Sentences with phrase «section sees galleries»

The Matthew Higgs - curated section sees galleries pay homage to a colleague who championed the uncategorizable

Not exact matches

Patch work is present on the front sections of the floor, as seen in the gallery below.

See my info about the built - in Gallery app in the Kindle Fire Apps section below.

Peruse our Galapagos Islands picture gallery and see the top 5 section for more things to do in Galapagos and around the world.

For more information on the dive routes, marine life and history of the reserve, see the pages in the El Cabrón section of the website, or look at the photos in the photo galleries.

Filling the Focus section booth for the Max Estrella gallery, which is based in Madrid, the work engages the phenomenon of pareidolia, which accounts for the mind's habit of seeing things or finding patterns where none exist — «like if we look at a cloud and see a face or an animal,» Estrella, the gallery director, said.

The galleries will all be at liberty to change up their sections as often as they see fit, and they'll take turns being responsible for staffing the space from day to day.

Many of the materials Tinguely used to create Narva (image above) a work of kinetic art could be found in MFTA's hardware section — see Narva in gallery 925.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

Even when they featured the work of a single artist — mimicking the one - person shows viewers are used to seeing in galleries, as in the Frame section of Frieze, devoted to new galleries presenting individual artists — the hangings were thrown together in a way that never would have been countenanced in a gallery.

Frieze is strong with its curated sections - with the Live section as well, and with helping young galleries - giving them a chance to be seen.

2014 also sees the introduction of «Live», a new gallery section at Frieze London for ambitious, active or performance - based installations.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

The Frieze Tate Fund saw an international jury select a work by Dorothy Iannone acquired from Air de Paris in the new gallery section Sex Work, a work by Mary Beth Edelson acquired from David Lewis also in the Sex Work section, a piece by Hannah Black purchased from Arcadia Missa in Focus, and a work by Lawrence Abu Hamdan acquired from Maureen Paley in the main section.

Frieze New York 2017 sees the return of three awards recognizing exceptional presentations from galleries across the fair, including a specific prize for younger galleries in the Frame section.

Frieze Stand Prizes Frieze New York 2017 sees the return of three awards recognizing exceptional presentations from galleries across the fair, including a specific prize for younger galleries in the Frame section.

Below, see the exhibitors» list for Expo Chicago's main exposition plus different sections including Exposure, reserved for solo and two - artist presentations by galleries that have been in business for eight years or less; Editions + Books, which features artists books, editions, and prints; and, for the first time, Profile, which «highlights single artist installations and focused thematic exhibitions by established international galleries.»

The fair's 2017 installment boasts not only roomier aisles and bigger booths, but an increase to the number of galleries in the Presents section, which offers solo or duo artist presentations by young dealers, and a revitalized Focus section, bringing in new or rarely seen work curated by Jarrett Gregory.

«In terms of the diversity of what you see, there's not many museum collections that can replicate what is presented at TEFAF,» said Jason Busch of New York's Jason Jacques Gallery, which is showing in the design section with a curated presentation including ceramics by Beate Kuhn and Anne Marie Laureys, paintings by Richard Anuszkiewicz, Josef Albers, and Victor Vasarely, and a suite of walnut anthroposophical furniture attributed to Felix Kayser.

Please see our ABOUT section for gallery hours.

In 2017, arteBA's Main Section sees a committee comprised of Ana María Battistozzi, independent curator, Buenos Aires; Orly Benzacar, Director of Ruth Benzacar gallery and President of the Cámara de Galerías Meridiano, Buenos Aires; Ignacio Liprandi, Director of Ignacio Liprandi Arte Contemporáneo gallery, Buenos Aires; Eduardo Brandão, Director of Vermelho gallery, São Paulo; and Sabine Schmid, Director of PSM gallery, Berlin, select 54 galleries.

Sponsored by Deutsche Bank and designed by Universal Design Studio, this autumn's fair sees a few changes with the inclusion of two specialist sections: Focus, a celebration and fostering of emerging galleries up to 12 years old, and Live, a haven for performance or participatory - based work.

Sparks Gallery exhibition «Edge of the Ocean» is featured in Art Ltd's Pulse section as an exhibition to see this spring.

Monographic presentations by major female artists can also be seen across the main section such as Goshka Macuga (Galerie Rudiger Schöttle, Munich), Latifa Echakch (kamel mennour, Paris), Francis Upritchard (Kate MacGarry, London), Penny Siopis (Stevenson, Cape Town) and Channa Horwitz with Ghebaly Gallery (Los Angeles).

The latter is the first booth most visitors to the Armory Show's Modern section will see, Barcelona gallery Mayoral's large - scale re-creation of Joan Míro's studio on the island of Mallorca.

The section takes its title from a Melvin Edwards» series of sculptures seen in the gallery, part of a larger series of his Lynch Fragments, which, through their materiality, touch on American identity, how slavery evolved into mass incarceration, and ideas surrounding economies of labor.

For this year's edition of Art Basel's Art Unlimited section, which provides galleries with ample space to present ambitious displays of the kind usually seen in museums or biennials, curator Gianni Jetzer has gathered together a diverse spread of displays that bounce across mediums, tonal registers, and even lighting, with about half of the booths occupying darkened chambers.

Focus is a section for galleries up to ten years of age presenting projects specifically conceived for Frieze with works not seen previously in an art fair context.

The Frieze Tate Fund saw an international jury select a work by Dorothy Iannone acquired from Air de Paris in the new gallery section Sex Work, a work by Mary Beth Edelson acquired from David Lewis also in the Sex Work section, a piece by Hannah Black purchased from Arcadia Missa in Focus, and work by Lawrence Abu Hamdan acquired from Maureen Paley in the main section.

Frieze is strong with its curated sections — with the Live section as well, and with helping young galleries — giving them a chance to be seen.

Great year for gallery artist Martha Quinn who in addition to creating new public sculptures, will see her work exhibited in the 182nd Royal Hibernian Academy's annual exhibition in the invited artist section which will open in late May.