Sentences with phrase «section of the film starts»

The special features section of the film starts off with an enjoyable full - length audio commentary with director Tim Story (only on the theatrical cut) and four deleted scenes showing off some of Jimmy Fallon's funnier scenes.

Not exact matches

After a strong start, the film's middle section sags into the most benign of observations about Edward and Florence and the elements that have pulled them together.
The look of the film is visual ambrosia from start to finish, especially the Bespin section of the film.
So says professional killer Jackie Cogan at one point in Killing Them Softly, the third film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the late 2000s thanks to the greed and lack of scruples of Wall Street, it is easy to see Cogan as an ordinary employee of any company complaining about the lack of vision of his bosses and, on the other hand, the big bankers as Armani - dressing versions of the violent mobsters who inhabit the crime section of the newspapers.
Unfortunately, their playful camaraderie isn't exploited nearly as much as it could be, because while the movie is incredibly lively in its opening and closing minutes (including one of the most ridiculous action sequences ever filmed), that sense of high - energy fun is absent for most of the middle section, when it starts to take itself too seriously.
She got her chance at the University Of Iowa, where she double - majored in journalism and film, started freelancing reviews to the university's newspaper, and wound up running its Arts & Entertainment section while giving herself a crash course in cinema via VHS and Roger Ebert's Movie Home Companion.
We're very excited to announce that, starting from the beginning of June, we're reopening the Short Films Showcase section of our website to open our doors for aspiring filmmakers to submit their short films for review and analysis.
Alas, the film starts to change clothes before growing into them and while the SXSW section provides some of the biggest laughs (Frank's most likeable song is a personal favorite of mine,) they ultimately can't compensate for the transparently calculated conclusion and message, which brings the whole self - awareness aspect right back on centre stage.
This inherent likability carries the film forwards in sections, in which Citizenfour could easily have started to drag, once the initial pace of the film tails off.
If you want to dive even further into the film's production, the section «Image and Design» offers additional material, starting with «Production Design,» which is comprised of the featurette «Production Design Primer: Arthur Max» (9 min.)
Some of those pacing issues still apply here as the film starts to drag again in the middle section.
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