Sentences with phrase «second part of the exhibition»

Second part of an exhibition series with new acquisitions of contemporary Chinese and international art

The second part of the exhibition is an installation of components of the house, including a portion of the interior framing that re-creates the volume of the house inside the Pulitzer, along with salvaged wood, bricks, furniture and other architectural elements.

The second part of the exhibition entitled Yes I Can!

These commissioned pieces complement the second part of the exhibition that showcases the work of artists in residence at Dieu Donné, a New York - based nonprofit paper workshop that has been providing opportunities for artists to engage with the process of handmade paper since 1976.

The second part of the exhibition, on display in the last gallery, is entitled Us, the Residents.

The show is the second part of an exhibition series of contemporary Iranian art curated by Shahram Karimi.

The juxtapositions are both overt: the second part of the exhibition concentrates on Fontana ceramics and Ruby ceramics; and more subtle: the first two rooms of the exhibition intertwine bronze works by both artists, each of which shares a rare ability to simultaneously expose the significance of both the material from which the work was molded, with equal emphasis on the intrinsic nature of bronze as essential to the work's perception.

The second part of the exhibition consists of canvases you have selected from the museum's collections.

Whereas the first part of the exhibition consists primarily of installations, conceptual artworks and videos, sculptural works and photography will be in the foreground of the second part of the exhibition On Curbstone Jewels and Cobblestones.

The second part of the exhibition, «Keys to the House,» invites visitors into the photographer's house and life in Suffolk, England.

The second part of the exhibition will be on view from November 5 until December 23, 2015 at Blum & Poe in Los Angeles.

The second part of the exhibition, in Bataan, includes the 36 - minute film Crossroads (1976), assembled from archival footage of the Operation Crossroads Baker nuclear weapons test conducted at Bikini Atoll on 25 July 1946.

The second part of the exhibition will take place in Los Angeles, and it will present the works by the core Cobra group from the New York exhibition as well as works by Enrico Baj, Corneille, Mark Flood, Magdalena Suarez Frimkess, Gelatin, Mark Grotjahn, Jacqueline de Jong, Friedrich Kunath, Eddie Martinez, Bjarne Melgaard, Jon Pylypchuk, Reinhoud, Julian Schnabel, Walasse Ting, and others.

The second part of the exhibition includes photographic work by Peter Campus, Gregory Crewdson, Eldon Garnet, Andreas Gursky, Zoe Leonard, John Pfahl, Gary Schneider and Hiroshi Sugimoto.

A second part of the exhibition will explore the work Josef and Anni Albers made after the Bauhaus closed, and following their move to the USA in 1933.

The second part of the exhibition Davenport switches to a totally new format in which the printed colours are splattered rather than poured.

Drawn In / Drawn Out - Second part of exhibition at The Old Jail Art Center, Albany, TX Group Show including Helen Altman, Joseph Havel, Robyn O'Neil, Linda Ridgway, and Matthew Sontheimer

The second part of the exhibition, envisioned like a drafting room, focuses on the lives and conditions of materials.

The second part of the exhibition features a living studio in which the artist will work in collaboration with Purchase College students during a two - month residency.

The second part of the exhibition is a recreation of Vandal's Bedroom, the sprawling, graffiti filled structure that was a highlight of the Art in the Streets exhibition recently shown at LA MOCA.

The second part of the exhibition's title underscores Dublin Contemporary 2011's emphasis on art that captures the spirit of the present time, while introducing the exhibition's chief organizational engine: The Office of Non-Compliance.

After the intimate vistas of McElheny's «paintings», he offers a different kind of contemplation in the second part of the exhibition, through the combination of image and language.

The second part of the exhibition presents a large - scale site - specific installation composed of a group of 12 school desks and several steel sculptures that occupy the entire volume of the gallery.

The second part of the exhibition includes works by artists programmatically - following academic painting of the 19th century, and references to classical painting firmly tied to the Renaissance heritage.

The second part of the exhibition will be dedicated to European and American art from the 1970s until today, i.e. artists who further develop the abstract avant - garde trends with different accents (John M Armleder, Daniel Buren, Sylvie Fleury, Peter Halley, Imi Knoebel, Gerold Miller, Olivier Mosset, Michael Zahn, and others).

A second part of the exhibition, including works from the first half of the twentieth century, will open on the seventh floor on April 27.

