and Canberra, and The Wall: Reshaping Contemporary Chinese Art, which opened at the Millennium Monument Art Museum, Beijing, 2005, and traveled to Buffalo; and Wu Hung: The First Guangzhou Triennial.

Currently, he's organizing «Artists and Poets,» a cross-generational group show opening in February at the Vienna Secession that is the last of a trilogy of exhibitions dedicated to Giorno.

It was exemplified by the paintings and illustrations of Gustav Klimt, first President of the Vienna Secession, as well as poster designs by Alphonse Mucha (1860 - 1939), Arthur Rackham and Aubrey Beardsley, and serpentine architectural motifs by Victor Horta of the Les Vingt artists group in Brussels.

Selected group exhibitions include the Corcoran Gallery of Art, Washington, D.C. (1965); the Fischbach Gallery, New York (1965); the Kunsthaus Hamburg (1972); the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1976); the Kunsthaus Zürich (1978); the Los Angeles Institute of Contemporary Art (1978); the Secession, Vienna (1983); the Museum Het Paleis, The Hague, Netherlands (1997); the Israel Museum, Jerusalem (1999); the Museum of Fine Arts, Budapest (2001); Kunsthalle Krems, Krems, Austria (2003); Kunsthalle Wien, Vienna (2010); Brooklyn Museum, New York (2010); Louisiana Museum, Denmark (2012); Barbican Centre, London (2013); Moderna Museet, Stockholm (2016); Stephen Friedman Gallery, London (2014); Mumok, Vienna (2016).

Group exhibitions include: Languages and Experimentations, Mart, Rovereto (2010), Richard Prince and the Revolution (curated by Jonathan Monk), ProjecteSD, Barcelona, The Associates, Dundee Contemporary Arts, Dundee (both 2009), Contemporary Scottish Art: New Acquistitions & Loans, Scottish National Gallery of Modern Art, Edinburgh, On Interchange / Interludes of a Collection, Museum Kurhaus Kleve, Kleve (both 2008), Tate Triennial: New British Art, Tate Britain, London (2006), The Last Generation, Apex Art, New York, Solo Show Solo Soul, FRAC Haute - Normandie, Rouen, Herald Street & The Modern Institute present, GBE, New York, Theorema, Collection Lambert: Musèe d'art d'Avignon, Avignon (all 2005), Genesis Sculpture, Domaine Pommery, Reims (2004), Context, Form, Troy (Young Scene 03), Secession, Vienna (2003).

In 2015, the artist participated in exhibitions at Fondazione Carriero, Milan, Italy; Fondazione Palazzo Albizzini Collezione Burri, Perugia, Italy; and a group show curated by Ugo Rondinone at Secession, Vienna, Austria (2015).

Two photography dealers have teamed up for an exhibition dedicated to the Photo - Secession, the group founded by Alfred Stieglitz in 1902 to promote photography as an art form in the United States.

Group exhibitions include Function Follows Vision, Vision Follows Reality, Kunsthalle Wien Karlsplatz, Vienna, Austria (2015); Überschönheit, Salzburger Kunstverein, Salzburg, Austria (2015); A Singular Form, Secession, Wien, Austria (2014); Villa Massimo Stipendiaten, Martin - Gropius Bau, Berlin, Germany (2013); Perspectives On Collage, Photographers Gallery, London, UK (2013); Re-generation, Museo d'Arte Contemporanea (MACRO), Rom, Italy (2012); The New Decor, Hayward Gallery, London, UK (2010), A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne, Germany (2012); Weltempfänger, Galerie der Gegenwart / Hamburger Kunsthalle, Hamburg, Germany (2007); Tate Triennale, Tate Britain, London, UK (2006).

Avery Singer has been called one of the most influential artists of her generation and her star is on the rise — in 2016 she will present a solo exhibition at the Secession in Vienna, and will take part in a group show at the Museum Ludwig in Cologne.

Solo shows of Nicole Wermers work have recently been on view at Produzentengalerie Hamburg (2007) and Secession Wien (2005), and her work has been included in group exhibitions at Tate Modern (2005) or at Migros Museum für Gegenwartskunst, Zurich (2004).

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Ericka Beckman's work has been the subject of numerous solo and group exhibitions and film festivals most recently at Kunst - Werke (Berlin, Germany) in 2018; the Secession (Vienna, Austria) in 2017; Walker Art Center (Minneapolis, MN), Muzeum Sztuki (Łódź, Poland), MAMCO (Geneva, Switzerland) in 2016; Whitney Museum of American Art (New York, NY), Raven Row (London, UK) in 2015; Modern Art Oxford (Oxford, UK) and Swiss Institute (New York, NY) in 2014; Kunsthalle Bern (Bern, Switzerland), Tate Modern (London, UK) and Centre Pompidou (Paris, France), Castello di Rivoli Museo d'Arte Contemporanea (Turin, Italy) all 2013 and has been included in four Biennials at the Whitney Museum of American Art, New York.

Her work has been the subject of numerous solo exhibitions organized by museums such as the Fundació Antoni Tàpies (Barcelona), the Institute of Contemporary Art (Boston), the Museum of Contemporary Art (Los Angeles), Portikus (Frankfurt am Main) and Vienna Secession, as well as numerous group exhibitions, including at the International Center of Photography (New York), Institute of Contemporary Art (London), Centre Georges Pompidou (Paris), MACBA (Barcelona) and the Museum of Contemporary Art (Chicago).

The group has previously called for Floridians to pick up arms against the government, fight for secession and revive a white «ethno - state.»