Sentences with phrase «second exhibition space in»

In this video Volker Diehl talks about Shilpa Gupta and the solo show at his gallery, his second exhibition space in Berlin and his newly opened branch in Moscow.
Taking things one step further (albeit five floors down) is Pace Gallery, for whom H Queen's will be home to its second exhibition space in Hong Kong, opening with a solo show by Japanese artist Yoshitomo Nara.
Ghana's Gallery 1957 announces second venue in Accra Gallery 1957, one of Ghana's leading art venues, has opened a second exhibition space in Accra's Galleria Mall.

Not exact matches

In the midst of an ongoing catalogue raisonné project to comprise 5,000 works, MoMA will now feature a selection of 220 of them in its second - floor atrium and in its third - floor exhibition spaceIn the midst of an ongoing catalogue raisonné project to comprise 5,000 works, MoMA will now feature a selection of 220 of them in its second - floor atrium and in its third - floor exhibition spacein its second - floor atrium and in its third - floor exhibition spacein its third - floor exhibition spaces.
Frequency, the second exhibition in the Museum's series committed to young emerging artists, is mounted in the museum space.
THEGRASSISALWAYSGREENER is the title of the exhibition of Linnenbrink's most recent works at Max Estrella Gallery (the second in this space).
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
In 1999, Paula Cooper opened a second exhibition space on 21st Street.
Now on view in an inviting show in the STAA's foremost gallery space, the exhibition was first on view at NOMA in 2015, and the current extension provides a great second chance for viewers in St. Tammany Parish to spend time with these historic works.
This second exhibition delves into the artist's notion of being an «immigrant,» how he or she responds to the present immigration debate as it is carried out in personal, public, and political spaces, and what approaches the artist takes, from the subtle and conceptual, to the blatantly political.
This will be Wiley's second exhibition with the gallery and his first in the gallery's new space.
White Cube's exhibition program now extends across its four gallery spaces: Mason's Yard in St. James», Bermondsey Street in South London, Hong Kong and the recently opened gallery in São Paulo, the second location outside of the UK.
On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.
«A Cold War,» Jamison Carter's current solo exhibition, and his second with Klowden Mann, revisits dichotomous themes introduced in his 2013 solo exhibition with the gallery, in which he explored the tensions that exist between man's pervasive desire for advancement and the limitations of space - time.
Micheline Szwajcer also invites Dvir Gallery for a project in the second exhibition space of the gallery.
He has curated and produced numerous memorable exhibitions, which included the works of Donald Judd, Anselm Kiefer, Sol LeWitt, John Chamberlain, Jean Michel Basquait, John Baldessari, Roy Litchtenstein, and Andy Warhol and has overcome such logistical hurdles as installing a 12,000 pound indoor Richard Serra sculpture in a second floor Philadelphia space.
The gallery established its first international exhibition space in Hong Kong in 2013, and a second international space, a viewing office in Seoul, launched in 2017.
The non-profit organization is housed in a 6,000 - square - foot exhibition space on Mana's second floor, where it showcases work from a range of private collections.
For their third overall, and second «Italian edition», the Starn brothers took over the courtyard of MACRO Future, an exhibition space and former slaughterhouse in the Testaccio neighbourhood.
Pratt Manhattan Gallery will present a panel discussion titled «Glass, Light, and Public Spacein conjunction with the current Pratt Manhattan Gallery exhibition «Bright Future: New Designs in Glass,» on Thursday, April 5 at 6 PM in Lecture Hall 213 on Pratt's Manhattan campus at 144 West 14th Street, second floor.
This exhibition is the second to appear at Bridget Donahue's new space on the Bowery, following a monographic survey of the artist and filmmaker Lynn Hershman Leeson, another heretofore overlooked artist pioneering in extreme multimediality.
Between Spaces On view October 25, 2009 - April 5, 2010 For the second time in P.S. 1 history, the junior curatorial staff will produce and organize a large - scale group exhibition.
Mark Ryden spent two years on the Memory Lane diorama in «The Gay 90's: West,» his second Kohn Gallery exhibition and the first show at the gallery's new Hollywood space.
In January 2017 VAN HORN opened a second location, a c. 160 sqm exhibition space including storage — the new VAN HORN SCHAULAGER.
