If you take a look at
the second image in the gallery down below, you'll get to see what seems to be a spec sheet of the Galaxy Note 7, and it is placed on the back of the Note 7's retail packaging.
Not exact matches
Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this
image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold
in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National
Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The
Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with
second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both
in HD; 4 radio spots; an animated
image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still
galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.
The griffy familiar can be seen above
in the
second gallery image, and the beautiful SteelBook is the third along with two other screens Namco Bandai sent over today.
, a feature - length documentary on the entire series (from the memorable
Second Sight Films release of the film);
In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raqu
In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel
in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raqu
in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks»
in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raqu
in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of
image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo
gallery featuring 3 theatrical trailers (all
in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raqu
in HD from 4K sources), a TV spot (also
in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raqu
in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an
image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain
in the Park!&raqu
in the Park!»
The first two
in the Media
Gallery below are of the Death Rides pack, the
second two are of the Angel of Death pack, and the final
image is of the Deadly Despair pack.
Bryan Graf's
second full - scale
gallery exhibition, Broken Lattice, will open at Yancey Richardson Gallery on April 11, 2013, featuring a series of new photograms and camera-less images created in the artist's studio and in the
gallery exhibition, Broken Lattice, will open at Yancey Richardson
Gallery on April 11, 2013, featuring a series of new photograms and camera-less images created in the artist's studio and in the
Gallery on April 11, 2013, featuring a series of new photograms and camera-less
images created
in the artist's studio and
in the field.
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman
Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe
Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries
in Abstract Painting, Nohra Haime
Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis
Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos
Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith
Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983
Second Anniversary Exhibition, Harm Bouckaert
Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton
Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler
Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn
Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A.
Gallery, New York, NY 1982 Group Exhibition, Roy Boyd
Gallery Chicago, Merwin
Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons
Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd
Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and
Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
, Patricia Low Contemporary, Gstaad, Switzerland Now New: New Works, New Space, Elgiz Museum of Contemporary Art, Istanbul Strip / Stripe, Emily Harvey Foundation, New York Quand la première ivresse des succès bruyants..., CAPC Musée d'art Contemporain, Bordeaux, France (catalogue) H x W x D: Thirty Years of MFA at UNO, University of New Orleans St. Claude
Gallery, New Orleans, LA (catalogue) Fuentes, Galerie Thaddaeus Ropac, Salzburg, Austria Synthetics, Whitney Museum of American Art, New York Sensory Overload: Light, Motion, Sound and the Optical
in Art Since 1945, Milwaukee Art Museum, WI Antes de ayer y pasado mañana; o lo que puede ser la Pintura hoy, Museo de Arte Contemporáneo Unión Fenosa, La Coruña, Spain
Images and Representations: The Eighties
Second Part, MAGASIN Centre National d'Art Contemporain de Grenoble, France (catalogue) With You I Want To Live: Gordon Locksley & George T. Shea Collection, Museum of Art Fort Lauderdale, FL Collect With Us, Armand Bartos Fine Art, New York Structures — Space, New Museum of Contemporary Art, New York
A three - part exhibition, the first
gallery provides a glimpse of McGinness's studio practice, the
second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final
image, and the last portion features early works the artist made while growing up
in Virginia Beach.
Experience Chaz's
second solo exhibition, with New
Image Gallery in LA, showing in the main gallery until Februa
Gallery in LA, showing
in the main
gallery until Februa
gallery until February 3rd.
The
second gallery groups together stars, like Mr. Salle, with others, including Joyce Pensato, overlooked until recently, who dallied
in the
images of popular culture, pulling its meanings
in provocative directions.
«Bright Future: New Designs
in Glass» February 10 — May 5, 2012 Pratt Manhattan
Gallery 144 West 14th Street,
Second Floor
Gallery Hours: Tuesday — Saturday 11 AM — 6 PM
Image captions clockwise from left: Branching Bubble Light by Lindsey Adelman Studio; Girtab by Giovanni Moretti for Carlo Moretti; Maure de Venise table by Liana Yaroslavsky; Litracon by Aron Losonczi; Mesh Vases by Werner Aisslinger & CIAV Meisenthal; Basket Chandelier by Marco Dessi for J. & L. Lobmeyr; Z Table by Tom Patti (B.I.D.»67 and M.I.D.» 69); and Plumen 001 energy - saving bulb by Hulger and Samuel Wilkinson, photo by Andrew Penketh.
