Sentences with phrase «seconds at a particular point»

You could also hold the bar for a few seconds at a particular point in the range of motion.

Not exact matches

It's rather hard to point the finger at a particular aspect of their game that has improved on last season — but they look as if they have collectively moved up a level in terms of confidence and assurance both on and off the ball that even when Everton threatened David De Gea in the early stages of the second half, the home side refused to be drawn in.

But to do so she'll have to navigate a town of predators, who include, in no particular order: the modeling agent who tells her to lie about her age (Christina Hendricks); the hot photographer who immediately calls for a closed set and asks her to get naked (Desmond Harrington); the other supermodels who, Jesse points out, undergo plastic surgery «to look like a second - rate version of me» (Bella Heathcote, Abbey Lee); the mountain lion who somehow ends up in her grimy motel room in the San Fernando Valley (casting information unknown); the helpful makeup artist who moonlights down at the morgue (Jena Malone); and the motel manager who might be a murderer and is definitely a pimp (Keanu Reeves).

At this point, it should come as no surprise that none of the 400 GTI Clubsport S models slated for production will be offered in the United States; apparently, when VW says that a particular car will be available worldwide, it isn't including the world's second - largest automobile market in its calculations.

Starwood and Caesars share the second closest partnership on the Las Vegas Strip, offering some great opportunities to earn points in particular when staying at one of the many Caesars properties in Vegas.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

But whereas his 1984 exhibition at the former Museum of Contemporary Art represented a particular moment in time, this second show also focuses on Buthe's early and late work, including the starting point of his carreer.

Second, far from being a damning critique of ABS (it actually notes that the claims by both proponents and opponents of ABS are overblown — a point you clearly missed), it merely concludes that in one particular respect ABS has not, at least as yet, achieved one of the possible benfits that some of its proponents have claimed - namely increased accessibility for civil litigation services for lower and middle - income legal consumers.

The second pathway, however, suggests that addressing social support in mothers at a particular point in time - shortly after mothers enroll in home visiting - may decrease depression later, and in turn help mothers cope with stress in the parenting role 18 months into services.