Sentences with phrase «section of the exhibition»

The first section of the exhibition displays photographs, paintings and films in which the stolen or missing object becomes the scene or evidence of a crime.

In its place, the artists in the final section of the exhibition offer an empty space for the viewer's own body.

You can learn more about their relationship to this genre in the exhibition and listen to jazz in the lounge section of the exhibition.

I also wanted to have a good number of new works in the later section of the exhibition.

One section of the exhibition takes a close look at the many artists who explored in their work the abstract qualities of rhythm, light, and sound.

The first section of the exhibition will feature selections from the 1980s and early 1990s that explore the construction of identity, especially as it relates to race, sex, and class.

An added bonus was the final section of the exhibition including contemporary and modern artists who had been influenced by them: Andy Warhol, Keith Haring, Martin Kippenberger, Ed Ruscha, Joseph Kosuth, Barbara Kruger, Jasper Johns, Robert Rauschenberg, On Kawara, Robert Gober, Vija Celmins, Leo Copers and Arman.

An early section of the exhibition focuses on artists working in the mid-1940s who discovered Blake's unique voice in such poems as «The Tyger» and «The Shepherd» and drew inspiration for their own work from his ideas.

John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth and Jane and Louise Wilson have each been invited to curate sections of the exhibition, looking at particular periods of cultural history.

Different sections of the exhibition explore not only the variety of techniques and styles but also the effects of tourism at home and abroad, the role of artists» colonies, contemporary writing and the devastating effect of two world wars.

The first section of the exhibition features these early experiments, conducted in the mid - and late - 50s, while Oiticica was a member of Grupo Frente (The Forward Group), which was led by his teacher, the painter Ivan Serpa, and included such artists as Lygia Clark and Lygia Pape.

«Each in their own way, the works in the last room are in dialogue with the earlier sections of the exhibition.

18th - Century Paintings — The introductory section of the exhibition explores the foundations for the formal experiments of the 19th century, and includes works by early masters such as Anne Vallayer - Coster and Pierre - Joseph Redouté.

On the top floor of the foundation, the final section of the exhibition delves into MoMA's most recent acquisitions made within the last two years, ranging from works like Lele Saveri's The Newsstand, which was originally installed at a Brooklyn subway stop, and the original set of 176 emoji characters designed by Shigetaka Kurita.

Artists who play a performative role in their own videos, as Sherman frequently has in her photographs, are featured in the second section of this exhibition, often focusing on narcissism.

The use of colour, lines and brushstrokes in works such as Fat Green (1961) and Figure with Blue Throat (1961) has overtones of Kandinsky, while the smaller canvases with a duller palette in the Body Housing section of the exhibition show the influence of cubism.

As an independent curator for the Museum Ludwig in Cologne he carried out a project in 1997 with Sarah Lucas, while in 1999 he was responsible for the contemporary section of the exhibition «Kunstwelten im Dialog.

The paintings Jack Goldstein did since the eighties represent the third section of the exhibition.

The fourth section of the exhibition gives viewers insight into a less examined area of Nara's body of work.

The «Earth» section of the exhibition displays a selection of watercolor studies and untitled sketches.

The films will be shown in shop windows linking Mima with an off - site section of the exhibition at the Forbes Building in the town.

He curated the sound section of the exhibition The Moderns, which was on view at Turin's Castello di Rivoli in 2003, and is currently organizing sound - based exhibitions for art spaces in New York and London.

The following section of the exhibition is dedicated to the 1980s, a time in which many artists adopted strategies of reproduction, repetition, and appropriation, building on Andy Warhol's self - proclaimed desire to be «a machine.»

The Finnish section of the exhibition is realised in collaboration with HIAP and is curated by Feng Boyi, Juha Huuskonen (HIAP) and Ian Yang.

The last section of the exhibition Towards the 21st Century is dedicated to contemporary art.

The installation is part of Like a Moth to a Flame (a group show at the Sandretto space, which is also showing a solo exhibition from Sanya Kantarovsky) curated by Tom Eccles, Mark Rappolt and Liam Gillick and is being shown across the Sandretto and the Officine Grandi Riparazioni, the Sandretto housing the more political section of the exhibition.

In the end though, we found a wonderful film L.A.X. by Fabrice Ziolkowski, which is projected on the wall to function as the signature large - scale work in the Los Angeles section of the exhibition.

The final and largest section of the exhibition will be dedicated to representations of the Thames.

One of the most stellar sections of the exhibition focuses on the role of activism in Pindell's later art.

Appropriately, an entire section of the exhibition is dedicated to it.

In the most dramatic and inspiring section of the exhibition, three of Whitney's large - scale panels are displayed together in a row on a single wall.

The indoor section of the exhibition features a 50 - metre curtain of letters, forming lines from Plensa's favourite poems.

The history section of the exhibition is brought together in collaboration with Jane Matthews and Richard Cynan Jones.

Works will go on display by Tony Cragg from 25 August and this will be the first exhibition of sculpture along the newly pedestrianised section of Exhibition Road.

«This is good for Lynne, but she knows how ugly it's going to get,» says Jeff Abell, editor of the Chicago Artists» Coalition's Chicago Artists» News as well as the «Time Arts in Chicago» section of the exhibition catalog.

Artists in the Femmes - Maisons section of the exhibition deal more directly, more unforgivingly with the conflicted archetype of women in the home.

Throughout his career, Veronese creatively reworked the same subjects again and again in different formats and media; several sections of the exhibition invite consideration of this important artistic practice.

In the central sections of the exhibition, painting comes off the wall and incorporates installation, performance, and video, embracing new artistic mediums as well as the spirit of liberation moving through the city.

The final section of the exhibition presents work from the late 1940s to early 1950s, including quintessential paintings by Irene Rice Pereira, whose compositions challenge the edge of the frame and make evident the push to be what will later be the «all - over» in the development of Abstract Expressionism.

Seven artists — John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson — have each been invited to curate sections of the exhibition, looking at particular periods of cultural history from 1945 to the present day.

The first section of the exhibition focuses on the artist's recent paintings that depict volcanoes and mountain - climbing scenes, influenced by the last climb of mountaineer Toni Kurz.

The first section of the exhibition is devoted to the South and features more than 40 works by both trained and self - taught artists, including paintings by Jacob Lawrence and Lamar Dodd, photographs by Walker Evans and Peter Sekaer, and drawings by Bill Traylor.

The final sections of the exhibition explore Matisse's pervasive postwar impact on artists, especially in terms of the bold, simplified profiles and vibrant colors of his cut - outs.

Seven short films, made by the Centre Pompidou especially for the event, will be screened in the different sections of the exhibition.

An introductory section of the exhibition will showcase works by Titian, Veronese, Bassano, and other contemporaries as a way to understand both Tintoretto's sources as well as his originality.