After all, practically the whole
second generation of young artists were painting under de Kooning's influence, both abstractly and figuratively.
Not exact matches
In the public mind the
younger artists were misperceived and the creation
of the stigma
of a
second generation of Colorfield Painting was formed.
During the early to mid-1960s Color Field painting was the term for the work
of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to
second generation abstract expressionism; and also to
younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.
This stunning painting is done by the
second generation Abstract Expressionist
artist Ben Wilson - one
of the
youngest artists to be given a show at ACA Gallery in 1940.
As an important figure in the
second generation of Southern California ceramicists to deny the boundaries
of traditional crafts, Shire has led the way for a surge
of interest in ceramics among
younger contemporary
artists.
In the spirit
of Latham's belief in art as a continuous practice, while the main gallery will show a selection
of Latham's one -
second drawings (he discovered spray painting in 1954), scarified book sculptures, installations, public art projects and filmed performances, the Sackler will be given over to a
generation of younger artists whose work was made with an affinity for Latham's philosophy and practice.
The gallery now finds itself in the process
of not only continuing to represent these established
artists but is now beginning to nurture its
second generation of young African based
artists by supporting their professional development.
The
second show I want to recommend this week is
of work by
artists of a much
younger generation.
His early work — forceful abstractions, ranging from large canvases to small collages — soon made his name as a
second -
generation Abstract Expressionist (1), part
of a group
of young New York School
artists that included Grace Hartigan, Norman Bluhm, Michael Goldberg, Al Held, and Joan Mitchell.
The
second in a series
of events programmed around the exhibition Barbara Kasten: Stages, the ICA hosts a conversation between Kasten herself and representatives from a
younger generation of artists — including Sara VanDerBeek — who have found inspiration in her work and process.
The
second exhibition project is devoted to the
youngest, currently establishing
generation of authors: the exhibition Possibilities
of Preserving was prepared by the art group APART collective, which is an association
of young visual
artists Denis Kozerawski, Peter Sit, and Andrej Žabkay.
The best way to approach the
second part is one
artist at a time, and there are some fine ones, from Atul Dodiya and Dayanita Singh
of an older
generation, to Prajakta Potnis and Sreshta Rit Premnath
of a
younger.
Born in Cincinnati, to
second -
generation Jewish immigrants from Eastern Europe, the
young Dine fondly recalls trips to the Cincinnati Art Museum; there, works by local
artists Frank Duveneck and John Henry Twachtman captivated Dine, as well as the art
of trompe l'oeil masters John Peto and William Harnett.
By the end
of the 1950s, Tibor de Nagy Gallery was celebrated for its discovery and promotion
of a group
of young artists that became known as
second -
generation New York School painters.