Sentences with phrase «second film score»
Composer David Thrussell's second film score has also been isolated on Lions Gate's DVD for The Hard Word, an Australian caper starring a greasy Guy Pearce, slender Rachel Griffiths, and memorable, fast - talking supporting actors.
http://www.kqek.com/ Not exact matches
And when Keith Smart had finished scoring 12 of his team's last 15 points, including the winning 16 - foot jump shot from the left side with five seconds remaining under massive pressure, most of Indiana didn't even care that the film Hoosiers» Dennis Hopper hadn't won the Oscar for best supporting actor just so long as this real - life Hoosier named Smart had.
The smooth jazz score which punctuates the film gives certain sections the feeling of a silent movie, while the long awkward silences in the second act are like a lighter, less absurdist variant on the work of Samuel Beckett or Harold Pinter.
The second Blu - ray disc includes an in - depth look at the film with «A Filmmaking Journey» with Steven Spielberg, «Editing and Scoring» featuring Spielberg's long - time collaborators Michael Kahn and John Williams, «The Sounds of War Horse» about the sound design and «Through the Producer's Lens» which takes a look at the photographic journey of producer Kathleen Kennedy.
The film makes its home video debut on a beautifully - mastered Blu - ray and DVD combo edition mastered from the restored elements at a corrected 20 frames per second and accompanied by an original score composed and performed by Neil Brand, Gunther Buchwald, and Frank Bockius.
However The Amazing Spider - Man 2's lukewarm 54 % critics score and 75 % audience score could speak volumes in terms of the film's second weekend earnings decline.
It was his second collaboration with the man who went on to score most of his films as director, Jerry Goldsmith.
In addition, 12 - time Oscar ® nominee Thomas Newman (The Second Best Exotic Marigold Hotel, Saving Mr. Banks) has been signed to score the film, as John Williams» schedule was interrupted and he was unavailable to score the film due to a minor health issue, now corrected.
The film's ultimately not quite up to «The Wages Of Fear,» on which it's based, lacking the original's minimalist tension, but its pleasures are found elsewhere, with Friedkin's abstracted take on the terror of nature, Roy Scheider «s stoic leading turn (perhaps second only to «All That Jazz» as the actor's best work), and Tangerine Dream «s phenomenal score.
Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.
Enter Jane Chase (Shue, playing a character apparently named after Tarzan's commonlaw wife and for her function in the film's second half), a student at the college where Dr. Phillip teaches who's there through some kind of ill - fated scholarship program rewarding legendarily bad test scores.
Through all those great European films in the first half of his career, the sometimes not - so - great Hollywood films of the second half, to watch a film scored by Delerue was (so often) to fall in love.
On home turf, Rian Johnson's film, which stars Bruce Willis and Joseph Gordon Levitt as different incarnations of the same futuristic assassin, scored a respectable, if somewhat disappointing US$ 20.8 million opening weekend, placing it second at the box office behind Adam Sandler's animated Hotel Transylvania.
The film sees Gus Van Sant returning to the biopic genre ten years after scoring his second career Oscar nomination for the Harvey Milk story Milk.
Best Original Song and Best Original Score will now be narrowed to a 15 - film shortlist before a second round produces the five nominees
The first point is clearly absurd and as for the second, while I am rarely an advocate of very long albums for film scores, in this case I would have to agree; unfortunately, Goldenthal recorded half of his score in New York and half in Los Angeles and so because of reuse fees, he and producer Robert Townson had to choose which of the two sets of recordings to give on the album, and they decided that on the whole the New York half was more interesting - and I wouldn't disagree.
Disney's stand - alone film Rogue One: A Star Wars Story opened to a massive $ 155 million, scoring the second - largest December opening ever behind last year's Star Wars: The Force Awakens.
Return of the Jedi director Marquand's previous film Until September received a lush, beautiful score from the great John Barry and this was the second of their three films together (the third was Hearts of Fire).
Second, there's Thomas Newman, whose quirky style has been an influence on countless film scores (and plenty of other music) in recent years, to the extent that I'm not really sure any more whether it's worth commenting on how similar the sprightly piano music of a piece like «Sneaking Out of the Barn» is to his style - it's so prevalent in so many films, perhaps it's now just become a film scoring staple.
The second in Rose's planned trilogy of films based on Tolstoy novels (after Ivansxtc), this is a gripping, Hitchcockian marital thriller with the added value of a score by Ludvig van Beethoven himself.Edgar (Huston) has...
It's less of an issue here than on the original Toy Story, where the logo change has actually necessitated losing a few seconds of the film's original opening wallpaper shot, complete with the opening chords of Randy Newman's score that always accompanied Pixar's Disney castle.
The Bonus Features screen (which is also Disc 2's only menu, as with the other waves) is the second menu with cycled animation, featuring the «Sugiura» Raccoons in one of their many celebrations, accompanied of course by its respective score from the film.
6:30 am — TCM — Roberta Apparently the studio still didn't trust Fred and Ginger to carry a film; this time they're second leads behind Irene Dunne and Randolph Scott, but at least Dunne and Scott are decent actors and Roberta has a fair bit of charm outside of Astaire and Rogers, due in no small part to a solid score by Jerome Kern and Otto Harbach.
2:00 am (11th)-- TCM — Roberta Apparently the studio still didn't trust Fred and Ginger to carry a film after their debut pairing as second leads in Flying Down to Rio; this time they're second leads behind Irene Dunne and Randolph Scott, but at least Dunne and Scott are decent actors and Roberta has a fair bit of charm outside of Astaire and Rogers, due in no small part to a solid score by Jerome Kern and Otto Harbach.
