Sentences with phrase «second home owners in»

We saw increased stamp duty rates for second home owners in April 2016 that followed consultation from December 2015.

Not exact matches

I'm riding to or from work (through neighborhoods with multi-million dollar homes that owners tend to use as second / seasonal homes — hence my assumption that I'm «among multi-millionaires» with net worths that probably have at least 1 or 2 more digits than ours...), and a hint of green - ish paper catches my eye on the ground in the grass between the sidewalk and the road.

2017.09.29 Housing affordability relief still elusive in Canada in the second quarter as ownership costs continued to rise in Toronto: RBC Economics Becoming a home owner in Canada is less affordable now than at any time since 1990, according to the latest Housing Trends and Affordability Report issued today by RBC Economics Research...

In France, for example, President Hollande has reduced the time limit for full exemption from capital gains tax for owners of second homes from 30 to 22 years from 2014 and his previously introduced taper rates will now be set at a more favourable flat rate of 6 % per annum.

Slovenia are currently second in the Group and have won both of their previous home games — and are yet to concede in the Stadion Stozice, but if you can get the score right you could be the lucky owner of an exclusive JustArsenal T - Shirt!

At issue: The residency of second home owners / voters in Ulster County.

Tory backbenchers are already in uproar about proposed increases to capital gains tax which will hit second home owners and other parts of the Conservatives» constituency.

With hundreds of businesses and homes destroyed by flooding for the second time in 2 years, the state government is considering enabling property owners to abandon some flood - prone areas, and is also calling for the construction of new levees and other protective infrastructure.

Kirk Cousins threw three touchdown passes in perhaps his final home start at FedExField, the defense turned in another stellar effort and the Washington From a second - hand shop - owner called Rain to a Japanese teacher and a seafood company boss: Are these Prince William and Harry's «secret cousins» who are

The nation's second - largest home mortgage lender, run by billionaire Cleveland Cavaliers owner Dan Gilbert, moved from the suburb of Livonia in 2010 to a large office building at the base of Woodward Avenue.

For me one of the highlights of the day was encountering an Huracan Performante in Bianco Canopus, the satin pearl white metallic shade from Lamborghini I absolutely love... and rumor had it the owner actually had a second Performante at home.

After the introductory period, APR on outstanding balance is variable and based on the Prime Rate minus.51 % for 1 - 4 family owner occupied / second homes as published in the Wall Street Journal as of the last business day of the month effective with the first day of the following month.

Annual Percentage Rate (APR) for non-new-to-the-bank borrowers is variable and based on the Prime Rate minus.51 % for 1 - 4 family owner occupied / second homes and Prime Rate plus 1.00 % for non-owner occupied 1 - 4 family homes as published in the Wall Street Journal as of the last business day of the month effective with the first day of the following month.

For those home owners with some equity in their home who may want to consolidate debt or refinance to take out equity and buy a second home or investment property the longer term mortgage and inflation hedge mortgage strategy can provide peace of mind.

This describes whether a borrower will be residing in a property as an owner occupant, maintaining the loan as an investor, or using the property as a second home.

However, in certain cases, home owners have bad credit, or are self - employed or unemployed, or have a history of missed mortgage payments which locks them out of second mortgages by banks and financial institutions.

Thus, borrowers who refinanced in the second quarter owned homes that had held their value better than the average home, or may reflect value - enhancing improvements that owners had made to their homes during the intervening years.

However, Graeme Egan, president of Vancouver - based CastleBay Wealth Management, said the speculation tax rate of 0.5 per cent for B.C. owners of second homes «is the cost of playing in that field as an investment,» in the same way that other stores of wealth yield capital gains and dividend taxes.

For those home owners with some equity in their home who may want to consolidate debt or refinance to take out equity and buy a second home -LSB-...]

Owner financing is a type of piggyback loan in which the second mortgage portion is carried by the home seller.

After exploring all other options to keep them in their present homes, and when our resources permit, our second priority is to save owner - surrendered purebred Dobermans from being sent to a shelter or destroyed.

Unfortunately it is very difficult for many dogs to find a second home in the event that their owners «change their minds» and decide they don't want a dog after all.

Working with Remote Area Medical, clinics were offered to low income residents of the area for spay & neuter, and members gave space in their own homes so that the Second Chance program could provide foster care to pets until owners were found.

The villa is belongs to Japanese - Indonesian Owner who really love the villa as like their second home in Bali.

• King - size bed (top - of - the - line Simmons Beautyrest Worldclass Felicity Pillowtop mattress) • Sleeper sofa in the living room (Crate and Barrel) • Large screen TV / DVD Player / DVD movie collection / Cable TV • Sony music system with CD player, AM / FM, and iPod docking • Wi - Fi wireless high - speed Internet • Very private and quiet setting surrounded with tropical plants • Second floor unit with vaulted ceilings • Spacious bright living room, bedroom, and two bathrooms • A / C & ceiling fans in the living room and bedroom • Beach towels, beach chairs, beach umbrella, cooler, picnic kit • Located in Wailea — home to some of the most beautiful beaches in the world • Next to the prestigious Wailea Golf and Tennis Clubs Why the Owner Chose Wailea Ekolu: Wailea is one of the best if not the best resort community in Maui and perhaps in all of Hawaii.

