I would most definitely include your writing history in the bio
section of your book proposal.
These are the core elements that make up the Marketing & Publicity
section of a book proposal, and they're the very things that light up editors with excitement and lead to big book deals.
Not exact matches
This
section of a fiction
book proposal provides detailed information about you (relevant to your
book), that communicates your credibility as an author.
A strong
proposal weaves those separate pieces together in creative and compelling ways, and the Marketing / Publicity
section of your
proposal is where you bring together the best
of those with some creative ideas
of your own for making your
book a success.
Most
book agents call this
section of a nonfiction
book proposal the «Competition»
section, but I prefer to call is the «Competitive Advantages»
section.
This
section of a nonfiction
book proposal includes information about your
book and your target market.
For the
book proposal course, I will review and advise on the marketing
sections of their
proposals for an additional discounted fee.
The biographical
section of the
proposal should include your: Publishing History — Mention the title
of any
books you've published, the year it was published, the name
of the publisher, and any awards the -LSB-...]
But we want you to know that we also offer all types
of academic writing and assistance —
book reviews, presentations, editing and proofreading, case studies, admissions ad scholarship essays, lab reports, research projects, thesis and dissertation
proposals, along with help on any
section or chapter, abstracts, math and physics problem sets, any difficult homework assignment, and multiple - choice test taking.
The bottom line for this
section of the
proposal is to show that there is a market for your
book.
It's a clichéd story for those
of us who have been in publishing for more than five or ten years, but we really did used to write
proposals that included a marketing
section that said something along the lines
of «author is willing to go on
book tours and will make themselves available for TV and radio interviews.»
Cardboard box containing 1 exhibition catalogue and 17 artists
books / artists publications: Mel Bochner, Misunderstandings (A theory
of photography); Christo, Packed Tower - Spoleto (
proposals & projects); Jan Dibbets, perspective correction - 5 piles; Tom Gormley, Red File Cabinet; Dan Graham, Two Parallel Essays: Two Related Projects for Slide Projector & Photographs
of Motion; Douglas Huebler, Location Piece # 2, New York City - Seattle, Washington; Allan Kaprow, Pose, March 22nd, 1969 continued 1970; Michael Kirby, Pont Neuf: the localization
of a tetrahedron in space; Joseph Kosuth, Notebook on Water; Sol LeWitt, Schematic drawing for Muybridge II, 1964 (7/69); Richard Long, Rain Dance; Robert Morris, Continuous Project Altered Daily; Bruce Nauman, LAAIR; Dennis Oppenheim, FLOWER ARRANGEMENT FOR BRUCE NAUMAN; Robert Rauschenberg, Revolver; Ed Ruscha, Babycakes; Robert Smithson, Torn Photograph from the 2nd Stop (Rubble)(2nd Mountain
of Six Stops on a
Section); Bernar Venet, Exploited Subjects; Andy Warhol, Portraits.