Sentences with phrase «seconds move the arms»

For the last 10 seconds move the arms as fast as possible.

Not exact matches

In the second half of the 19th century tens of thousands of Mexicans — called braceros, a term deriving from brazo, the Spanish word for «arm» — had moved to the U.S. to work in agriculture, mining and light industry.

Wenger was seen throwing his arms towards Taylor before going down the tunnel, where he watched on as his side were awarded their own spot kick which Alexis Sanchez scored in the 98th minute to move the Gunners up to second in the Premier League.

Bicycle ride — The second technique involves placing the baby on their back, and moving the arms and legs in the rotation, just like riding a bike.

SECOND TRIMESTER SNOOZE - STEALERS The Baby Moving Your little lady's got arms and legs — and she's not afraid to use them.

- baby can briefly lift head (usually bobbing, not still) to about 45 degrees - turns head to place opposite cheek down - comfortable with either cheek down - legs begin to straighten in Tummy Time so that lower belly touches the surface beneath baby - arms move further away from the body in Tummy Time and in the second month, will begin to press hands down into the surface to push the shoulders and very top of the chest up very slightly off the surface beneath

To do this, the team had a second monkey watch the virtual arms moving towards targets while its own arms were gently restrained.

The computer calculates the cordon's location every 0.7 seconds and updates the coordinates to move the robot's arm to new positions on the vine.

Armed with that simple concept, the team built a one - legged robot capable of crawling, and moved up in complexity as they added a second and then a third leg, allowing the robot to stand on its own.

The sun moves in the plane of the galaxy on the outskirts of one of its spiral arms at a speed of 220 kilometers per second (136 miles per second).

Continue moving like this, fairly quickly, using the arms to swing back and forth with quick breaths for 30 seconds.

Stagger the movement of the two arms, and keep the hands circling up and around and move forcefully in rhythm with the mantra, one revolution per second.

Keep pressing against your arms for a few seconds and then relax and you will find that your leg will now move a couple of inches further towards your head.

Then, at the most opportunistic moment, a man waltzes in at the last possible second, waves his arms in the air, acts «surprised» that others are paying attention to him and declares victory for himself, moving up the totem pole the process.

The workout switches from arm moves, which you do 12 reps of, and plank variations, which you hold for 45 seconds.

Second, scaling the state's vision of personalized competency - based education will require new academic tools and processes that arm teachers and students with real - time feedback and enable students to move through content at a flexible pace.

You act as if the second you move a Wii Remote your arm will explode and scatter all across the universe.

The second move is the punch, where you extend your arm toward the screen.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

Take the second column and look for ways to move these items off your desk and ideally, out of your practice altogether, into the waiting arms of a growing array of specialists who will do them for you, and do them better than you.