Sentences with phrase «second camera assistant»

Not exact matches

Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive producer, Gresham Lochner; visual effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim CoCamera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive producer, Gresham Lochner; visual effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Cocamera, James David Wall; casting, Kim Coleman.

Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy camera, Christopher Moseley; casting, Mindy Marin.

Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June JeCamera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jecamera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.

Camera (Deluxe color, Arri Alexa digital, widescreen), Ben Seresin; editors, Roger Barton, Matt Chesse; music, Marco Beltrami; production designer, Nigel Phelps; supervising art director, Jon Billington; senior art directors, Alan Gilmore, Julian Ashby; art directors, Ben Collins, Matthew Gray, James Foster; set decorator, Jennifer Williams; costume designer, Mayes C. Rubio; sound (Datasat / Dolby Surround 7.1), Stuart Wilson; supervising sound editors, Nigel Stone, Ethan Van Der Ryn; re-recording mixers, Anna Behlmer, Lora Hirschberg; visual effects producer, Robin Saxen; visual effects, MPC, Cinesite, Industrial Light & Magic, Lola VFX; assistant director, Toby Hefferman; second unit director / stunt coordinator, Simon Crane; second unit camera, Igor Meglic; casting, KateCamera (Deluxe color, Arri Alexa digital, widescreen), Ben Seresin; editors, Roger Barton, Matt Chesse; music, Marco Beltrami; production designer, Nigel Phelps; supervising art director, Jon Billington; senior art directors, Alan Gilmore, Julian Ashby; art directors, Ben Collins, Matthew Gray, James Foster; set decorator, Jennifer Williams; costume designer, Mayes C. Rubio; sound (Datasat / Dolby Surround 7.1), Stuart Wilson; supervising sound editors, Nigel Stone, Ethan Van Der Ryn; re-recording mixers, Anna Behlmer, Lora Hirschberg; visual effects producer, Robin Saxen; visual effects, MPC, Cinesite, Industrial Light & Magic, Lola VFX; assistant director, Toby Hefferman; second unit director / stunt coordinator, Simon Crane; second unit camera, Igor Meglic; casting, Katecamera, Igor Meglic; casting, Kate Dowd.

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis ChCamera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chcamera, Patrick Loungway; casting, Denis Chamian.

On the production side there is Executive Producer Rae Sanchini, Producer John Landau, Second Unit Director Steve Quale, First Assistant Director Josh McLaglen, Camera Operator / Steadicam Jimmy Muro, Director of Photography Russell Carpenter, Costume Designer Deborah Scott, 4 - Ward / VFX Supervisor Robert Skotak, Art Director Martin Laing, Production Designer Peter Lamont, Unit Production Manager Kevin De La Noy, Digital Domain - VFX Supervisor Rob Legato and Stunt Coordinator Simon Crane.

Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.

Camera (color, widescreen), Jo Willems; editor, Alan Edward Bell; music, James Newton Howard; music supervisor, Alexandra Patsavas; production designer, Philip Messina; supervising art director, John Collins; art directors, Robert Fechtman, Adam Davis; set decorator, Larry Dias; costume designer, Trish Summerville; sound (Dolby Atmos / Datasat), Mark Weingarten; supervising sound editors / re-recording mixers, Skip Lievsay, Jeremy Peirson; sound designer, Peirson; visual effects supervisor, Janek Sirrs; visual effects producer, Mitchell Ferm; visual effects, Double Negative, Weta Digital, Method Studios, Rodeo FX, Fuel VFX, Hybride; special effects coordinator, Steve Cremin; supervising stunt coordinator, Chad Stahelski; stunt coordinator, Sam Hargrave; assistant director, Aldric La'auli Porter; second unit director, Chad Stahelski; second unit camera, Robby Baumgartner; casting, DebraCamera (color, widescreen), Jo Willems; editor, Alan Edward Bell; music, James Newton Howard; music supervisor, Alexandra Patsavas; production designer, Philip Messina; supervising art director, John Collins; art directors, Robert Fechtman, Adam Davis; set decorator, Larry Dias; costume designer, Trish Summerville; sound (Dolby Atmos / Datasat), Mark Weingarten; supervising sound editors / re-recording mixers, Skip Lievsay, Jeremy Peirson; sound designer, Peirson; visual effects supervisor, Janek Sirrs; visual effects producer, Mitchell Ferm; visual effects, Double Negative, Weta Digital, Method Studios, Rodeo FX, Fuel VFX, Hybride; special effects coordinator, Steve Cremin; supervising stunt coordinator, Chad Stahelski; stunt coordinator, Sam Hargrave; assistant director, Aldric La'auli Porter; second unit director, Chad Stahelski; second unit camera, Robby Baumgartner; casting, Debracamera, Robby Baumgartner; casting, Debra Zane.