In the last decade, the Museum's second floor galleries have alternated between showcasing Noguchi's original installation of the gallery spaces and exhibitions highlighting Noguchi's work through the lens of his contemporaries and teachers, specific genres of his production, and his working process.
Art received the International Art Critics Association (AICA - USA)'s 2010 Second Place award for «Best Project in a Public Space» for the organization's exhibition of Antony Gormley: Event Horizon, which featured 31 sculptures of the human form placed in and around Madison Square Park and on the rooftops of architectural treasures throughout New York City's Flatiron District and environs.
Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The Exhibition Go Annual Contemporary Art in China, Beijing Minsheng Art Museum (2016); Silk Road International, Art Museum of Nanjing University of Arts, Nanjing, China (2016); New Capital: Huang Yu Collection Exhibition, Museum of Contemporary Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary Art, Chongqing, China (2015 - 2016); Beyond the Earth — The First Xi'an Contemporary Photography Exhibition, Xi'an Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography Art Centre, Beijing, China (2015); Unfamiliar Asia: The Second Beijing Photo Biennial, CAFA Art Museum, Beijing, China (2015); China 8: Contemporary Art from China on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing China (2015); and Pull Left — Not Always Right,» Urban Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).
In 2007 Regen Projects opened a second space at 9016 Santa Monica Boulevard and premiered Charles Ray's sculpture Hinoki, followed by large scale exhibitions Lari Pittman's Orangerie, Liz Larner, Gillian Wearing's Family History, Raymond Pettibon's Part I Seminal Early Work: 1978 - 88, Elliott Hundley, Rachel Harrison, Dan Graham, Walead Beshty's PROCESSCOLORFIELD, Andrea Zittel, and James Welling.
At its gallery space in Basel, Vitrine presents Charlie Godet Thomas» first solo exhibition in Switzerland and his second with...
For her ICA exhibition, on view in the Second Floor High Space, Suss expands this inquiry with several new canvases and experiments in larger, more labor - intensive ceramic forms.
2016 Light, Form, and Symbol, Williamsburg Art & Historical Center, ブルックリンー / NY 2016 Synaesthesia Playground, Spectrum NYC, New York, NY 2016 * New York Electroacoustic Music Festival 2016, Abrons Arts Center / NY 2014 * Long Island Biennial 2014, The Heckscher Museum of Art, ハンティングトン / NY 2012 * Made in New York 2012, Schweinfurth Memorial Art Center, オーバーン / NY 2012 * BIG QUEENS DRAWING SHOW, W.P.M.Jr.Gallery, ジャマイカアートセンター, クィーンズ / NY 2011 個展 «Takafumi Ide» The Gallery ( オノンダガ ・ コミュニティ大学 ) シラキュース / NY 2010 個展» Life is fleeting; therefore, life is beautiful» AC Institute チェルシー / NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー / NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス / NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル / VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery ( ニューロッシェル大学 ) / NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン / NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 / 東京 2009 個展 «propagate» Hartnett Gallery ( ローチェスター大学 ) / NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts / NY 2007 Projects «07, The Carriage House アイスリップ美術館 / in New York 2012, Schweinfurth Memorial Art Center, オーバーン / NY 2012 * BIG QUEENS DRAWING SHOW, W.P.M.Jr.Gallery, ジャマイカアートセンター, クィーンズ / NY 2011 個展 «Takafumi Ide» The Gallery ( オノンダガ ・ コミュニティ大学 ) シラキュース / NY 2010 個展» Life is fleeting; therefore, life is beautiful» AC Institute チェルシー / NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー / NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス / NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル / VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery ( ニューロッシェル大学 ) / NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン / NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 / 東京 2009 個展 «propagate» Hartnett Gallery ( ローチェスター大学 ) / NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts / NY 2007 Projects «07, The Carriage House アイスリップ美術館 / In Residence, EFA Project Space Elizabeth Foundation of the Arts / NY 2007 Projects «07, The Carriage House アイスリップ美術館 / NY
Gallery, Jamaica Center for Arts & Learning, Queens, NY 2011 Solo show: Takafumi Ide solo exhibition, The Gallery, Onondaga Community College, Syracuse, NY 2010 Solo show: Takafumi Ide / Life is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, Eastexhibition, The Gallery, Onondaga Community College, Syracuse, NY 2010 Solo show: Takafumi Ide / Life is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, EastExhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East Islip, NY
For Total Art — NMWA's first fully video - based survey exhibition — the museum's second - floor galleries will be transformed into new, intimate viewing spaces that accentuate the meditative, surreal, and dream - like imagery often featured in the exhibition's works.
