Sentences with phrase «see a paint brush»

I noticed on some you can see the paint brush streaks.

My hubby's always a little nervous when he sees the paint brushes come out — this won't be bad at all!

Like an antique chest of drawers in the entry and other pieces which will never see a paint brush.

Not exact matches

Those who are used to coding in the Bitcoin blockchain will be happy to see that they now have Ethereum's paint brushes in their own technical backyard.

He has helped paint our enemies with a big brush of hate and successfully helped lots of Americans to open their eyes to see how ugly and stupid their neighbors are.

«Please don't paint us with the same brush,» says Wilde, who dresses in modern clothing, wears her hair short and insists that no one seeing her walk down the street would peg her as a woman in a plural marriage.

I respect your experience but it is still anecdotal and limited — it is not definitive hence my suggestion that you paint with a narrower brush lest you do the very thing that you are guarding against... You resist those who criticize «other ways of following Jesus» while doing a bit of the same to those who see value in the institution as a spiritual reality even if not an ideal one...

This is painting God with a human brush and hating what you see.

And this «pastor» seems to lack critical discernment ability, seeing how he painted this president with such a rosy brush.

She gets as much out of observation as she does from doing things, so roll up your sleeves, cover your child's hands with your own, and guide them in brushing or gluing or painting if they don't see exactly what to do.

For the cost of $ 4 for adults, $ 3 for senior citizens and children between the ages of 6 and 12, visitors will see men in top hats and women in flowing, floor - length dresses displaying and demonstrating their crafts, which include wood carvings, photography, quilts, white oak baskets, suede cloth, handwoven rugs, Chinese brush paintings, stained glass, pottery, jewlery, metal sculputure and watercolor, acrylic and oil paintings.

She compares it to the way we might enjoy a painting from across the room, but appreciate it in a different way when we can get up close and see the brush strokes.

That gave me courage so i purchased two quarts of AH in ballet white, i followed her directions before beginning, used her paint brushes to apply and i continue to see these tiny, hard, balls throughout the paint.

I saw this top hanging in my closet and thought the pattern mimicked the brush strokes in the painting.

But I still use acrylic paints too which I can see some brush strokes if I hold them up to the light but once I add water and flowers you can't see that anymore!

Quick Tip: At first I thought I wasn't using the ideal brush when I could see the brushstrokes while painting, but when the paint dried, the surface was completely smooth - so don't fret when you see brush marks on yours.

The little tin can that has my favorite paint brush in it used to look all summery with flips flops on it, you can head over here to see that transformation.

-- Cricut Explore cutting machine — Cricut cutting mat — freezer paper or Cricut vinyl — pillow cover, to create a cover see the instructions HERE — iron & ironing surface — white acrylic paint — round foam pouncer brush or 1 ″ foam paintbrush

If not mixed well you will see clumps of powder when you brush on the paint and when you sand it, little white patches could show up, so just mix mix mix it well.

To the point where you can see brush strokes in the black paint on his jaw and around his armpits.

It seems impossible that Coppola could keep this up for the duration of the picture, could see to fruition the kind of viable update / continuation of Wiene's The Cabinet of Dr. Caligari that the Akira Kurosawa film he helped produce, Kagemusha, with its sanguineous, medieval battlegrounds painted with heavy brushes, aspired to be.

I just want to see him do something different as right now, almost all of his films have been painted with the same brush.

On most of the drawing apps that I have seen there are a number of limited types of «pen» to choose from such as: pencil, marker, brush, spray paint, crayon, ballpoint, watercolour brush... and you can then set thickness of the line for the pen type you select.

Its primary population, the Inklings, have built a society obsessed with fashion, roasting each other mercilessly, and a sport where squads of 4 battle each other to see who can get more ink (not paint, even though there's a paint bucket weapon and a roller brush)...

When I saw the game on X Play, they showed how the paint and thinner brushes create completely different outcomes in the boss fights, and that really intreagued me.

You can see around this apple that I started fairly pale and for the darker patches to the left I was using the technique the encountered at the beginning of working undiluted paint into the surface with a turps soaked brush.

Every registrant can of course see and hear what the host is doing; in my case ñ watch me paint, drop a brush from time to time and listen to me wax eloquent.

As I teach, judge, visit exhibitions and look at work in books or across social media, I see bits and pieces of paintings that cause me to think about how a particular effect or even a type of brush stroke could impact my own work.

There's so much to be knocked out by: Joan Semmel's photorealistic paintings of herself having sex seen from her point of view, Shigeko Kubota painting with a brush stuck to her crotch, Cosey Fanni Tutti posing in porn magazines, Eleanor Antin documenting herself on a diet, and Carolee Schneemann pulling a scroll from her vagina and reading it.

Direct drawing, calligraphic use of line, the effects of brushed, splattered, stained, squeegeed, poured, and splashed paint superficially resemble the effects seen in Abstract Expressionism and Color Field Painting.

In fine art, the paint itself was considered the critical, essential element, and the trend in seeing paint in this way began in the brush strokes of the Impressionists, was codified by Cezanne, and was rendered most clearly by W.J.M. Turner in his brushiest millennial masterpieces.

I only really see my paintings from a distance, yet I hear them with every brush stroke.»

«While his contemporaries Donald Judd and Dan Flavin created work that was machine - made, I see Stella as a modern day John Henry, racing against the machine, brushing paint from one end of the canvas to the other and back again, setting an admirable and competitive pace.»

You can see the rest of the article by clicking on this link: Painting Gets a Broader Brush by Christopher Knight

The strokes were made with a brush loaded with red or black and painted directly onto a wet ground; we can see the speed of the mark, the downward pull of gravity, and the drips where they meet.

Sometimes, as seen in 2008 at Gagosian, he brushes white paint over canvas saturated with sprays of red and blue.

You can see the manipulation of the paint and the brush strokes.

This painting is spectacular, it's small but really dynamite work, you can see the thick brush work, it has quite a bit of collage elements, you can see there is a New York Times newspaper here.

To me the material is simply paint, but in solid form, and my «brushes» are the band saw, table saw, and glue.

«Horses, A Series, # 7» emphasizes the angularity of the horses bodies while drawing upon a unique Chinese device practiced in traditional brush painting that allows the viewer to see the subject from a multi-level perspective.

Park's techniques included combining the use of brushes with palette knives, and one sees a lot of areas where paint has been scraped onto and off the canvases, as can be seen in Zachary, c. 1955.

You can see the benefit of the tinted card, which shows through and already gives a hint of flaking paint, where the brush has hit and missed over the card texture.

In the shot below, you can see how the brush strokes have lighted the opening of the pot but as the paint has been taken off the bristles, this has automatically allowed the interior of the pot to appear darker.

Make sure you let the brush touch the base of the streak above as you do this and see below how it drags the paint from the streak above evenly down the paper by capillary action.

By the time you're near the Yellow Ochre streaks there should be very little blue paint on your brush — look at this photo below to see what I mean.

«When I sit down to paint I reach a certain point of calmness and a state of relaxation, where my inner most thoughts come to express themselves through my brush, as I spread the watercolour across the paper seeing my ideas and thoughts come to life; it is my way of trying to make sense of the world and people around me».

Using printmaking and photo transfer methods in tandem with newfound digital imaging technology, the Anagrams saw Rauschenberg literally painting with images (reversing the brush stroke towards final image progression) as early as 1992.

A brush and tube of paint are now fossilised; frozen in time to be seen as a way of the past.

What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.

In the house I grew up existed the 80s a huge alpha in a circle painted with a brush, I do not know when and who did it, but I can not say I have seen something more interesting since then, in the wall.