Sentences with phrase «second section of the film»

An extended period of falling action, the second section of the film hones in on the pockets of emptiness in Jesse Eisenberg's face, and an unrecognizable Dakota Fanning has her child - star innocence reintroduced in a dangerously inconvenient time for her character's comrades.

The second section of the film feels very much like a talky Richard Linklater picture (think «Waking Life,» or moments of «Slacker «-RRB- and essentially boils down to a big table of friends eating and conversing about life — intellectual, philosophical and social ideas revolving around technology, sex, romance, memory, perception and more.

A pair of dynamic female characters also highlight the second section of the film.

Not exact matches

The smooth jazz score which punctuates the film gives certain sections the feeling of a silent movie, while the long awkward silences in the second act are like a lighter, less absurdist variant on the work of Samuel Beckett or Harold Pinter.

Populated by an eager groom (Alexander Skarsgård), eccentric parents (Charlotte Rampling and John Hurt) and arrogant brother - in - law (Kiefer Sutherland) in the first half, before making room for an intimate examination of the family dynamic in the second section, the cleverly compelling film captures attention from the operatic opening to the moving conclusion.

The doc is also fascinating because it shows how these films often come together in the last possible second, and that comes up in the post production section of the documentary.

Award - winning filmmaker Chloe Zhao's second full - length feature film, The Rider, screened as a part of the TIFF» Next Wave» section last week.

«Son Of Rambow» (2007) Arguably the best film on this section of the list, «Son Of Rambow,» the impossibly charming coming - of - age tale that marked the second film from music video veteran Garth Jennings, who made his debut with studio picture «The Hitchiker's Guide To The Galaxy,» was the big buy at Sundance 2007, selling to Paramount Vantage for $ 7.5 millioOf Rambow» (2007) Arguably the best film on this section of the list, «Son Of Rambow,» the impossibly charming coming - of - age tale that marked the second film from music video veteran Garth Jennings, who made his debut with studio picture «The Hitchiker's Guide To The Galaxy,» was the big buy at Sundance 2007, selling to Paramount Vantage for $ 7.5 millioof the list, «Son Of Rambow,» the impossibly charming coming - of - age tale that marked the second film from music video veteran Garth Jennings, who made his debut with studio picture «The Hitchiker's Guide To The Galaxy,» was the big buy at Sundance 2007, selling to Paramount Vantage for $ 7.5 millioOf Rambow,» the impossibly charming coming - of - age tale that marked the second film from music video veteran Garth Jennings, who made his debut with studio picture «The Hitchiker's Guide To The Galaxy,» was the big buy at Sundance 2007, selling to Paramount Vantage for $ 7.5 millioof - age tale that marked the second film from music video veteran Garth Jennings, who made his debut with studio picture «The Hitchiker's Guide To The Galaxy,» was the big buy at Sundance 2007, selling to Paramount Vantage for $ 7.5 million.

The filmmaker's second feature, «Taxidermia» made quite a splash at the festival back in 2006 as part of the Un Certain Regard section, and he was back at the festival with collage film «Final Cut» in 2012.

The women themselves provide good interviews, even if the structure of the documentary itself is slightly scattershot: one second they're speaking about an aspect of the business, and the next the film becomes specifically biographical about one of the key women — but the biography sections are never adjacent, and so we get them all throughout the film.

Fresnadillo is yet another director to watch (this is his second feature film), and he manages thrills out of the weaker sections 28 Weeks Later, which should be a completely unnecessary sequel as a whole in the first place.

No, not Fiennes» — that of Rosemary Harris, who plays Sonnenschein / Sors (the name that the family comes to adopt) matriarch Valerie in the film's second and third sections (Harris's real - life daughter, Jennifer Ehle, portrays Valerie in the opening section).

As with previous Platinum Edition releases, the treasure trove of extras can be found on the second disc's «Backstage Disney» section, which features an hour - long documentary of the film's development, production, and reception, featuring comments from modern animation figures such as Pixar's John Lassiter as well as many of the now - elderly voice actors for Bambi and the other forest creatures.

Emblematic of the festival's initiative to spotlight films on a global scale is its «Global Visions» section, which boasts an array of narrative and documentary films from Japan (Wonderful World End), Brazil (The Second Mother), Germany (Stations of the Cross), China (Red Amnesia), the United Kingdom (Luna), South Korea (A Hard Day), France (Fidelio: Alice's Odyssey), New Zealand (The Dark Horse), and many more countries with exciting, emerging filmmakers and films worthy of our undivided attention.

The second platter is divided into six rotating sections (it's a neat bit of animation), each one assigned a different aspect of the film's inception.

The second section examines the rise of motion photography and its influence on depictions of the human figure in art and film in the 1890s.

In its second year, the film section of the fair will again be organized by Beijing - and Zurich - based curator Li Zhenhua; the lineup is to be announced.

The Woolworths Choir of 1979 (2012) is a film installation which comprises three distinct sections; the first examines the choral architecture of churches; the second concentrates on coordinated dance routines performed by pop groups and backing singers; and the third focuses on archive footage from a fire at the Woolworths department store in Manchester in 1979.