They began with slightly bland, but enjoyable enough, backing from the late Michael Kamen (who was reportedly forced to tone - down his original theme - driven score on the scoring stage); a large step down came for the second instalment, boosted by the use of Henry Mancini's theme from Lifeforce but weakened by everything else in the music; John Powell's popular score for the third film was a step back in the right direction, a step negated by Harry Gregson - Williams's forgettable Wolverine.
From the look of this second, considerably revamped trailer — which is set to the film's score rather than the first trailer's original music choice of the Beastie Boys» «Sabotage» — I think this one is going to make more fans a lot happier.
Variety Dan Hagerty (best known as «Grizzly Adams» from TV died this morning at 74 New Now Next Nico Tortorella gives you tips on how to maximize your Instagram account (of course if you look like Nico Tortorella you probably won't need any tips to get popular on Instagram Playbill the David Bowie scored musical Lazarus set to close this next week off broadway might get a second life The Guardian Mike Lee talks about what he's up to, his past film, his politics and his next project Peterloo (date TBA) about a Manchester massacre in 1819.
The menu applies a ghosting effect to the edges of a looped 40 - second montage of clips from the film while an excerpt of the film's very»80s score plays.
Even though I didn't find the second film scary at all, the score definitely stood out for me.
In a Rotten Tomatoes era which has a Svengali effect on the box office, Fifty Shades movies are critic - proof, and film reviewers aren't any more forgiving slamming this James Foley - directed title with a 13 % Rotten score, the second lowest of the three (Fifty Shades of Grey earned a 25 % Rotten and Fifty Shades Darker logged a 10 % Rotten score).
The second one will take place at 5:38 a.m. PT, where Pine and Boone Isaacs will announce: lead actor, lead actress, supporting actor, supporting actress, cinematography, original score, costume design, foreign - language film, makeup and hairstyling, adapted screenplay, original screenplay, directing and best picture.
The film's cinematography is second to none, and Anton Karas» inimitable zither score has become one of the most recognizable pieces of music in cinema history; Welles, Cotten and the rest of the cast are equally superb.
You're Next is filmed in tremendously gory grindhouse fashion, with a wonderfully cheesy and Carpenter-esque synth score pouring over the film's second half.
Now, finally, to mark the twentieth anniversary of the film and a new line from Walt Disney Records called «The Legacy Collection», a luxurious double - CD set with the 74 - minute first disc concentrating on the score and songs heard in the film plus a second disc filled with demos, a couple of additional songs and the Elton John performances of three of them.
Giannoli premiered in competition at the 2015 Venice Film Festival to muted fanfare, but the film scored eleven Cesar nominations, winning four of them, including for the exceptional lead performance from Catherine Frot (her tenth nomination and second win), a performer treasured in her native France but still exceptionally underrated abroad.
The film scored the second highest per screen
The score is better than the first «Hobbit» film, «The Hobbit: An Unexpected Journey,» which currently has a score of 58, but not as good as the score held by the second film, «The Hobbit: The Desolation of Smaug,» which has a score of 66.
The Marvel Studios film opened way above expectations, scoring the fifth - highest opening weekend ever and the second - highest for a Marvel Studios movie behind Marvel's The Avengers.
His sci - fi thriller Inception broke through the barrier of earnestness to the best picture category in 2011 and it scored him a second screenplay nod (the first was for Memento) but it looks like he might finally get the ultimate recognition for his next film Dunkirk.
The Salesman Rated PG - 13 for mature thematic elements and a brief bloody image In Persian with English Subtitles Rotten Tomatoes Score: 97 % Iranian writer / director Asghar Farhadi claimed his second foreign film Oscar with this latest tale about a modern Iranian couple struck by tragedy and emotional damage when the wife is brutally attacked in their home.
Ben recently completed a spectacularly epic orchestral score for the feature film Conquest 1453 directed by Faruk Aksoy, the most successful film ever in Turkey and in early 2012, the second most popular film on IMDB, beaten only by Underworld: Awakening.
Coixet's script is a long way off perfect, but it's the least of her problems; the second least is the film's dirge of a score, but even that's a bummer.
The second disc takes a more production - themed approach to the bonus material with a three - part featurette on the development of the film («Developing the Script,» «Finding the Director» and «Focus on Sheffield»), a five - part featurette on the actual production of the film («Anatomy of a Score,» «Stocksbridge Brass Band Blues,» «Song & Dance,» «Editing» and «Translating English to English»), and a short discussion about the film's surprise critical and commercial success.
Although Deadpool 2 ($ 125 million domestic) was able to inch ahead of Stephen King's IT ($ 123.4 million domestic) and score the second - largest domestic opening of all time for an R - rated film, it still came up short compared to the original Deadpool's record - setting $ 132.4 million domestic debut, which got executives all over Hollywood buzzing about the possibilities for R - rated superheroes back in the spring of 2016.
«Arbitrage» (Roadside Attractions and Lionsgate) Also scoring good numbers in its second weekned was «Arbitrage,» which was coming off the biggest opening ever for a film opening in both movie theaters and On Demand.
For our second annual New Year's film program, we'll show Jean Cocteau's avant - garde film The Blood of a Poet, accompanied by a live score by Eluvium, at the Masonic Lodge on January 1, 2011.