Sentences with phrase «second installation at»

It is the second installation at the gallery by Korean artist, Sun K. Kwak.

It is the second installation at the gallery by Korean artist, Sun K. -LSB-...]

Doug Wheeler's second installation at the David Zwirner gallery brings to mind the French Enlightenment fantasy architectural monument spheres of Étienne - Louis Boullée.

Not exact matches

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The region is also a major energy producer, the source of 75 % of the state's oil production and 65 % of its gas production.18 Kern County is the third most productive oil - producing county in the U.S., 19 accounting for one - tenth of overall U.S. oil production and three of the five largest U.S. oil fields.20 Kern is also home to the world's second largest onshore wind farm, the Alta Wind Energy Center, 21 and construction is underway there on what will be the world's largest solar PV installation, at Antelope Valley.22

The second commercial installation was at the Laproma farm located in Schlossvippach, Germany.

Since it has been commissioned it has seen two major upgrades to further enhance its capabilities: addition of a second, blue arm optimized for shorter wavelengths of light; and the installation of detectors that are much more sensitive at the longest (red) wavelengths.

In the year to come look out for a second webcomic serial to debut at E-merl, a new comics installation to be exhibited somewhere in London, a discussion panel 12 years in the making and the announcement of a major new digital comics research project.

For her second presentation at P.S. 1, E.V. Day creates a new installation specifically for the Boiler Room, a gallery located in the basement of the building.

However, now that our second installation, More Discoveries: Inaugural Exhibition, Part II is complete (it opens tonight with a reception at 5:30 pm), I'm glad we made the decision to makes these changes so early in our opening year.

In Bigg's second exhibition with the gallery, A Step on the Sun, Bigg's multi-channel video installation shows miners extracting hardened sulfur at Indonesia's Ijen volcano; the video references natural beauty as a...

During a 30 - year period when painting has been at an all - time critical low, supplanted by photography, video, assemblage and installation, he has never let himself be dragged down or wavered for a second in his commitment.

A second chapter of the video installation Hide Your Water from the Sun was presented in the exhibition Jumana Emil Abboud: Haunted Springs and Water Demons in Palestine at Kunstraum, London, 14 May — 23 July 2016.

Improbable Landscapes, the artist's second solo show at the gallery, launched his series of large tapestries in June 2014, followed in the autumn by Tally Sticks Project, a large site - specific installation created by Montoya for presentation in the main gallery.

For the second installation, the so - called PeaRoeFormance at the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna, Rhoades reassembled The Grand Machine using working tables and chairs, scaffolding, and various machinery.

For the second consecutive year, Pratt Institute's tabletop installation at Design Industries Foundation Fighting AIDS (DIFFA) DINING BY DESIGN was one of two out of 44 installations voted Best in Show by The American Society of Interior Designers.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Utilizing The Loft at Liz's architecture and natural light sources, the artist will create a site - specific installation in the main gallery while featuring a second installation (see next paragraph) in the gallery's Projects Room.

View of Sarah Sze's second floor installation at the Fabric Workshop and Museum, 2013, mixed media, dimensions variable.

For the second consecutive year, Pratt Institute's tabletop installation at Design Industries Foundation Fighting AIDS (DIFFA) DINING BY DESIGN was one of two out of 44 installations voted Best in Show by The American Society...

For their second solo show at the Michael Kohn Gallery, Los Angeles - based collaborative duo Simmons & Burke will present a new body of work featuring large - scale digital collages and sound installations.

His second solo show at LA's KOHN GALLERY, «#metadata» offers up both an experiential installation and new paintings from two different bodies of work: «Studio Views» and «Screen Combines.»

Artist Sarah Sze works on her installation at Asia Society Museum in New York, where for the first time in nearly a decade the second - floor Park Avenue - facing window has been uncovered.

Gallery, Jamaica Center for Arts & Learning, Queens, NY 2011 Solo show: Takafumi Ide solo exhibition, The Gallery, Onondaga Community College, Syracuse, NY 2010 Solo show: Takafumi Ide / Life is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East Islip, NY

A second chapter of this installation was programmed for October in the Grande Halle at the Parc des Ateliers.

At the second annual John Wilmerding Symposium on American Art held on March 23, 2018 at the National Gallery of Art, Janine Antoni, Byron Kim, and Glenn Ligon, whose works are featured in the special installation Bodies of Work, discuss their art with Molly DonovaAt the second annual John Wilmerding Symposium on American Art held on March 23, 2018 at the National Gallery of Art, Janine Antoni, Byron Kim, and Glenn Ligon, whose works are featured in the special installation Bodies of Work, discuss their art with Molly Donovaat the National Gallery of Art, Janine Antoni, Byron Kim, and Glenn Ligon, whose works are featured in the special installation Bodies of Work, discuss their art with Molly Donovan.