Dancers and female painters figure
in her
second New York
gallery show, evoked
in images culled from old photographs and rendered
in simplified shapes that sometimes merge
in a surface brushiness or are outlined
in the manner of cartoons.
A three - part exhibition, the first
gallery provides a glimpse of McGinness» studio practice, the
second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final
image, and the last portion features early works the artist made while growing up
in Virginia Beach.
On view concurrently
in ICA Miami's
second floor
galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of
images, and to locate them at the intersection of the poetic, graphic, and photographic.
In the second room of the gallery, the installation Sleeping Pollen articulates a darker sensation: Suspended chrome globes spin, reflecting projected images of herbs and flora, sparkling in the darknes
In the
second room of the
gallery, the installation Sleeping Pollen articulates a darker sensation: Suspended chrome globes spin, reflecting projected
images of herbs and flora, sparkling
in the darknes
in the darkness.
Finally settled
in, Luke is returning to New
Image Art
Gallery for his
second exhibition displaying his most developed and ambitious body of work to date.
Maygene Daniels, chief of
Gallery Archives, and Gregory Most, chief of library
image collections, National
Gallery of Art; and Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures
in the Third Reich and the
Second World War.
, Gypsum
Gallery, Cairo, 2015; EVA International — Ireland's Biennial, Limerick, 2014; The 11th Havana Biennial, Cuba, 2012; «
Second World» Steirischer Herbst, Graz, Austria and Galerija Nova, Zagreb, Croatia, 2011; 1st Festival of Contemporary Art
in Algiers, Algiers, 2009; 7th Gwangju Biennial, South Korea, 2008; 1st Canary Islands Biennial, Spain, 2006; «Trial Balloons» MUSAC, León, Spain, 2006; «An
Image Bank for Everyday Revolutionary Life», REDCAT
Gallery Los Angeles, USA, 2006; «Out of Space»
Gallery Sfeir - Semler, Beirut, Lebanon 2006; Progr, Zentrum fur Kulturproduktion, Bern, Switzerland, 2005; «Il periplo creativo», Museo dell «Accademia Ligustica di Belle Arti, Genova, Italy, 2004; «Transferts», Palais des Beaux - Arts de Bruxelles, Brussels, Belgium, 2003; «Mediterranean», Culturgest, Lisbon, Portugal, 2001.
In his
second solo exhibition with the
gallery, Greene will present, as the title suggests, representational
images of women.
2011Out of Focus Photography, Saatchi
Gallery, London, UK (catalogue)
Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render: New Construction
in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Gree
in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug -
In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Gree
In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving
Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving
Image, Taka Ishii
Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece
She has been included
in a number of exhibitions worldwide: La trahison des
images ©, Pallazzo Franchetti, Venice Biennale 2001, The Weather, Charles H. Scott
Gallery, Vancouver 2004, Brussels South Airport, Krinzinger Projekte, Vienna 2005, One
Second of Silence, Parker's Box
Gallery, New York 2008, Present Perfect, Program
Gallery, Berlin 2008, Political / Minimal, KW Institute for Contemporary Art, Berlin 2008, Show Me, Don't Tell Me, Brussels Biennale 2008, Nos (Us), Museu da República, Rio de Janeiro 2009, Upcoming solo exhibition: The Transparent Ceiling, Galerie Les filles du Calvaire, Parijs, 20 March till 20 April 2009.
The first
image a visitor sees after climbing up the stairs to the
second - floor
galleries is a large - screen video of the Trisha Brown Dance Company
in performance.
, Museion — Museum of modern and contemporary art Bolzano, Bolzano, IT The Library of Babel, 176 Collection, London, UK The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb Agency, Paris, FR Exhibition, Exhibition, Castello di Rivoli — Museo d'Arte Contemporanea, Turin, IT Les Belles
Images:
Second Scenario, La Box, Bourges, FR FAX, Para / Site Art Space, Hong Kong, CN Artprojx Presents, Wimbledon College of Art, London, UK The Library of Babel /
In and Out of Place, 176
Gallery, London, UK Répétition dans l'Épilogue, Super # 11, Galerie Lucile Corty, Paris, FR
Gallery, Galleria, Gallerie, Norma Mangione
Gallery, IT Production Site: The Artist's Studio Inside - Out, MCA, Chicago, US The Storyteller, Anna - Maria and Stephen Kellen
Gallery, New York, US
PHILADELPHIA, PA — The Halide Project is pleased to announce its
second annual juried exhibition of traditional and alternative process photography entitled Living
Image, which will be on display at Gravy Studio &
Gallery in Northern Liberties from October 6 - 29, 2017.
