Veterans of last year's Ground Zeroes amuse - bouche will also recognise the pleasingly clutter - free screen and the now essential Reflex Mode, which triggers a few
seconds of slow motion the instant you're spotted by a guard, offering a moment's grace in which you can attempt to incapacitate your captor.
Not exact matches
During FP1, we witnessed some stunning
slow -
motion shots
of drivers tackling the Turn 15/16 chicane (the
second part
of the Swimming Pool section).
Some cameras were designed to zip through hundreds
of feet
of film within a couple
seconds, capturing every detail
of massive fireballs in stunning
slow motion.
One
of the year's most remarkable
motion pictures lasts just 3
seconds — and that's after it has been
slowed down a billion billion times.
«Quintillionths
of a
second in
slow motion: Observing and controlling ultrafast processes with attosecond resolution.»
Now they can detect a wobble
of a celestial body as
slow as three meters per
second, about the speed
of a bicycle in
motion.
In
slow motion - in video originally shot at a thousand frames per
second but played back here at 30 frames per
second - we see the initial suspension lines deploying out
of the pack and taking the parachute backwards where it will ultimately inflate in nearly half a
second.
Intervals: 45
seconds exercise / 15
seconds rest Exercise 1:
Slow Standard Pushups (5 Sec Up and Down)-15
seconds rest - Exercise 2: Low Plank Hold -15
seconds rest - Exercise 3: Stretch Push Ups -15
seconds rest - Exercise 4: Walking Push Ups -15
seconds rest - Exercise 5: Grand Canyon Push Ups (5 Sec Up and Down)-15
seconds rest - Exercise 6: Diamond Kiss Push Ups (5 Sec Up and Down)-15
seconds rest - Exercise 7: Barbwire Push Ups -15
seconds rest - Exercise 8: Fast Full Range
Of Motion Push Ups (try to get as many as you can)
Predictability pervades, from turns by Powers Boothe and Sean Astin as robotic coaches / inspiration dispensers to the
slow -
motion climaxes, making for a forgettable diamond version
of «Varsity Blues,» destined to wander the cornfield
of second - squad wannabes forever.
by Walter Chaw TV - writer Kurt Sutter breaks into feature - screenwriting by amalgamating Taxi Driver with Raging Bull in a movie that has the distinction
of being not only the
second film
of 2015 with Fiddy Cent in it for some inexplicable reason, but also the
second film that Jake Gyllenhaal shares with a little
slow -
motion girl on a trampoline.
Regardless, the effect
of limiting the film to the Dunst - Hartnett storyline is twofold: first, we get to enjoy many many many shots
of pretty young actors being pretty, walking in
slow motion, rolling around in the grass, etc;
second, none
of the other characters ever mean anything to us.
Young Tarzan's reckless behavior endangers members
of his gorilla family not once but twice, and the
second incident (which resorts to an unintentionally humorous
slow -
motion device at one point) separates Tarzan from his eternally caring mother ape Kala (again voiced by Glenn Close).
The film lingers on the consequences
of celebrity and fame, and the cruelty
of the public eye — but does so in its own voyeuristic way that feels like watching a train wreck for a
second time, in
slow motion, and with commentary.
No sooner does it start than the half's over, and no sooner does the
second half start than McG is putting the final play in
slow motion with the final pass being lazily intercut with a montage
of highlights from the movie itself.
And on a technical level, Wright brilliantly mimics the structural characteristics
of these films, with rapid - fire editing (Wright deploys Bay's fast - edited style to such a degree that there can be up to eight cuts per
second in a few action sequences, a noticeable and hilarious gag) and swooping, circling and
slow motion camerawork that would make John Woo proud.
Celebration
of the 595's anniversary is supported by a series
of commercial activities across the Abarth range and by an extremely digital communication plan which revolves around the new commercial: the essence
of the Abarth brand concentrated in 5.95
seconds through an evocative and epic
slow motion.
During that commercial shoot earlier this month, this 20
seconds of the Callaway's SC757 AeroWagen buring rubber in
slow motion is a sight to behold!
OnePlus is touting a
Slow Motion video recording, capable
of capturing 480 frames per
second at 720p for up to a minute.
Also worth mentioning is «Witch Time,» which is essentially Bayonetta's version
of bullet time — enemies move in
slow -
motion for a few precious
seconds, allowing Bayonetta to beat on them without fear
of being hit herself.
In its 36 minutes duration, the film presents footage
of one
of the first nuclear tests conducted at Bikini Atoll in 1946; Conner shows the underwater explosion from fifteen different angles, in extreme
slow motion — at some points one
second of real time becomes three minutes
of screen time.
The
second in a series
of major explorations
of slow -
motion technology, the work eloquently speaks to Carr's ever - present concern with moments
of magical transformation: a semi-mystical gesture located in the everyday that unleashes ripples
of chaos and beauty in equal measure.
The idea is that it's worth getting underneath the Arcadian patina
of optimism to say that the alibi
of the boys and girls that run in
slow motion along Hawaiian beaches with their hair blowing in the wind and their smiling white teeth because their toothpaste is infallible, is in actual fact an alibi that won't stand examination, not for one
second.
