Drexler's latest revival, along with such exhibitions as the Brooklyn Museum's 2010 show «
Seductive Subversion:
Women Pop Artists, 1958 — 1968» and last year's «International Pop» at the Walker Art Center (both of which included her work), is part of a recent reevaluation of Pop art that goes beyond the largely Anglo - American, white male artists with whom it has historically been
associated.