Sentences with phrase «section of the film features»

The other section of the film features John Cusack as an older Wilson, as he attempts to escape the influence of a manipulative doctor (Paul Giamatti) who has become a totalitarian guru to him.

Not exact matches

Helmed by Chapman Way and MacLain Way and featuring multiple appearances by their uncle and former Maverick himself Kurt Russell, the docu launched in the Documentary Premiere section of this year's Sundance Film Festival on January 20... In play right now with several buyers at Sundance, according to sources close to the film, Battered Bastards chronicles how in 1973 Bonanza actor Bing Russell formed what at the time was America's sole independent baseball team.

The icon could be joining the cast of Little Women offers comment features about british scene with sections books, films, music, theatre, art architecture.

History of BBC studios in London offers news, comment and features about british arts scene sections books, films, music, theatre, art architecture.

Tinder has released a list of the top right - swiped names in the UK Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture.

The Anthology of American Folk Music is a six - album compilation released in 1952 by Folkways Records (catalogue FP 251, FP 252, and FP 253), comprising Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture.

Judge Allows $ 750 Million Lawsuit from JonBenet... FX's «Versace» Joins Parade Of True - Crime Conte... Judge wona t dismiss suit filed Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture.

But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string section and children's choir, intercut with scenes of Cave onstage over the years.

The score for the film is worth taking note of as well, and you can learn more about it in the special features section with an audio interview with the composer Robert Bellon.

The Secret of Kells, directed by Tomm Moore and produced by European Producer of the Year, Cartoon Saloon, is a beautifully animated film featuring the voice talent of Brendan Gleeson and Mick Lally and will screen as part of the Generation K plus section of the festival.

A section on the film's marketing illustrates the difficulties Fine Line Features had extracting a unified sales campaign out of the expansive network narrative with a wide variety of promotional art, trailers, and numerous TV spots.

The truth is, we have yet to watch the extended version of the film (it's eight minutes longer, and if we knew where those eight minutes were, we'd go straight to them), but if the deleted scenes in the Special Features section on the Blu - ray are any indication, the makers of «Horrible Bosses» left nothing in the bag, as it were.

«I am a Flatbush girl», first - time feature director Eliza Hittman said proudly at the world premiere of It Felt Like Love in the Next section (it later went to Competition in Rotterdam), and, while not entirely autobiographical, the film draws from her experience of growing up in this largely working - class neighbourhood of New York City's most populous borough, of these endless summers where you have to escape to the sea with your friends for fear of melting like the asphalt under your feet.

Award - winning filmmaker Chloe Zhao's second full - length feature film, The Rider, screened as a part of the TIFF» Next Wave» section last week.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love, loss, memory and the mystical.

One of Erdem's previous films was featured in the retrospective Balkan section: Bes vakit (Times and Winds, 2006).

Two other Turkish films from noted auteurs were in the retrospective section: Semih Kaplanoglu's Süt (Milk, 2008), a rich story of a young man's quest to become a poet, done with sharp social observation by the director, but degenerating into hazy symbolism by the end, a device that also marred the director's next film, Mal (Honey, 2010); and Kasaba (Small Town, 1997) by Nuri Bilge Ceylan, the director's debut feature, already displaying his steady hand and broad compassion.

The Bios & Trailers section serves up biographies of Schauder, Nodjoumi, executive producer Abigail Disney, Kevin Sheppard, and the three local women featured in the film.

The Film Comment Presents section, an annual feature at NYFF for the last five years, will present Sergei Loznitsa's «A Gentle Creature,» a new film inspired by a Dostoevsky short story, along with a series of panels and discussions.

The only extras Pom Poko has to boast are direct ports from the Japanese release - a section of trailers and tv spots, plus the whole film in storyboard form, which is the only feature present on Disc 2.

His first feature film, An Oversimplification of Her Beauty, premiered in the New Frontier section of the 2012 Sundance Film Festival.

Four out of five award - winning feature films by Ruben Östlund premiered in Cannes in several sections of the festival.

Among a clutch of films receiving their world premiere in the competition section of the festival are The Dinner, which features Gere alongside Steve Coogan, Laura Linney and Rebecca Hall in a thriller about two married couples who meet to discuss what to do about a crime apparently committed by their children; and political fable The Party, written and directed by Sally Potter, whose cast includes Scott Thomas, Patricia Clarkson, Emily Mortimer and Cillian Murphy.

Three other films in competition represented «promotions» for their directors, who had all had their previous outings featured in other sections of the festival, but the results were uneven at best.

Special Features Layout: Katharine Graham, Ben Bradlee & The Washington Post Editorial: The Cast and Characters of The Post The Style Section: Re-Creating an Era Stop the Presses: Filming The Post Arts and Entertainment: Music for The Post

Artistic Director Charles Tesson might look to re-invite Santiago Mitre, who won the top prize in 2015, has a high profile sophomore feature The Summit ready, so could potentially show up in one of these sidebars and in the same line of thinking, Jonas Carpignano could return to the section with his 2nd film, A Ciambra.

In addition to these 11 first features in competition, the New Directors section of SFIFF57 includes 14 out - of - competition films, which will be announced at the Festival's press conference Tuesday, April 1.

The filmmaker's second feature, «Taxidermia» made quite a splash at the festival back in 2006 as part of the Un Certain Regard section, and he was back at the festival with collage film «Final Cut» in 2012.