Included in the Agora Rollberg space — the collective's second, which the coming exhibition will «unveil» and «witness» — is the work of Berlin - based artists Nicolas Puyjalon, Chile - born Michelle Marie Letelier, duo Anne Fellner & Burkhard Beschow, who were a part of Comedy Club that aqnb reviewed earlier this month and Paul Barsch.
by Hiba Ali In the Renaissance Society's current exhibition of Nora Schultz, parrottree — building for bigger than real, the extendable and retractable poles of tripods construct a type of second architecture for the space.
The participation - by - invitation event was conceived as an ecstatically rudderless convocation — with taped borders on the floor as its only curatorial affect — by X-Initiative, a yearlong not - for - profit exhibition experiment in the old Dia space on Twenty - second Street.
The second floor of the Syracuse University Lubin House is home to the Louise and Bernard Palitz Gallery, the SUArt Galleries exhibition space in New York City.
At its gallery space in Basel, Vitrine presents Charlie Godet Thomas» first solo exhibition in Switzerland and his second with the gallery.
Transfer Gallery is bringing in New Portraiture this weekend, the gallery's second solo exhibition by Rollin Leonard, in a new partnership with XPO Gallery and Cloaque.org, running at the Brooklyn space from May 2 to May 23.
On completion of the film in early January, the second phase of the exhibition will begin with a complete reinstallation of the galleries transforming it into a theater space.
Housed within a custom - built gallery space designed by French architect, Jean Michel Wilmotte, this is the second exhibition in Château La Coste's art programme.
+ Second, Sable Elyse Smith presented a reading from Blue is Ubiquitous and Forbidden, a limited edition zine, which takes its title from the artist's current exhibition in the + / - Project Space, considering the trauma of mass incarceration by scaffolding perspectives and proximity — through image, video, voice, and text.
Last weekend, The Garage contemporary art space in Amsterdam hosted their second solo exhibition with Ludovic Vernhet aka Ludo.
In the Renaissance Society's current exhibition of Nora Schultz, parrottree — building for bigger than real, the extendable and retractable poles of tripods construct a type of second architecture for the space.
Businessman Pétur Arason and artist Ragna Róbertsdóttir operated the exhibition space Second Floor, together with artist Ingólfur Arnarsson, at their home at Laugavegur 37 in 1992 — 1997.
As a companion exhibit to the Claiming Space: Creative Grounds and Freedom Summer School exhibition (on second floor of museum), Marroquin's work reflects on the ways in which the experiences of student activism fight to claim and reclaim spaces.
Previous Selectors for the White Columns Annuals The inaugural «Annual» exhibition in 2006 was selected by White Columns» Director Matthew Higgs; the second in 2007 was selected by independent curator Clarissa Dalrymple; the third in 2008 was selected by curator and writer Jay Sanders; the fourth in 2009 was selected by Miriam Katzeff and James Hoff of Primary Information; the fifth in 2010 by curator and writer Bob Nickas; the sixth in 2011 was selected by the artists Ken Okiishi and Nick Mauss; the seventh in 2012/13 was selected by Artists Space curator Richard Birkett; the eighth in 2013/14 was selected by independent curator Pati Hertling; the ninth in 2015 was selected by Cleopatra's — Bridget Donahue, Bridget Finn, Colleen Greenan, and White Columns» Deputy Director and Curator Erin Somerville; the tenth in 2016 was selected by White Columns» Director Matthew Higgs.
For his solo show «L'Italianita dei Gioielli» at Die Neue Sammlung — The International Design Museum Munich italian jewelry artist Giampaolo Babetto created an exhibition tailor - made to the circular, light - filled gallery space on the second floor of the rotunda in the Pinakothek der Moderne.
Parallel to the exhibition Peter Krauskopf — S T R U K T U R the G2 Kunsthalle opens its new dynamic project space in the second floor of the same building at Dittrichring 13 in the city centre of Leipzig.
In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegaIn gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.
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