Fitchburg Art Museum, Fitchburg, Massachusetts; Smith College Museum, Northampton, Massachusetts, and Honolulu Academy of Arts, Hawaii, USA (exh cat) Flower as
Image in 20th Century Photography, Wave Hill, New York, USA (exh cat) Sex, Cable, New York, USA Terrae Motus, Fondazione Amelio, Napoli, Italy, catalogue with text by Giulio Carlo Argan Sex - Specific: Photographic Investigations of Contemporary Sexuality, The School of the Art Institute of Chicago, Superior Street
Gallery, Chicago, USA (exh cat) Still Life Photographs, Jason McCoy, Inc., New York, USA Allegories of the Human Form: A Photography Exhibit, Dowd Fine Arts Center
Gallery, State University of New York, Cortland, USA The Heroic Figure, Contemporary Arts Museum, Houston, USA, travelled to Memphis Brooks Museum of Art, Tennessee; Alexandria Museum / Visual Art Center, Alexandria, Louisiana; and Santa Barbara Museum of Art, Santa Barbara, USA (exh cat)
Second Salon of Montreal Art Galleries, Palais des Congres, Montreal, Canada
State University, Atlanta GA Juror Choice Award, Ninth Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2004 Self - Inflicted, Fe
Gallery, Pittsburgh PA Flow, Sun Trust Plaza
Gallery, Atlanta GA Rampant, Fe
Gallery, Pittsburgh PA Painted Realities, Lamar Dodd Art Center, LaGrange GA 2003 Film / Video GA, MOCA GA, Atlanta GA Animation Impulse: Video Art and the Generated
Image, Cheekwood Museum of Art, Nashville, TN Animation Extravaganza, 27th Annual Atlanta Film Festival, Atlanta, GA Juror Choice Award, Seventh Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ Looks Good on Paper,
Second Edition, Spruill
Gallery, Atlanta, GA 2002 Georgia Triennial, City
Gallery East, Atlanta, GA Georgia Triennial, Museum of Arts and Sciences, Macon, GA 2002 Georgia Triennial, Telfair Museum of Art, Savannah, GA Georgia Triennial, Albany Museum of Art, Albany GA Wild Life: The Other Tradition, Polk Museum of Art, Lakeland FL 2001 Art and Science International Exhibition, National
Gallery of Art, Beijing, China Hardware, Eyedrum, Atlanta, GA 2000 Do It, Atlanta College of Art
Gallery, Atlanta, GA Cute, Georgia Museum of Art, University of Georgia, Athens, GA 1998 Boy Toys, Nexus Contemporary Art Center, Atlanta, GA Scale, Relatively Speaking, Art
in General, New York, NY 1997 My Big Back Yard, Art
in General, New York, NY
The most poignant works
in the show are the photographic diptychs on the
second level of the
gallery; these formally staged
images of poetic acts have a gravity that Economia is unable to capture
in its frozen metal ribbons.
The
second part of Zhilyaev's «archive,» which is presented at the e-flux
gallery, consists of press
images of President Vladimir Putin,
in which his antics (namely, his media appearances showing him kissing a tiger, flying with cranes, fishing, or painting) are displayed as the work of a conceptual artist.
His current show, Analogue Future at DCKT Contemporary on the Lower East Side, is his
second solo
in New York; the first was at Freight + Volume
in 2010, but the
images available on the
gallery's website — loosely rendered paintings of cartoonish monsters, including Christmas trees sprouting human legs — could be, if not for the thickness of the impasto, the work of a different painter.
Now as a follow - up, McGinness and the museum will open «Studio Visit» on January 25, 2014, a three - part exhibition, the first
gallery will provide a glimpse of McGinness's studio practice, the
second will display a selection of the objects McGinness chose from the museum collection alongside his sketches and final
image, and the last portion will show early works the artist made while growing up
in Virginia Beach.