New Age Air is a second - generation, family - owned and operated business serving home and business owners in Montgomery, Chester, Bucks, & Berks Counties.

The two islands are very popular with leisure customers through the summer and now winter sun seekers and second home owners have the chance to fly there in style throughout the year.

Taken in their new homes and with their new owners, these are stories of animals and humans together, of dogs and cats being given a second chance.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greateIn 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its lesser relationship to the greater.

A University of Michigan study indicates that one in twelve vehicle owners currently possesses an RV, and one in six surveyed intends to buy an RV within five years.49 For increasing numbers, RVs have become a desirable form of temporary or permanent living reinvigorated by wireless voice and data technology, easy financing (complete with second - home tax benefits), significant configurability, integration of premium technologies for home theater, advanced energy management, integration of green elements like biodiesel fuel and solar electricity generation, and, perhaps most appealing, «drop - of - the - hat» mobility surrounded by one's «stuff.»

Melbourne is strewn with under - utilised laneways and many home owners are creating a second residence in their backyard with frontage to the laneway, where their adult children can live during university and early employment.

Many property owners sometimes find themselves in this dilemma when they have a second home or property that they don't live in or use, but also are not ready to sell.

Posted in insurance, life insurance, women Tagged breadwinner, business executives, business owners, emotional losssingle women, financial loss, insurance, life insurance, primary income, second income, single mothers, stay at home mothers, women

Trusted Choice Independent Insurance Agents specialize in matching second home owners with the best coverage options, whether they own a small cabin or a towering waterfront home.

There's no home button, and no, it has not been replaced by an under - the - glass fingerprint scanner; instead, the phone has an advanced face scanner that can recognize the owner in a fraction of a second.

I wouldn't go so far as to say that the second - generation Echo is a major step up in smart home audio, but it's a nice improvement that current Echo owners will probably enjoy.

Once - foreclosed home owners are slowly making a comeback in the housing market as some lenders give them a second chance at home ownership.

NAR remains a big supporter of reform, but some tweaks to the Flood Insurance Reform and Modernization Act, H.R. 1682, are needed so that second - home owners don't lose an insurance subsidy that in some cases has helped keep the homes affordable as rentals, NAR says.

More home owners are seeing the return of equity (more than 2.5 million homes saw positive equity return in the second quarter alone), which has prompted more people to list their properties.

«The National Association of REALTORS ® is pleased with the IRS announcement clarifying and confirming that under the new tax law owners can continue to deduct the interest on a home equity loan, line of credit or second mortgage when the proceeds are used to substantially improve their residence,» said Mendenhall in a statement.

Not only are property taxes often higher for second - home properties and non — owner - occupied properties, even renting out a room in an owner - occupied property may result in the property being reclassified as a commercial property and taxed as such.

Daniel Webster Johnson, a sales associate with RE / MAX Properties of the Summit in Breckenridge, Colo., a resort community, maintains a lending library of real estate advice and how - to books that he shares with clients, customers, and prospects — primarily investors, second - home owners, and first - time buyers.

The other two were in Ocean Grove - the numbers for the first home didn't work and the owners of the second property would not furnish recent rental income, they provided last year's information and not for every unit.

In the second quarter of 2010 just 3 % of Georgia home owners agreed with their Realtors» recommended listing price vs. 6 % in the first quarter of 2010 and vs. 5 % in the fourth quarter of 200In the second quarter of 2010 just 3 % of Georgia home owners agreed with their Realtors» recommended listing price vs. 6 % in the first quarter of 2010 and vs. 5 % in the fourth quarter of 200in the first quarter of 2010 and vs. 5 % in the fourth quarter of 200in the fourth quarter of 2009.

Second, the number of homeowners who are underwater is declining, reducing a barrier for those owners who need to sell their home in order to buy a new one.»

Long considered a best - kept secret by summer residents from Minneapolis and Saint Paul, Chicago, Milwaukee, Madison and the Upper Midwest, Madeline Island has become a popular summer destination and a haven for sailors and boaters, private aircraft owners and others seeking the utmost second home experience in the north central United States.

The New Jersey survey data shows that homeowners in the Garden State have decreased their pricing expectations with 41 % of New Jerseyhome owners believing their homes should be priced 10 - 20 % higher than their Realtors» recommended listing price vs. 57 % who believed so in the third quarter New Jersey home prices survey and 27 % who thought the same in the second quarter New Jersey home prices survey.

I work with agents in resort and second home markets that have owners that live in other states.

Owner - occupied residences in South Dakota are eligible for property tax rates significantly lower than those on other types of property (like investment properties or second homes).

In the second quarter 49 % of Texas home owners according to Texas Realtors believed their homes to be worth 10 - 30 % higher than their Realtors» recommended listing prices vs. just 23 % of Texas home owners who in the third quarter survey believed their homes were worth 10 - 20 % more than their Realtors» recommended listing pricIn the second quarter 49 % of Texas home owners according to Texas Realtors believed their homes to be worth 10 - 30 % higher than their Realtors» recommended listing prices vs. just 23 % of Texas home owners who in the third quarter survey believed their homes were worth 10 - 20 % more than their Realtors» recommended listing pricin the third quarter survey believed their homes were worth 10 - 20 % more than their Realtors» recommended listing price.