Camera (color, Panavision widescreen), Brendan Galvin; editor, Robert Duffy; music, Antonio Pinto; music supervisor, John Houlihan; production designer, Tom Foden; art director, Tim Beach; set decorator, Cindy Carr; set designer, Walter Schneider; costume designer, Shay Cunliffe; sound, Pud Cusack; sound designer, Robert L. Stephton; supervising sound editor, Steven Ticknor; re-recording mixers, Kevin O'Connell, Ticknor; visual effects, Temprimental Films, Skulley Effects, Scoundrel VFX; stunt coordinator, Steven Ritzi; assistant director, Nick Mastandrea; second unit director, Steven Ritzi; second unit camera, Jaron Presant; casting, Mary Vernieu, Venus KCamera (color, Panavision widescreen), Brendan Galvin; editor, Robert Duffy; music, Antonio Pinto; music supervisor, John Houlihan; production designer, Tom Foden; art director, Tim Beach; set decorator, Cindy Carr; set designer, Walter Schneider; costume designer, Shay Cunliffe; sound, Pud Cusack; sound designer, Robert L. Stephton; supervising sound editor, Steven Ticknor; re-recording mixers, Kevin O'Connell, Ticknor; visual effects, Temprimental Films, Skulley Effects, Scoundrel VFX; stunt coordinator, Steven Ritzi; assistant director, Nick Mastandrea; second unit director, Steven Ritzi; second unit camera, Jaron Presant; casting, Mary Vernieu, Venus Kcamera, Jaron Presant; casting, Mary Vernieu, Venus Kanani.

Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume designer, Susan Matheson; sound (Datasat / Dolby Digital), Whit Norris; sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual effects, Mr. X Gotham, Lola VFX; stunt coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director, David Letich; casting, Allison Jones.

Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa FCamera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fcamera, Jacques Haitkin; casting, Lisa Fields.

Camera (color), Samuel Brownfield; editor, Todd Zelin; music, David Bateman; production designer, Ronit Pinto; costume designer, Aline Hong; sound, Matthew A. Downey; re-recording mixer, Humberto Zamores; line producer, Tiziano Tucci; associate producer, Rachel Cole; assistant director, Glenn Miller; second unit director, Rachel Cole; second unit camera, Alex GrosCamera (color), Samuel Brownfield; editor, Todd Zelin; music, David Bateman; production designer, Ronit Pinto; costume designer, Aline Hong; sound, Matthew A. Downey; re-recording mixer, Humberto Zamores; line producer, Tiziano Tucci; associate producer, Rachel Cole; assistant director, Glenn Miller; second unit director, Rachel Cole; second unit camera, Alex Groscamera, Alex Grossfeld.

Camera (color, widescreen, 35 mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer, David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre - Yves Gayraud; sound (Datasat / Dolby Digital), Jean - Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special effects supervisor, Philippe Hubin; special effects coordinator, Jean - Christophe Magnaud; visual effects supervisor, Brendan Taylor; visual effects producer, Mitchell Ferm; visual effects, Mavericks VFX, Mr. X, Lola VFX; stunt coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy Camera (color, widescreen, 35 mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer, David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre - Yves Gayraud; sound (Datasat / Dolby Digital), Jean - Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special effects supervisor, Philippe Hubin; special effects coordinator, Jean - Christophe Magnaud; visual effects supervisor, Brendan Taylor; visual effects producer, Mitchell Ferm; visual effects, Mavericks VFX, Mr. X, Lola VFX; stunt coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy camera, Hugues Espinasse; casting, Lucy Bevan.

Camera (Deluxe color, HD, widescreen), Alexander Gruszynski; editor, Maysie Hoy; music, Aaron Zigman; music supervisor, Joel C. High; production designer, Eloise C. Stammerjohn; art director, Gentry L. Akens, II; set decorator, Dane Moore; costume designer, Johnetta Boone; sound (Dolby Digital / Datasat), Chris Durfy; re-recording mixers, Joe Barnett, Marshall Garlington; assistant director, Chip Signore; second unit director, Paul Hall; casting, Kim Taylor - Coleman.

Other bits of kit include Comfort Access (including kick - to - open Smart Opener for the powered tailgate), push - button start with automatic start - stop, auto lights and wipers, Park Assistant with front and rear sensors and reverse camera, multi-function steering wheel (not available on the 2 AT) dual - zone auto air - con with second - row air vents, auto - dimming rear - view mirrors and sliding and reclining second - row seats.

This is the first step towards our larger goal, an artificial intelligence that runs anywhere and interacts exactly like a person; an AI that understands context, can communicate naturally and hold a complete conversation... With our second Kickstarter we are looking to expand the community [and deliver] software that's customizable and lets you rename the assistant and change its personality and appearance to fit you... We've also added a screen so you can see things like calendar entries, times and even security camera feeds.

I have primarily worked as a production assistant, although I also have experience in the gaffing department as a second assistant camera and as a grip.