Sentences with phrase «see any paint lines»

Haven't seen her paint line yet but Martha's got a few other goodies at Home Depot!

Not exact matches

When was the last time you saw us with a player stationed up and down the white paint looking to skin the full back get to the bye - line and whip in a cross?
I would like to see paint production, even advantage Celtics; and at the free throw line, the same.
Apparently, someone on the paint company's legal team saw a situation like this coming and included a line about the promotion only occurring if the ball lands in the paint can on the fly.
Looking at her handmade ceramics painted with hares on motorbikes, socks hung up on a washing line in pairs by an eager husband on laundry duty, and fluttering bunting strung out by the imaginary Mrs Digby's to brighten up a gloomy day, it's not hard to see why.
«I'm pleased to see that the MTA is moving forward with painting and repairing 7 train line infrastructure,» said New York City Councilman Jimmy Van Bramer (D - Sunnyside, Woodside, Long Island City, Astoria, Dutch Kills).
THE WATERCOLOR EFFECT In this illusion by Italian vision scientist Baingio Pinna, a thin, orange contour adjacent to a darker purple contour casts an orange tint over long distances — as though a watery paint was filling in the gaps between the orange lines [see «Illusory Color and the Brain,» by John S. Werner, Baingio Pinna and Lothar Spillmann; SCIENTIFIC AMERICAN, March 2007].
Many of us are familiar with titanium dioxide (TiO2), a whitener commonly used in sunscreens and paints such as the white lines seen on tennis courts.
I am not sure what the whole process looks like, as far as how they come up with the colors for each season and how those translate to fabric versus paint or graphic design, but if you start paying attention to the Pantone colors, all of a sudden you will begin to see those colors in the new season's line of clothing, home furnishings, graphics and even architectural designs for offices.
I loved strolling through the beautiful streets lined with colorful houses with painted doors (see more in these posts: here & here) and surrounded by cacti (see more: here), driving along streets winding through the sandy mountains and finding so many surprisingly charming places.
I see so many people who sell a chalk paint and wax line say that wax is perfect for sealing kitchen cabinets and it drives me batty.
I just happened to be at Home Depot and saw that Rustoleum has a line of chalk paint and has a flat top coat.
Prince Avalanche sees Rudd play Alvin, a man that has taken on a job painting lines on the long remote country roads cutting through the forests of Texas in 1988, a year after fires ripped through the state.
Her remake of Don Siegel «s 1971 film, or re-adaptation of Thomas P. Cullinan «s «A Painted Devil,» is a gothic thriller with a life on the line, not the sparse character piece we're accustomed to seeing from Coppola.
For my training folder I tracked a bare, painted bodyshell the length of the line and, after a whole week, saw it fire up and drive off the end.
4 years ago, after repainting my 1980 Chrysler LeBaron, I'm seeing many lines appear in the paint.
You can also paint a line on your socket, so you can see where it starts and needs to stop.
S line gains LED headlights, 20 mm lower suspension, larger wheels and sports styling inside and out, while the Black Edition sees exterior chrome trim painted gloss black and includes 20 - inch wheels and a Bose stereo.
The way the side character line extends to the front fenders and appears to be folded over the fender panel; the laser - like headlamps; re-imagined double - arch grille; Forged Bronze paint with three times the amount of metal flake as most paints seen on cars — it all combines to create a purposeful yet elegant shape the likes of which isn't really seen elsewhere in the compact luxury crossover segment.
The gloss black paint you see for the roof here is exclusive to the top of the line R - Design variant only
On the side profile you can see the gold painted alloy wheels and gold lines running across the body.
Road Departure Mitigation (RDM) Integrating LDW6 (see below), Road Departure Mitigation (RDM) 7 uses a monocular camera (mounted on the upper portion of the windshield) to identify solid or dashed painted lane lines, Botts» dots and Catseye markers.
On most of the drawing apps that I have seen there are a number of limited types of «pen» to choose from such as: pencil, marker, brush, spray paint, crayon, ballpoint, watercolour brush... and you can then set thickness of the line for the pen type you select.
The vet clinic you see today is a result of custom construction and planning — from paint colors to architecture, top - of - the - line veterinary tools to the in - house diagnostic laboratory and pharmacy — Dr. C designed from the drawing board to best serve her clients.
The huge glass rooftop, with its green, painted ironwork, can be seen from all over the neighbourhood, ensuring that the Grand Palais stands out from the surrounding tree - lined avenues of the city.
The majority of people visit the building to see the ceiling mural created by Edward Trumbull, which was the largest in the world when completed and features paintings of buildings, aeroplanes and images of the Chrysler assembly line.