McKendree Key, Pier 17: Space # 2085 Divided into Cubic Yards, 2006 Artist McKendree Key's assistants, Allie Tsypin and Slaveya Starkov, discuss the process of constructing and the experience of inhabiting Key's new second floor installation at P.S. 1.

A second chapter of this installation is scheduled for October 2011 at the Grande Halle of the Parc des Ateliers.

The exhibition will occupy the 10,000 sq. ft. second floor of 548 West 22nd Street with large - scale installations, serial sculptures, wall works and videos that traverse the political aspect in art, integrating performative methods and autobiographical, familial content in ways that established a new discourse around identity and dissent at the end of the 20th Century.

This piece of metal was then reused for this second installation, which also explains why «II» is amended onto the title of his exhibition at Edouard Malingue.

«Solo Romantika», a new performance, sound and video installation work by Gery Georgieva, forms the second of three solo shows produced by #temporarycustodians at Res.

Sculptor Virginia Overton was granted the second commission in Storm King Art Center's new «Outlooks» series of site - specific installations; her 400 - foot - long brass sculpture, undulating over the parkland's organic curvature, is on view through November — and her work also features in «FlatRock,» a solo exhibition at the Museum of Contemporary Art North Miami, through July.

The Children's Hospital amounts to a kind of teaser for a second, larger installation at Sean Kelly.

Installation view April 22 — May 23, 2009 As the first of three shows in its temporary location at 4 East Second Street, Museum 52 New York presents four artists whose work, at its most simply stated, could be seen as abstract painting.

On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.

For those who want a second helping of the Venice Biennale, Rachel Maclean is re-showing the work she made for the Scottish Pavilion in 2017 in Edinburgh, whilst Chiharu Shiota will be creating a site - specific installation based on her 2015 Japanese Pavilion at the Yorkshire Sculpture Park.

Norwegian artist Tiril Hasselknippe's second exhibition at Drei, «Queens of the Tear Duct», comprises a site - specific installation as well as four smaller sculptures.

I am due for a second visit to the Due Return — the 75 - foot - long beached ship - interactive installation that dominates Munoz - Waxman Gallery at CCA Santa Fe, and around which an elaborate narrative, constructed by the Meow Wolf collective, and populated by the public, is taking place.

Among her visual works is SPIRIT HOUSE, a site - specific installation presented at Project Row Houses (Houston, TX) investigating magical methods used for house protection, As a musician and songwriter, she is a founding member of the psychedelic folk trio Goddess which released their second album Paradise in 2015.

Wilson's «Sala Longhi» installation, which he premiered at the 2011 Venice Biennale, takes up the second gallery, with a white glass chandelier emerging from a wall - mounted picture frame surrounded by smaller frames filled with black glass out of which face - shaped circles have been cut.

As he prepared the show, however, Marshall decided that «multiple fronts were needed to set forth a black aesthetic» and the exhibition then expanded into the museum's two main second floor galleries with paintings, sculpture, photographs, videos, installations, drawings and excerpts from the artist's cartoon series RYTHM MASTR, which originally began as a newspaper comic strip at the 1999 Carnegie International exhibition.

Installation view June 27 — July 12, 2009 PIT (Project Initiative Tilburg) presents its second international artist at the artspace Argument: Martin Pfeifle (1975).

Large - Scale, Site - Specific Installation Explores the Ever - Changing Natural Environment of the City of New Orleans Katie Holten: Drawn to the Edge On View June 15 - September 9, 2012 New Orleans, LA — For the second annual installment of the Great Hall Project series at the New Orleans Museum of Art, artist Katie Holten will map the... Read More

Up on the second floor, Wang Gongxin's installation work, The Dialogue (1995), focuses viewers» attention on ripples of causality: Two light bulbs slowly see - saw into and out of a pool of ink, gently touching the surface so that the resulting waves in this dimly lit room are only visible at close range.

In Media Res is José Parlá's second solo show at Bryce Wolkowitz Gallery featuring new paintings and sculptures as well as a large - scale mural installation covering parts of the gallery walls.

An installation entitled «My Father's FBI File: Part II» is the second iteration of a project currently featured in the Oakland Museum of California's All Power to the People: Black Panthers at 50.

Jim Lee's second New York solo exhibition, Paranoid, an installation of painted objects and impermanent structures which altered the character of the gallery, was recently seen at Freight + Volume.

Her work is not specific to a medium, since she makes sculpture, installation, video, animation, etc., but rather is produced at certain points through digital processes (3D modelling, video editing, Second Life photography) and is in part exhibited and distributed through the internet.

Image: Installation view of Alexander Calder's exhibition at the second Bienal de São Paulo (São Paulo Biennial), 1953 — 54.

, the second installation of the photo series, is a continuation of his «exploration of the things we normally can't see in common household objects and foods, as well as of the natural and man - made design at a macro scale.»