Sentences with phrase «sections of larger sculptures»

The images depict Greco - Roman sculpture focusing primarily on broken and damaged works that show only sections of the body, or of sections of larger sculptures.

Not exact matches

The large - scale sculpture, sound, and mixed - media works will be installed in the two - story New Industries Building, where «privileged» inmates were permitted to work; the main and psychiatric wards of the Hospital; the A Block cells, the only remaining section of the military prison that was constructed in the early 20th century; and the Dining Hall.

Highlights this year include curated gallery sections dedicated to discovery and radical feminist practice, Frieze Projects» non-profit programme featuring commissions from 11 international artists and for the first time this year, Frieze Sculpture, London's largest free showcase of major outdoor works.

This year's edition of Art Basel's Art Unlimited section presents large scale installations, sculptures and videos by artists such as Erik van Lieshout, Daniel Buren, Etienne Chambaud, Anish Kapoor, Vera Lutter, Waltercio Caldas, Cerith Wyn Evans, Jorinde Voigt, Rirkrit Tiravanija, Carl Andre, Fred Sandback, Allen Ruppersberg, Mona Hatoum, Kendell Geers, Sudarshan Shetty, Gardar Eide Einarsson, Christian Andersson, Daniel Robert Hunziker, Lun Tuchnowski, David Zink Yi, Jason Rhoades, and Jennifer Allora & Guillermo Calzadilla.

Our Art section includes a great mix of diverse work ranging from drawings and paintings to sculptures and large installations.

Our popular Art section includes a wide range of work such as drawings, paintings, sculptures, and large installations.

The painting and sculpture section spans in time from the Renaissance to present day and is further sub-divided in chronological sections: Late Gothic painting; Dutch and Flemish painting, including works by Rembrandt, Rubens, van Dyck and Jan Brueghel the Elder; Italian Baroque and Venetian 18th century, including works by Domenichino, Canaletto, Guardi and Bellotto; Swiss painting, including Hodler, Segantini, Vallotton, Giovanni and Augusto Giacometti; Impressionism and Post-Impressionism, with masterpieces by Géricault, Manet, Monet, Cézanne, van Gogh and Bonnard; Nordic Expressionism, including a large selection of works by Edvard Munch and Oskar Kokoschka; Modern art, with works by Mondrian, Klee, Chagall, the Surrealists, Léger, Matisse and Picasso; the Giacometti section comprehends the most important museum selection of works by the Swiss artist Alberto Giacometti; the Art since 1945 collection includes works by Tinguely, Twombly, Beuys, Kiefer and Baselitz.

Takashi Murakami's super tall skinny buxom anime girl sculptures, with the large panel painting «Rose Milk» (1997) acrylic on canvas in the background, presented by Gagosian Gallery — in newly opened Frieze art fair special section of «For Your Infotainment / Hudson and Feature Inc.» dedicated to the legacy of the dealer Hudson (1950 — 2014) and his influential gallery Feature Inc. (Chicago and NYC) #Frieze #TakashiMurakami #RoseMilk @gagosian @friezenewyork

Serious collectors and the curious alike should look for a surge in sculpture, a large selection of contemporary art from China (the dedicated region of the fair's Focus section), a rise in the number of emerging galleries and the increase of single - artist presentations and thematic groupings of work that vary across media and generation.

Collections The new section Collections, curated by Sir Norman Rosenthal, will include Japanese netsuke (Sydney Moss, London); a 40 - piece display of Italian maiolica (Bazaart, London); and a collection of rare wooden Egyptian sculpture, including an exceptional large statue from the Fifth Dynasty (2500 — 2400 BC)(Sycomore Ancient Art, London).

Two of the more obvious examples of resistance in Robson's exhibition are Virginia Maksymowicz's fulsome Panis Angelicus, a cast plaster sculpture of what appears to be an upper section of a Corinthian column overflowing with cast - plaster loaves of bread and broken plaster ornamentation, and Leslie Friedman's Tasty, an installation of wall - mounted screen prints and a large pile of shiny oversize soda cans.

Fresh from opening his first institutional solo at Palais de Tokyo in February, he'll present a large sculpture that propels itself back and forth along a 20 - foot stretch as part of the Platform section at The Armory Show.

The larger of the two cases, titled «Worm,» houses an entire section of a room in which an exposed body lies ridden with holes that allude to the sculpture's title.

Also new is the introduction of the Unframed section, which presents large - scale, museum - quality sculptures and new media installations.

The section takes its title from a Melvin Edwards» series of sculptures seen in the gallery, part of a larger series of his Lynch Fragments, which, through their materiality, touch on American identity, how slavery evolved into mass incarceration, and ideas surrounding economies of labor.

Three domestically inclined pencil and white acrylic drawings from 1965 — 66 present a link to the surprisingly figurative beginning of Truitt's large - scale sculpture practice, First, 1961, a section of ersatz white picket fencing perhaps plucked from her suburban neighborhood in Washington, DC.

Frieze New York Main Galleries Section Stand D40 Alexander Gray Associates presented a selection of work by Melvin Edwards (b. 1937), spanning his five decade career, including large - scale sculpture, works on paper, and examples from the artist's renowned series «Lynch Fragments.»

Highlights include extraordinary art objects and pioneering 20th - century artists at the curated sections Collections and Spotlight; a celebrated series of talks, supported by Gucci, examining how historical art influences contemporary practice; guided tours of the fair; impressive large - scale works in the Frieze Sculpture Park; and pop - ups from London's favourite restaurants including Locanda Locatelli and Umu.

This section features five distinct sensibilities: Michael Dee with his large star sculptures made from heated plastic cups; David Kiddie collaborating with Michael Reafsnyder creating ceramic platters, and Reafsnyder alone, crafting mermaid goddesses out of clay; Heimir Björgúlfsson sees nature and culture as inseparable in his enigmatic found object works; and Wayne White continues to confound us with his unique brand of humor and skill in new ceramic work (PORKGREASE) and painted wood sculptures.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.

Nevertheless consists of a large sculpture representing a theatre set in a roped - off section of the gallery, a small sculpture of a bookshelf and book, -LSB-...]