While I liked it, and I would love to see more remakes along these lines, I would have preferred Lizardbox fix the control issues and the stuff that actually matters to gameplay over painting over the problems, even though they were very good at painting.
The Painter's Room is a new series of paintings, following his signature style of blurred lines with a now - you - see - it, now - you - don't type narrative.
2015 Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (November 14, 2015 — April 30, 2016) Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, Florida (October 17, 2015 — January 24, 2016) A Few Days, Lennon, Weinberg, Inc., New York (October 7 — December 19) The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, Connecticut (September 4, 2015 — January 3, 2016) America is Hard to See, Whitney Museum of American Art, New York (May 1 — September 27) What is a Line?
Seeing the line that connects great painting, not in the art historical way, but how it (painting) relates to the picture plain, how it relates to life and the poetry of it.
Selecting common hand saws, shovels, axes, baking pans, and cake servers, quotidian objects that are assigned along gender lines of domestic work and construction work are painted with titillating scenes of women frolicking about in a lake, or simply posing in nature.
For Tworkov, it was vital that the intersecting vertical, horizontal, and slanted lines that resulted from this technique still allowed the viewer to see the simplicity of the painting's fundamental structure.
We see the paint smooth as a final pass cuts across incised and engraved lines, thick from hands and palette knives or thin from bush handles.
The passage is three lines long, and refers to the sensation of standing under a waterfall, framing it in a camera and seeing a composition similar to a Barnett Newman painting.
A crack of synesthetic thunder sounded inside me as I felt the cold, hard marble through my shoes, grasped the lightness of the canvas by comparison, and came to terms with an artist bypassing Serra's fearsome weight and brawny power; finding essences between painting and sculpture, perception and experience, I crossed a delicate line between something I'd never seen before and something I already feared I'd never see again.
I should mention that the Bonnard paintings that I saw at Paul Rosenberg Gallery around 56, 57 changed everything for me because basically, up to that point, all the painters I'd looked at — Picasso, and my teachers — all painted with black lines around the forms, whereas Bonnard opened it all up.
As we saw in Tokyo, KAWS has been pushing further and further into multi-layered paintings, hiding and revealing some of his icons underneath bursts of color and line work.
This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.
Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.
I saw a show of his, probably in 1975, at the Whitney Museum of American Art and in that show I saw a piece that was probably 8 feet long and 5 feet tall and, basically, it was a line across the middle of the painting and the top half was sort of a dark green and the bottom was kind of a pearly grey.
Direct drawing, calligraphic use of line, the effects of brushed, splattered, stained, squeegeed, poured, and splashed paint superficially resemble the effects seen in Abstract Expressionism and Color Field Painting.
Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.
Becky Yazdan's small paintings have become incrementally more abstract over the four years or so since I first saw her work, but they remain anchored by precise composition, balanced line, and subtle choice of color.
The point of departure for the exhibition is a particular shade of violet that all three artists coincidentally found themselves using, with this coincidence inspiring an interest in seeing their work side by side, to draw a line between their practices and their innovative approaches to painting.
It is miraculous, for instance, to see the infinite number of variations that are sprouting from just simply painting rectangles and lines on a surface, from constructing a surface onto which to paint, from placing a hand - painted something in a specific place it sensibly interacts with.
You've seen them — those paintings where part of the canvas is still bare, except for perhaps a line drawing showing what the artist was going to put there.
Extending the post-painterly abstract techniques of pouring and staining, Saccoccio creates skeins of crisscrossing drip lines, often adding pure dry pigment to the wet paint, imbuing them with colors not normally seen in daily life.
But an appealing handmade quality also emerges, as you start to see that there are painted lines extending, connecting to, or snaking among the printed ones.
Other shock tactics are used: emptiness (large canvases painted a solid color, with a thin line running down the side), pornography and scatology, lack of painting technique, or abstract non-representation carried to an extreme (see page 57).
Not lines and not brushstrokes with any overly aggressive verve, Hughes's upright shafts of color replace the struggle that you see in so much abstract painting with an exuberance that seems soft and effortless.
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