Sentences with phrase «section of the film about»

Graziano: We're both music fans and (Mates) had this song that really fit with this one section of the film about the kids from Tilden (High School) and we thought we'd ask.

Not exact matches

Here are some of the resources available — let us know on the order section at the base of the licence agreement which, if any, you would like: • A5 small flyers about Fair Food & AFSA • A4 flyers with more information about Fair Food and Food Sovereignty in Australia and why we need a Fair Food movement • Scripts or guided conversation outlines are available to use to introduce the film and to use at the end of the screening to stimulate discussion

The other significant thing this film is doing is to keep healthcare providers thinking about the importance of the microbiome so that if and when a c section is necessary for the baby's survival, then they will make every effort possible to allow skin to skin contact and breastfeeding as soon as possible after the birth so that the baby is exposed to the mothers skin flora if nothing else.

The icon could be joining the cast of Little Women offers comment features about british scene with sections books, films, music, theatre, art architecture.

History of BBC studios in London offers news, comment and features about british arts scene sections books, films, music, theatre, art architecture.

Tinder has released a list of the top right - swiped names in the UK Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture.

The Anthology of American Folk Music is a six - album compilation released in 1952 by Folkways Records (catalogue FP 251, FP 252, and FP 253), comprising Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture.

Judge Allows $ 750 Million Lawsuit from JonBenet... FX's «Versace» Joins Parade Of True - Crime Conte... Judge wona t dismiss suit filed Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture.

After a strong start, the film's middle section sags into the most benign of observations about Edward and Florence and the elements that have pulled them together.

His new film, screening in the Un Certain Regard section of the festival, combines his skills at narrative and documentary filmmaking to create a brutal mockumentary of loosely connected vignettes about the propaganda - and conflict - riddled Donbass region in eastern Ukraine.

So says professional killer Jackie Cogan at one point in Killing Them Softly, the third film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the late 2000s thanks to the greed and lack of scruples of Wall Street, it is easy to see Cogan as an ordinary employee of any company complaining about the lack of vision of his bosses and, on the other hand, the big bankers as Armani - dressing versions of the violent mobsters who inhabit the crime section of the newspapers.

Cianfrance asks questions about life and legacy too meandering for the film's good, resulting in an admittedly saggier middle section, but he reached way beyond the regular confines of indie cinema with Pines» episodic, decades - spanning tale, and that can not be ignored.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

About two - thirds of the new scenes were presented in the deleted scenes section of the earlier edition of this film: «Battle Aftermath,» «Looking for Strength,» «Dye Market,» «Meeting at Gracchus» House,» «Father and Son,» «The Execution,» «Spies Close In,» «Another Enemy,» and «Fighting with Fire.»

Annika Berg's Team Hurricane [+ see also: trailer interview: Annika Berg film profile] is an exciting, radical punk film about eight Danish teenage girls that played in the International Critics» Week section of the Venice Film Festival.

The score for the film is worth taking note of as well, and you can learn more about it in the special features section with an audio interview with the composer Robert Bellon.

The first section of the podcast my guest, Gold Rush Gang member Matt Dinn, and I talk about the impact of this on the current landscape of the Oscar race, specifically to The Weinstein Company's awards efforts and the surprising news last week that Ridley Scott would cut Kevin Spacey out of his Getty kidnapping drama All the Money in the World, replace him with Christopher Plummer (the actor he originally wanted for the role of Getty) and the race to do this and keep the film's December 22nd release date.

Other films from Cannes making their US debut at Telluride include the Russian «Loveless,» directed by Andrey Zvyagintsev, about an unhappy couple searching for their son, and winner of Cannes» Jury Prize; «A Man of Integrity,» by Mohammad Rasoulof, set in corrupt Iranian society, which won the Grand Prize of the Un Certain Regard section; «The Rider,» by Chloe Zhao, about a badly injured young South Dakotan rodeo rider, which won the top prize, the Art Cinema Award, of the Director's Fortnight; «Tesnota (Closeness),» about a Jewish family forced to try to ransom their son and his new bride, also in Un Certain Regard, by Kantemir Balagov; and Barbet Schroeder's documentary about a Buddhist monk, «Le venerable W.»

This middle section of the film concludes with a kind of slow - motion dance, as the six brothers sing about loneliness on the farm while listlessly doing their chores (the axe chops and wood saws of which provide rhythmic punctuation to the song, «Lonesome Polecat»).

Crowe the told a story about Gosling's ability to be funny and go off - script to try to make Crowe laugh and lose his way: «We blocked off a section of Sunset Boulevard and it was a very simple shot... But Ryan is just not on the script, he's just jamming off some idea that's in his head about German spank films and I'm just falling apart in the car laughing and he goes into that pseudo-German he does with such conviction... and Joel is screaming «Not tonight guys, not tonight!»