The second part of the exhibition opens in August, Strands: Filipino and Filipino American Artists Encounter Textile, presents works by Filipino - American contemporary artists Cirilo Domine and Christine Morla, and Manila's Aze Ong, all of whom have been conceptually, spiritually, or formally inspired to use textiles as a starting point of inquiry.

The second part of the exhibition, Fairytale - 1001 chairs, extends Ai's major project for Documenta 12 in Kassel in 2007, for which he brought 1,001 Chinese citizens to Kassel for 20 days, representing each person with an antique chair.

In the second part of the exhibition, we emerge into a space appropriating the look of a scientist's study.

Lost and Found: California Pictorialist Photographs from the Dennis Reed Collection The second part of an exhibition of rare photos that began this summer.

Robert Irwin: Dotting the i's & Crossing the t's: Part II is the second part of an exhibition focusing on...

The second part of the exhibition features medals recently commissioned especially for this exhibition from some of the world's leading contemporary artists.

The second part of the exhibition in the Hessel (and not traveling) took a different tack, with Eccles and Harrison collaborating with six artists — Nayland Blake, Tom Burr, Harry Dodge, Alix Lambert, Allen Ruppersberg, and Andrea Zittel — in curating works from the Marieluise Hessel Collection.

For the second part of the exhibition, visitors need to walk outside onto the street and around the corner to enter the old wood panel, fireplace and chandelier part of the Armory.

The second part of the exhibition will open in the Ritter Art Gallery on Thursday, Jan. 14, 2015 with a public opening event to be followed by additional public programs featuring several exhibiting artists.

(Dormitorium, the second part of the exhibition, is a collection of diorama - like film sets which I wrote about in 2009 when it arrived at the Kellen Gallery of Parsons, the New School for Design, in an exhibition curated by Edward Waisnis for the artists» alma mater, the former Philadelphia College of Art, now the University of the Arts.

Escape, the second part of the exhibition, concerns escape from the apocalypse.

Not exact matches

In Berlin, leather outfits from their second show formed part of an outré exhibition: a fake campaign for their perfume «Iron Lady» — equal parts Chanel N ° 5 and Yves Saint Laurent's Rive Gauche — which the pair created with photographer Tyrone Lebon (starring porn star Stoya.)

Stay tuned: Tomorrow, in the second part of this special Q&A, Smithsonian Director of Exhibitions Kara Blond will be talking about the skills needed to stage and manage an exhibition, and how teachers can involve all students by assigning them these different roles.

In the second part of our Q&A on staging a successful school exhibition, Kara Blond, Director of Exhibitions at the Smithsonian National Museum of Natural History, takes us through the roles and skills needed to stage and manage an exhibition.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

COOP Gallery invites Atlanta Contemporary and Daniel Fuller to present an exhibition as a part of their second annual summer series of exhibitions entitled House Guests.

Yves Aupetitallot, Images and (Re) presentations: The Eighties, Second Part, exhibition catalogue, Le Magasin (Grenoble, France: National Center of Contemporary Art, 2009).

This solo exhibition, Rubinfien's second with the gallery, will feature 17 color photographs selected from his series A Map of the East, which he made in Japan and other parts of Asia between 1980 and 1987.

Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis on the process of collaboration and the subjective experience within artistic practice.

The End of the Night is the second exhibition in a two - part exhibition cycle Kirszenbaum will research and develop during her residency at LACE.

The performance comes as part of V4ULT's second episode, running between December 2014 and March 2015, and consisting of three solo shows, one group show, and two time - based interventions, created in collaboration with other artists, inserted into each exhibitions.

EK: Terrapolis is the second exhibition in the three part series of outdoor art projects we are hosting in collaboration with the Whitechapel Gallery (London).

Pratt Institute's Master of Fine Arts (M.F.A.) program will present «Fleeting Objects,» an exhibition of works of photography, painting, sculpture, and video by 20 second - year M.F.A. students as part of the «College Art Association (CAA) New York Area M.F.A. Exhibition» at Hunteexhibition of works of photography, painting, sculpture, and video by 20 second - year M.F.A. students as part of the «College Art Association (CAA) New York Area M.F.A. Exhibition» at HunteExhibition» at Hunter College.

Rising Up / Uprising is the second exhibition in a two part series commemorating the fiftieth anniversary of the Civil Rights Act of 1964.