Sentences with phrase «section of the film sees»

The first section of the film sees the formation of a shambolic artistic collective, consisting of Paul and Stan (Hugo Conzelmann) as Paradise Garage - influenced DJ duo Cheers, their cartoonist friend Cyril (Roman Kolinka, looking like a young Alain Delon), Cyril's girlfriend Anaïs (Zita Hanrot), and later, music journo - slash - club night organiser Arnaud (Vincent Macaigne).

Not exact matches

I'd love to see the «natural» birth craziness and bullying of women / C - sections / medicated births / lactivism shown in this film.

During a deft, seamless section of the film that depicts the setting up of this business operation, Oskar is seen happily occupying an apartment from which a wealthy Jewish couple has just been evicted.

Cliche piles on top of cliche to make a nearly two - hour film feel twice as long, simply because we see so many things coming that we feel as though we're watching each section twice.

In my rankings of all the 2013 films I saw last year, In a World... placed 50th and though a few things I've seen have bumped it down since, it still remains among the top third of last year's offerings, residing in the «Good, Not Great» section.

So says professional killer Jackie Cogan at one point in Killing Them Softly, the third film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the late 2000s thanks to the greed and lack of scruples of Wall Street, it is easy to see Cogan as an ordinary employee of any company complaining about the lack of vision of his bosses and, on the other hand, the big bankers as Armani - dressing versions of the violent mobsters who inhabit the crime section of the newspapers.

I see all the commercial releases, and almost all of the imports, and at the Cannes, New York, and Chicago film festivals, I see a good cross section of the smaller films, domestic and foreign, that are worthy of festivals but not commercial enough for wider release.

The pacing is good, but the film also comes with many obvious markers of rough editing and recuts, which makes the middle section feel muddled and disjointed; it's hard to see certain scenes as sequential and purposed, rather than stitched together from parts of what was seemingly a deeper (and longer) character study.

It's a distinct change of pace after the first section of the film, which is, I think, why I didn't like it as much the first time I saw it, but in fact this part of the story is well done and quite compelling.

Annika Berg's Team Hurricane [+ see also: trailer interview: Annika Berg film profile] is an exciting, radical punk film about eight Danish teenage girls that played in the International Critics» Week section of the Venice Film Festival.

This middle section of the film concludes with a kind of slow - motion dance, as the six brothers sing about loneliness on the farm while listlessly doing their chores (the axe chops and wood saws of which provide rhythmic punctuation to the song, «Lonesome Polecat»).

«Rampage» feels like a cross section of different films, it opens like a sequence out of «Gravity», briefly looks like Johnson's 2017 winter hit «Jumanji», lots of «Jurassic Park Lost World» and «King Kong» moments thrown in there with a splash of «San Andreas», since we see three planes crash during the two - hour film.

O.J.: Made In America likely would have made the cut if not for a (totally defensible) editorial decision to classify it as television rather than film, but I voted for three other docs this year: Tower (addressed in the «outlier» section of my ballot), Author: The JT LeRoy Story (which correctly recognizes that letting Laura Albert expand on her own «myth» makes for better cinema than any objective investigative alternative), and Weiner... which ranked lowest on my personal list, but is the one I'm most surprised not to see on the collective list.

So I did a Facebook poll of a cross section of people I knew to see how these films ranked.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love, loss, memory and the mystical.

If you got out to the theater saw Deadpool 2 this weekend, or if you've spent any time in the spoiler section of the internet, you've probably realized that the credits scene from the film has been a massive topic of conversation.

It's that middle section where a certain Hungarian filmmaker wins the foreign language film award or the director of a little - seen short injects mania and uncompromising glee into an evening full of been - there - done - that Meryl Streep stares.

It's worth mentioning that while the middle section of the film is a tad uneven, it all comes together thrillingly in the final movement, which closes things off with a bang and, as with so many good horror films, makes you rethink what you've seen, and want to watch again.

The film's at its best in the early sections, filling out the details of the world with nice little character moments for Mildred Dunnock as the school teacher who doesn't get the principal job, Russ Tamblyn as the sensitive shy boy next door and Diane Varsi as the main character, a girl smart enough to see the hypocrisy around her and want to get out of town as fast as she possibly can.

Apparently Dr. Banner himself, Mark Ruffalo, was seen hanging out in the VIP section of a club in Berlin, where Captain America: Civil War has been filming.

YouTube channel GameSparkChannel has been kind enough to film a little tour of the SEGA section of the museum which you can see below:

Jury protocol entails some discretion about what I saw, but I can honestly say that, between the three feature juries doing duty this year — the others being Arturo Ripstein's international competition jury and the «Cineasti del Presente» jury under Dario Argento — most of the films that I valued, in whatever section, were honored one way or another.

During the sections of the film before Cindy begins going out with Dean, we see her having sex with her previous boyfriend and the act is cold and impersonal.

It's definitely the funniest section of the movie, but also almost sad to see how big an opportunity the film wasted.

The films opens with the bear running at the camera before we cut to a man jolting awake; we see the fiery ursine figure again later from above, running through the forest, before cutting to a line of firefighters moving through a burnt - out section of woods.

Long criticized for the lack of women directors represented, this year Cannes will see the Coppola and Ramsay films, as well as Naomi Kawase's Radiance premiering in competition, a short film directed by Kristen Stewart, the Campion series, and seven films directed by women in the independent - minded Directors» Fortnight section.

The middle section of the film is as intense an exploration as I've seen of the sadomasochism inherent in the teacher - student dynamic.

This section sees the film's single memorable performance, courtesy of Japanese rock star Miyavi.

They also see films showing kinds of childbirth, including natural childbirth and Cesarean - section.

Structured around the life of a ship, its birth, journey and death, each of the film's three sections is a meditation on the place it depicts: a Korean shipbuilding yard, the sea seen from a cargo ship en route across the Atlantic, and a ship - breaking yard in Chittagong, Bangladesh.

The last section of Wenders» film was taped over years ago, making it impossible for local residents to see the movie's ending.

Ten inch sections of film were printed onto long strips of photographic paper and then mounted in rows, forming a final constructed piece which I called a composite... What I am talking about is complexity... There is no particular point of entry or procedure to the seeing; it is a multiplicity of elements operating in an aleatory manner.»

Have you seen Hidden Figures [the 2016 film about African - American women working at NASA], when Octavia Spencer gets a book about IBM from the white section of the library and teaches a whole group of women how to program computers?

«1.2 This Complaint is Not an Attack on Free Speech Both Channel 4 (see: / / tinyurl.com/ytogy5) and the film's producer (see: / / tinyurl.com/yo4n5v) have sought to portray the film's screening as an issue of free speech; and the film maker (and some sections of the press — see: / / tinyurl.com/28o3sn) have also sought to portray those who have complained to Ofcom as stifling free speech.

I'd seen this film a long time ago but when I saw it again this time, I had a much better appreciation of the Aboriginal way of being and the thing that really struck me in this film was there was a section of the film where they were going to do this aeroplane song and dance corroboree and they were getting ready for it and you know there are all these Elders and you know very wise and respected Elders you know making their costumes they were gonna wear, talking about how it was gonna be and in amongst all these people there's little children you know of one 1 or 2 or 3 years old who were just crawling around and you know watching and listening, trying on their head - dresses and they were completely welcomed into that adult community, there was no sense of, you know this is grown up business, you kids go off and play which is very much the western model.