Jury protocol entails some discretion about what I saw, but I can honestly say that, between the three feature juries doing duty this year — the others being Arturo Ripstein's international competition jury and the «Cineasti del Presente» jury under Dario Argento — most of the films that I valued, in whatever section, were honored one way or another.

Oh, and as a reader has already pointed out in the comment section of the main review, the «secret stowaway who quickly becomes the film's de facto villain» is prominently featured in the trailers (and on the one - sheet).

Fresnadillo is yet another director to watch (this is his second feature film), and he manages thrills out of the weaker sections 28 Weeks Later, which should be a completely unnecessary sequel as a whole in the first place.

Kristian Levring's new feature film The Salvation is headed to Cannes shortly in the Out of Competition section, as part of the Midnight screenings.

The Blu - ray edition looks stunning (I did not view the DVD, which features no supplements) and includes the 30 - minute making - of documentary «Hard - Wires Humanity: Making Ghost in the Shell,» which covers the production with lots of behind - the - scenes footage, and the shorter featurettes «Section 9: Cyber Defenders» (11 mins) and «Man & Machine: The Ghost Philosophy» (10 mins), plus bonus DVD and Ultraviolet Digital HD copies of the film.

While nearly every scene features a fighting sequence, the action effortlessly flows through the film like delicate leaves, and director Yimou produces a beautiful backdrop for his violence with the use of bold greens, reds, yellows and blues to distinguish the different sections of the story.

As with previous Platinum Edition releases, the treasure trove of extras can be found on the second disc's «Backstage Disney» section, which features an hour - long documentary of the film's development, production, and reception, featuring comments from modern animation figures such as Pixar's John Lassiter as well as many of the now - elderly voice actors for Bambi and the other forest creatures.

This last is best exemplified by the «Delirium» section featuring Christian Slater as Joe's beloved dying father and it is remarkably affecting, showing von Trier's astonishing ability to manipulate the tone of his films and still remain coherent: here he is completely un-ironic, completely serious, employing no sly wink, only a finely channeled fury at fate, and perhaps God, for the unbelievable injustice and indignity of death.

While its inclusion is worthwhile, it's best to view it on its own in the Bonus Features section rather than play it along with the rest of the film (that option is presented after selecting «Play» from the main menu).

For the 2018 edition of the festival, 37 percent of the 122 feature films premiering are directed by women, a slight uptick from last year when 34 percent of all films were helmed by female directors (in years past, the average has hovered around 25 percent), and their contributions were prominent across all sections, with women debuting films in not just the competition sections, but also in the forward - thinking NEXT section, the wild Midnight category (which played home to the long - gestating anthology «XX,» featuring four shorts directed by women), and even the starry Premieres docket.

An extended deleted scenes section features an entire episode involving a weary bartender that is missed in the film as an extension of the hero / noir motif, as well as a brief scene inside the apartment of a suspect that clarifies an all - important revelation.

In the special features section, there is a nice in - depth look on the behind - the - scenes of the film.

The special features section of the film starts off with an enjoyable full - length audio commentary with director Tim Story (only on the theatrical cut) and four deleted scenes showing off some of Jimmy Fallon's funnier scenes.

Feature on Ang Lee's Hulk, part 2 of a special section on the work of Chris Marker, Cannes, Tribeca, and San Francisco Festival coverage, American Splendor, Michael Barker's Guilty Pleasures, Copenhagen film journal

Bound to irk fans, on the other hand, is an «extended branching» version of the film that theoretically reinstates a handful of deleted scenes (also accessible through their own menu in the «Special Features» section) back into the main feature.

He directed Wind River (August 4), which looks like it's taking the «Jeremy Renner in a wintry cabin» section of The Bourne Legacy (the best part of that movie) and turning it into its own feature film.

This pack features an all new level based on a section of the film.

Already featured this year in the Sharjah Biennial and the Armory Show's «Focus: MENAM» section, Dawood recently completed a residency at ICA London's buzzy fig - 2, opened a new show at the Honolulu Museum of Art, and will make an appearance at MoMA on April 20th with the screening of his 2013 film Piercing Brightness, which brings together UFO - sighting footage with the psychedelic colors of a Kenneth Anger.

The section of the exhibition devoted to his activity in the city features the screening of his Super 8 mm films Brasil Jorge, Fillmore East, Gay Pride Parade (all from 1971), Agrippina is Rome - Manhattan (1972), and his slide shows Neyrótica (1973), which shows young men in various sexually provocative poses, and South Bronx (1973 - 76).

Also in the «Feature» section, which is devoted to curated shows by established and historic artists, look out for the work of Nam June Paik, whose market is catching up with his exalted reputation, at James Cohan Gallery, and the experimental film - maker Stan VanDerBeek at Los Angeles» The Box, which is one of 17 newcomers to the fair.

This section of the exhibition focuses on Morimura's restaging of scenes from award winning films featuring Marlene Dietrich, Audrey Hepburn, Liza Minnelli, Jodie Foster and many others.

Galerie Lelong will feature two of her films — Anima, Silueta de Cohetes (Firework Piece) from 1976 and an untitled 1971 piece — as part of the Art Basel Miami Beach Film Section, a rare opportunity to view the work of this pioneering artist.