We recommend: seeing the Kingship and Sacrifice exhibition, where you can
see ancient bodies preserved by bogs.
Not exact matches
Because the brain can't distinguish between what the
body is experiencing in reality and what it's
seeing through the drone's sensors, the pilots, for a moment, experience that most
ancient human desire: to fly.
«What we found is that we go from soft -
bodied ancient aquatic arthropods with no eyes, or at least eyes that don't fossilize well, to suddenly eyes that look like the eyes that we
see on insects and land animals today, with basically nothing in between these stages,» says Morehouse.
For each major vertebrate group,
ancient and modern (and with no particular emphasis on ours), Bonnan examines the skeleton to
see how structure relates to function using plain analogies: basic
body plan is likened to a car chassis, jaws to scissors or nutcrackers, eyes to camera lenses.
For example, if tribes migrate (d) to a certain locale or are forced out of an ideal way of life due to cataclysm etc, (such as leaving fruit bearing tropical climates due to sea level rise in
ancient prehistory as
seen from underwater megalithic stone temples from around the world) then that does nt mean their way of life currently is the most ideal that the
body thrives on, such as «paleo» diet or atkins diet or other FAD BULLSHIT low carb, high fat diets that are EXTREMELY HARMFUL AS CITED CONCLUSIVELY.
Taoist Yoga also helped me
see that we can combine Western scientific thought with
ancient Indian and Chinese energy maps of the
body to gain deeper understanding of how and why yoga works.
I belong to the open tote on the car seat crowd but have an
ancient prada cross
body that weighs nothing and has
seen loyal service while travelling for so long that it looks positively grotty even after cleaning.
I knew I'd
seen something fantastic unfolding, an artist who was probing painting's
ancient uses via abstraction, Twombly's ideas of paint that looks like it's been applied straight from the human
body, Sigmar Polke's belief in painting's transformative powers, and Robert Ryman's desire to reduce painting to its bare bones to
see how far these bones can go.
It's a resolutely anti-monumental approach that has hitherto
seen Baldock mix up the friable stuff of 21st century life — domestic goings - on, fallible
bodies, libidinal currents, rude jokes and cute asides — with references to modernist art and
ancient cultures and their notions of pure forms or lasting values.