Timothy Olyphant (The Crazies)-- Typical horror schlock elevated into
the second best horror movie of 2010 (behind Let Me In) by three core performances that bring more to the material than the sort of movie ever typically receives.
Not exact matches
It has some clichés here and there that could have been avoided and the characters sometimes don't seem to be the brightest people in this sort of situation, but still this atmospheric
horror movie works quite
well, especially in a
second half that can be really unnerving.
, Eli Roth to Produce
Horror Movie Based on Fake Trailer, Oscar Shortlist for
Best Documentary Feature Announced 19:50 — Review: Harry Potter and the Deathly Hallows: Part 1 52:40 — Trailer Trash: Green Lantern, The Green Hornet, Your Highness, Cowboys & Aliens 1:06:36 — Other Stuff We Watched: Catfish, We Live in Public, Kisses, The Losers, Conan, Children Shouldn't Play with Dead Things, The Night of the Hunter, Toy Story 3, The Larry Sanders Show 1:34:00 — Junk Mail: Quidditch World Cup,
Movies Overshadowed by Publicity Stunts, My Winnipeg,
Movies Too Sad to Watch a
Second Time, Spielberg and Tintin, Where is Chian?
Movie reviews: Superior
horror «It Follows», «The
Second Best Exotic Marigold Hotel», The Boy Next Door», and «White God»
I know it's been heralded (alongside It Follows) as one of the
best horror movies of recent years and upon this this
second viewing and willing to board that train.
Not even the first film serves so
well as an efficient and effective film first and
horror movies second.
In the
Best Villain category, Goodman appears for a
second time, alongside menacing goat Black Phillip from The Witch, Ben Mendelsohn's Imperial henchman Orson Krennic from Rogue One: A Star Wars Story and two harrowing
horror movie performances from Stephen Lang (Don't Breathe) and Patrick Stewart in Green Room.
A Quiet Place not - so - quietly crept up to the top of the box office this weekend, scoring the
second -
best opening ever for an original
horror movie and earning actor - turned - director John Krasinski accolades.
Like a really
good horror movie, it magages to evoke a paranoia that «something bad is going to happen any
second now» for its entire length.