Mark Lynas's Six Degrees * is first, a graceful yet massive synthesis
of a very large selection
of scientific research papers;
second, an eloquent and honest plea for action on the «
slow -
motion crisis» that is climate change; and third, a coherent account
of how global warming would affect humans and their world, if allowed to proceed.
The
second video is a
slow motion version
of the footage taken by a witness.
There's a selection
of modes for taking specific photos, including a night mode that leaves the shutter open for 30 -
seconds, an HDR setting, as well as video modes for
slow motion and time - lapse.
The S9 retains the Galaxy S8's innovative design, gorgeous 5.8 - inch AMOLED display, headphone jack, IP68 water resistance and wireless charging support, but adds Qualcomm's lightning - fast new Snapdragon 845 chipset and an all - new camera capable
of 960 frames - per -
second slow motion video.
The device is also capable
of capturing 4K HDR video, as well as 1080p Full HD or regular HD 960 frames - per -
second super
slow motion feature.
This transforms a 0.2
second clip into approximately six
seconds of slow -
motion video.
These sensors are reportedly capable
of recording video in 1080p with a whopping 480 frames per
second, which opens the door for super
slow -
motion footage.
That means you'll get only 0.09
seconds of slow -
motion video, which will net you 3
seconds of playback.
Both phones also offer 960 frames per
second super
slow motion video capture, but where Samsung only has 720p footage capture, Sony has pushed it to 1080p, although with only three
seconds of slo - mo compared to six
seconds for Samsung.
The phones will be capable
of record
slow -
motion videos at 480 frames per
second at 1080p.
You'll have to live with one trade - off, however, now you can shoot only 0.1
seconds of super
slow motion video using the Xperia XZ2.
While the XZ Premium could record up to 6
seconds in 960 fps in 720p, the increased resolution means
slow motion videos will only offer up to 3
seconds of playback.
The primary sensor is capable
of shooting «super»
slow -
motion 720p videos at 960 frames per
second and still delivers 4K videos whenever needed.
Some
of the items that Samsung touches on specifically is the camera's ability to capture super
slow -
motion video at 960 frames per
second, enhanced low - light capture capabilities, and improved Bixby integrations.
It's a pretty obvious nod to the fact that S9 will feature
slow -
motion capture; over the past couple
of weeks, a variety
of leaks have indicated the S9 and S9 + will feature rear - facing cameras capable
of capturing
slow -
motion video at 480 frames per
second.
The Pro and the standard P20 are also both capable
of recording super
slow motion video at 960 frames per
second in 720p.
The camera also features «
Motion Eye» technology which is capable of shooting 960 frames - per - second super slow motion as well as creating 3D scans of faces which can be used on a 3D pr
Motion Eye» technology which is capable
of shooting 960 frames - per -
second super
slow motion as well as creating 3D scans of faces which can be used on a 3D pr
motion as well as creating 3D scans
of faces which can be used on a 3D printer.
The 19MP shooter is capable
of recording super
slow motion videos at 960 frames per
second.
The device's main camera will be capable
of shooting super
slow motion videos at 960 frames per
seconds, similar to the Galaxy S9.
Such a feature could solve a frustrating problem central to the very nature
of slow -
motion video: Pressing the shutter button at a fraction
of a
second's notice is much, much harder than you might think, even with the best hardware.
The rear camera
of the phone can capture
slow -
motion video at 960 fps which are stretched to 6
seconds for creating a
slow -
motion effect.
In terms
of video, the smartphone is capable
of capturing 4K Ultra HD videos at 30 frames per
second and 720p HD
slow -
motion videos at 120 fps.
The camera is capable
of lossless 3X Zoom and can record
slow motion 960 frames per
second videos.
The rear camera is a particular highlight
of the MX5, offering 4K Ultra HD (3840x2160px) video recording at 30 frames per
second, and
slow -
motion video recording in 720p resolution at 100 fps.
Thanks to Sony
Motion Eye technology, the XZ1's 19 - megapixel camera is capable of shooting 960 frames - per - second super slow motion; producing crisp images with hybrid burst autofocus; helping photographers capture the perfect moment with 10 frames - per - second predictive capture; and even creating 3D scans of faces, heads, food, and regular ob
Motion Eye technology, the XZ1's 19 - megapixel camera is capable
of shooting 960 frames - per -
second super
slow motion; producing crisp images with hybrid burst autofocus; helping photographers capture the perfect moment with 10 frames - per - second predictive capture; and even creating 3D scans of faces, heads, food, and regular ob
motion; producing crisp images with hybrid burst autofocus; helping photographers capture the perfect moment with 10 frames - per -
second predictive capture; and even creating 3D scans
of faces, heads, food, and regular objects.
The camera will be powered by same 13 - megapixel Sony IMX258 that is used in the Xiaomi Mi4c, which is capable
of recording 4K video at 30 fps and also 480 frames per
second videos with 1 / 16th speed
slow - motion playback that is named Super Slow - Motion by Media
slow -
motion playback that is named Super Slow - Motion by Med
motion playback that is named Super
Slow - Motion by Media
Slow -
Motion by Med
Motion by MediaTek.