The second section of the film feels very much like a talky Richard Linklater picture (think «Waking Life,» or moments of «Slacker «-RRB- and essentially boils down to a big table of friends eating and conversing about life — intellectual, philosophical and social ideas revolving around technology, sex, romance, memory, perception and more.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love, loss, memory and the mystical.

The film is billed as «a thriller about a woman who exacts bloody vengeance on her attackers» and is part of the festival's well - loved Midnight Madness section.

Showing in the out - of - competition Premieres section, the film is described in the official Sundance announcement as «a coming - of - age story about a 28 - year - old woman stuck in permanent adolescence.»

That is to say, it's primarily about that lumpy section of the film shot in Iceland, where good snow proved surprisingly elusive.

With the help of IMDb's trivia section for the film, TheWrap has amassed six fun facts about the movie:

Among a clutch of films receiving their world premiere in the competition section of the festival are The Dinner, which features Gere alongside Steve Coogan, Laura Linney and Rebecca Hall in a thriller about two married couples who meet to discuss what to do about a crime apparently committed by their children; and political fable The Party, written and directed by Sally Potter, whose cast includes Scott Thomas, Patricia Clarkson, Emily Mortimer and Cillian Murphy.

The comments section will be lit up with the inevitable questions about how I feel about the first «Blade Runner» so let's kick it off with saying, I am not a fan of the original film by Ridley Scott.

Jury protocol entails some discretion about what I saw, but I can honestly say that, between the three feature juries doing duty this year — the others being Arturo Ripstein's international competition jury and the «Cineasti del Presente» jury under Dario Argento — most of the films that I valued, in whatever section, were honored one way or another.

The women themselves provide good interviews, even if the structure of the documentary itself is slightly scattershot: one second they're speaking about an aspect of the business, and the next the film becomes specifically biographical about one of the key women — but the biography sections are never adjacent, and so we get them all throughout the film.

And now, with The Florida Project — one of the most highly buzzed - about films at the 2017 Cannes Film Festival, where it premiered in the Directors» Fortnight section — Baker's skill as a loving humanist chronicler of America's garish forgotten places has ripened into something truly marvelous.

The little - noticed ACID section yields a mesmerizingly beautiful nonfiction film about an Argentine jack - of - all - trades

The center section of the film plays the comedy of the scenario for just about all that it's worth, and the playful tone of Tony's plan coming to fruition is a pleasant interlude between the tonally disparate sections on either side (As a reminder of the threat on the other side of the world, Affleck intercuts the read - through of the screenplay with a mock execution in the embassy basement).

Framed by the conceit that Cinderella's vermin - pals want to write a storybook about their favourite human, Cinderella II opens with a strange section aping Rebecca, continues with a strange section aping It's A Wonderful Life, and concludes with a misguided apologia of the original film's Disney - patented subtext of «beauty makes right.»

For now, just stay tuned for more updates about the Merc With The Mouth's next film, and hit the comments section below to tell us what you think about the casting of Zazie Beetz!

Or how about a guy who writes for the sports section of the New York Times and is asked to be imitate the most intelligent of writers and to review films instead of football.

Snowpiercer is, though not only, a film about class struggle, for we enter this world at a time when the oppressed inhabitants of the so called «tail section» prepare for a rebellion against those in the front section and implicitly — against the upper class.

What I did like about the film's middle section is that it constantly teases the audiences with small glimpses of Godzilla and the Muto monsters to get us invested.

This is probably all that you want or need to know about «Creep,» and the trailer for the film will undoubtedly be cut from sequences from this section of the movie.

Sundance has grown from the small American independent film festival it was 30 years ago, and now has about a dozen sections with some presenting films in competition, and other sections presenting films out of competition.

An article in today's New York Times Sunday Styles section got me thinking about the indie - film phenomenon of the Manic Pixie Dream Girl: a young woman who's beautiful and quirky and perfect in the eyes of the lovestruck, mixed - up guy who falls for her.

Ten inch sections of film were printed onto long strips of photographic paper and then mounted in rows, forming a final constructed piece which I called a composite... What I am talking about is complexity... There is no particular point of entry or procedure to the seeing; it is a multiplicity of elements operating in an aleatory manner.»

Have you seen Hidden Figures [the 2016 film about African - American women working at NASA], when Octavia Spencer gets a book about IBM from the white section of the library and teaches a whole group of women how to program computers?

Thiruvananthapuram About Blog International Film Festival of Kerala has a competition section for films from the Asian, African and Latin American films.

I'd seen this film a long time ago but when I saw it again this time, I had a much better appreciation of the Aboriginal way of being and the thing that really struck me in this film was there was a section of the film where they were going to do this aeroplane song and dance corroboree and they were getting ready for it and you know there are all these Elders and you know very wise and respected Elders you know making their costumes they were gonna wear, talking about how it was gonna be and in amongst all these people there's little children you know of one 1 or 2 or 3 years old who were just crawling around and you know watching and listening, trying on their head - dresses and they were completely welcomed into that adult community, there was no sense of, you know this is grown up business, you kids go off and play which is very much the western model.