Not exact matches
But the
second image (
on the
right) was taken in the morning after she woke up, demonstrating just how much her stomach slimmed down overnight.
This
image shows in ultraviolet light the
second - largest flare (bright flash at
right), which was emitted
on September 10.
Combining three
images taken about 30
seconds apart as the moon moves produces a slight but noticeable camera artifact
on the
right side of the moon.
Hex (
second row,
second from the left in your
image) and Torx (top row
on the
right) are widely used, because they are more suited for automated tools and / or are more resistant to deformation than flat - head and Philips.
Hopping and popping (as I call it) through a printed textbook to find some vaguely - remembered statement, I rely
on all manner of physical cues to home in
on the information: in the first or
second half of the book;
on the left or
right page; proximity to a graphic
image or photo.
On the other hand, the drop cap is totally out of position, the brush fonts were dropped, and the
second image (the flautist) is displayed in - line at the beginning of the paragraph, not inset to the
right.
- Tom Spurgeon's «Sometimes They Make It Hard To Ignore Creators Issues» and «Twenty - One Not Exactly Original Notes
On More Watchmen, Written At A Slight Remove» -
Image Comics publisher Eric Stephenson's «NO FUN» - Chris Mautner's «We've come so far:
On Before Watchmen and creators
rights» - Rich Johnston's «The Ethics Of Before Watchmen» - Mindless Ones» ««The
Second Coming of Night Owl», and other stories...» - Tom Bondurant's «Grumpy Old Fan Set your clocks back»
Much of it we've seen in past scans or
images, but it does feature a new screenshot with the First Hokage taking
on the
Second Hokage
right in the center of the page.
Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The Exhibition Go Annual Contemporary Art in China, Beijing Minsheng Art Museum (2016); Silk Road International, Art Museum of Nanjing University of Arts, Nanjing, China (2016); New Capital: Huang Yu Collection Exhibition, Museum of Contemporary Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary Art, Chongqing, China (2015 - 2016); Beyond the Earth — The First Xi'an Contemporary Photography Exhibition, Xi'an Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography Art Centre, Beijing, China (2015); Unfamiliar Asia: The
Second Beijing Photo Biennial, CAFA Art Museum, Beijing, China (2015); China 8: Contemporary Art from China
on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental
Image Open Exhibition, Three Shadows Photography Art Centre, Beijing China (2015); and Pull Left — Not Always
Right,» Urban Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).
Installation view of «White
on Blue No. 6» (
second from left), «Betwixt» series (first from left and
second from
right), and «Non-Place» «series by Luke Heng
Image courtesy of the artist and Pearl Lam Galleries, Singapore
The web site takes a few
seconds to load, but once it loads, the speed is fast as you click
on the icons in the
right - hand column and the map zooms in and gives you a satellite
image of these smoke stacks.
The
image on the
right also had an aperture of f / 22, but I was able to use a shutter speed of 1 / 250th of a
second because I'd increased the ISO to 1600.