The
gallery followed with a
second 180 page book «We are all setting suns»
in 2012, featuring works completed between 2009 and 2012, along with select writings and documents of Morgan's reference
images.
Projects
Gallery,
second floor Working
in photography, film, video, installation, and performance, Beirut - based artist Akram Zaatari has built a complex, compelling body of work that explores the state of
image - making today.
Traveled to New Orleans Museum of Art; Museum of Contemporary Art San Diego, La Jolla, CA; and Blanton Museum of Art, The University of Texas at Austin; Phoenix Museum of Art Darren Almond, Katharina Fritsch, Martin Honert, Gary Hume, Paul Sietsema, Rebecca Warren, Terry Winters, Matthew Marks
Gallery, Los Angeles The Shock of the News, National
Gallery of Art, Washington D.C. 2011 All of This and Nothing, Hammer Museum, Los Angeles (catalogue) Drawn from Photography, The Drawing Center, New York (catalogue) 2010 Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles A Selection of Works From MOCA's Permanent Collection, Museum of Contemporary Art, Los Angeles Hauntology, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley The Artist's Museum, Museum of Contemporary Art, Los Angeles The More Things Change, San Francisco Museum of Modern Art 2009 Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles
Second Nature: The Valentine - Adelson Collection at the Hammer Museum, Hammer Museum, Los Angeles 2008 Progress, Whitney Museum of American Art, New York Life on Mars: 55th Carnegie International, Carnegie Museum of Art, Pittsburgh (catalogue) Inside Architecture: Selections from the Permanent Collection, Museum of Contemporary Art at the Pacific Design Center, Los Angeles (catalogue) When things cast no shadow: 5th Berlin Biennial for Contemporary Art, Berlin (catalogue) 2007 From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles USA: American Video Art at the Beginning of the 3rd Millennium,
Second Moscow Biennale (catalogue) Live / Work: Performance into Drawing, The Museum of Modern Art, New York Radio Daniele, broadcast by Citta del Capo Radio Metropolitana,
in collaboration with Museo d'Arte Moderna di Bologna, Italy 2006 Uncanny Nature, Australian Centre for Contemporary Art, Victoria, Australia (catalogue) Le Mouvement des Images, Centre Pompidou, Paris (catalogue) 2005 Recent Acquisitions, Museum of Contemporary Art, Los Angeles Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles (catalogue) Uncertain States of America, Astrup Fearnley Museum of Modern Art, Osl
in collaboration with Museo d'Arte Moderna di Bologna, Italy 2006 Uncanny Nature, Australian Centre for Contemporary Art, Victoria, Australia (catalogue) Le Mouvement des
Images, Centre Pompidou, Paris (catalogue) 2005 Recent Acquisitions, Museum of Contemporary Art, Los Angeles Ecstasy:
In and About Altered States, Museum of Contemporary Art, Los Angeles (catalogue) Uncertain States of America, Astrup Fearnley Museum of Modern Art, Osl
In and About Altered States, Museum of Contemporary Art, Los Angeles (catalogue) Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo.
In this second part of his tour, the artist gave a detailed summation of his new works in the upper gallery, explaining his fascination with his new dark painting style, his irritation at Goya, and explains the creation of his particularly disquieting images to be found on the top floor of David Zwirner's Galler
In this
second part of his tour, the artist gave a detailed summation of his new works
in the upper gallery, explaining his fascination with his new dark painting style, his irritation at Goya, and explains the creation of his particularly disquieting images to be found on the top floor of David Zwirner's Galler
in the upper
gallery, explaining his fascination with his new dark painting style, his irritation at Goya, and explains the creation of his particularly disquieting images to be found on the top floor of David Zwirner's G
gallery, explaining his fascination with his new dark painting style, his irritation at Goya, and explains the creation of his particularly disquieting
images to be found on the top floor of David Zwirner's
GalleryGallery.
«Picasso and Jacqueline: The Evolution of Style,» the doubleheader mounted by the Pace
Gallery in its spaces on East 57th Street and West 25th Street, marshals paintings, drawings, prints, and sculpture to explore the changing
image of Jacqueline, Picasso's
second wife and last great love, whose dark, compact beauty dominated his art
in his final twenty years.
Surprisingly, the phone takes a couple of
seconds to render
images in gallery.