Sentences with phrase «see basterds»
Are you pleased to see the Basterds get their due?
http://filmjunk.com/
I saw Basterds and Up and The Hurt Locker twice this year.
Not exact matches
What I expected is what I saw, except unlike Inglorious Basterds, Django didn't rewrite the Civil War to the extent that Inglorious rewrote WWII where Adolf Hitler was actually....
(1966) is fine (it's a catchy ditty), but Franco Nero's cameo is disappointingly perfunctory, as are the ostentatious midfilm intertitles that feel like the director reminding himself to be «playful» (see also Jackson's voiceover intrusions in Basterds).
After seeing Brad Pitt star in «The Inglorious Basterds», I'm not at all surprised that he has sunk this low.
It was no surprise to see Christoph Waltz win Best Supporting Actor for his turn in Quentin Tarantino's Inglourious Basterds, but I think more than a few eyebrows were raised when The Hangover scored the trophy for Best Motion Picture (Comedy or Musical)!
I can see Best Director, because Cameron did take a lot of risks and did some things no one has done or seen before, but Best Picture should have gone to Inglourious Basterds.
There is potentially a play to be made by The Weinstein Company to position 2 - time Best Supporting Actor Oscar winner Christoph Waltz (Inglourious Basterds and Django Unchained) to be pushed to this category even though, by all that have seen Big Eyes, he is clearly a co-lead.
With Inglourious Basterds being the feel good movie for the vengeful Jewish type, Quentin Tarantino could see the potential success in this new vindictive genre he helped pioneer.
Tarantino has long spoke of doing a film in the mold of The Dirty Dozen or Magnificent Seven and while Inglourious Basterds took that idea to World War II, maybe The Hateful Eight will finally see Tarantino take his band of misfits idea to the Old West.
This will be a rare acting turn for Mike Myers, who hasn't been seen in a live - action role in a non-documentary film since his small supporting turn in Quentin Tarantino's Inglourious Basterds in 2009.
From his attention - grabbing debut with «Reservoir Dogs» (1992), a deviously clever heist film where the heist is never seen and the drama is all in the conversation and the ingenious structure, to his acclaimed «Inglourious Basterds» (2009), his thrilling rewrite of World War II history as a magnificent movie fantasy, Tarantino has gone his own way, snatching up ideas strewn through decades of film history and hundreds of genre movies like a magpie, rethinking them completely, and weaving them into entirely new stories that unfold at a leisurely pace so he can enjoy every word and gesture along the journey.
Playing the bad guy works in Supporting as we've seen with Christoph Waltz in «Inglourious Basterds» and Javier Bardem in «No Country for Old Men» but those had charismatic elements to them.
«Inglourious Basterds» might very well be the most overrated, really good film I've ever seen in the Oscar race.
After the peaks of «Inglourious Basterds» and «Django Unchained,» it's disappointing to see Tarantino return to pointlessly bloody form, especially given the film's promisingly fertile post-Civil War setting.
We have to admit we're a little concerned about Tarantino returning to the revenge narrative yet again («Kill Bill,» «Death Proof,» «Basterds»), but with its racially charged and sure - to - be-controversial subject matter, «Django» has the potential to be an epic unlike anything we've seen from the filmmaker before.
I sometimes find Brad Pitt to act principally with his lower - jaw (see: «Inglourious Basterds,» «The Tree of Life «-RRB-.
The two - disc release of «Inglourious Basterds» isn't quite as heavy on bonus material as fans would probably like, but it's still better than we're used to seeing from a Quentin Tarantino film.
Quentin Tarantino saw this when he cast Fassbender as the gentlemanly Lieutenant Archie Hicox in Inglourious Basterds, where Fassbender held his own in a cast filled with charismatic personalities.
His latest film, the Western Django Unchained, is set to debut Dec. 25, but that's still a long way off for people waiting to see if this new film lives up to the director's Inglourious Basterds.
An unflinching psychological thriller set amidst the underbelly of New York City's «Gilded Age,» The Alienist follows Laszlo Kreizler (Daniel Brühl, Inglourious Basterds, Rush, Captain America: Civil War), a brilliant and obsessive «Alienist» in the controversial new field of treating mental pathologies, who holds the key to hunting down a never - before - seen ritualistic killer murdering young boys.