Sentences with phrase «see at a film festival»

Saw it at a film festival, and it wasn't horrible, but Ive seen better.

Looks like it's best to see at a film festival.

These are all films that either first played in cinemas in the US in 2015 or that I saw at film festivals in 2015.

We will continue to develop and make our own films, and acquire pre-buys as well as movies we see at film festivals.»

Thomas Vinterberg's «The Hunt,» starring an outstandingly good Mads Mikkelsen, is a film we love and it ended up on three of our Best Films Of The Year lists... last year, because we all saw it at film festivals.

Sean and Chris Ryan recap the best movies they saw at the film festival, including Steven Spielberg's nostalgic sci - fi «Ready Player One»

Young filmmaker Lena Khan's movie The Tiger Hunter is still one of the most intriguing I've ever seen at a film festival.

These are not exactly obscure works: The Intruder is the latest offering from French director Claire Denis, whose earlier films (including Beau Travail and Friday Night) have been widely seen at film festivals and in art - house theaters.

Not exact matches

Her films have been seen at the Tribeca Film Festival and New York Film festivals.

Last weekend we had a family get together to see my sister's latest film at a local film festival.

You must have seen many celebrities walking the red carpet at some fashion GALA or film festival, some of them stunning always, some of them, well, often to dress like a joke... If you observe carefully, you'll find that some types of dress never make mistakes.

There's a certain kind of film I see at many festivals: oblique, short on narrative and incident (or filled with repetitive incident), shot in a style that favors long (distance and time) shots of people doing nothing, or doing mundane things like crossing the street in real time.

I always see some of the best films each year at film festivals, but there's always hidden gems and discoveries to be found outside of fests.

After I saw it at the Toronto film festival last September — where Rudolph and Willis said they were proud of having made it even if nobody saw it — it received nominal runs in New York and Los Angeles, cities where viewers and critics are regarded by distributors as being more demographically significant than those in Chicago, and then early this year it came out on video.

I see all the commercial releases, and almost all of the imports, and at the Cannes, New York, and Chicago film festivals, I see a good cross section of the smaller films, domestic and foreign, that are worthy of festivals but not commercial enough for wider release.

My favorite film of the year (so far) is still Luca Guadagnino's Call Me By Your Name, which I saw at both the Sundance and Berlin Film Festivals earlier in the year.

I probably missed a few, as I was only able to see about 20 of the films at the festival (which is not a lot, since it is possible to see nearly 40 over the festival's 8 days), but suffice it to say, if you're a canine lover, be wary of all the films listed above.

Not long afterward we see Blanc arrive at the Cannes film festival, demanding a suite at the Hotel Carlton (he finally gets moved into the suite of Gerard Depardieu, who's off wine tasting in Bulgaria) and making a crude pass at Charlotte Gainsbourg in her room, then stealing money from her purse while she goes to fetch him some Valium.

Perhaps it's the prestige, perhaps it's the chance to see these films at their world premiere, perhaps it's just my love for the Côte d'Azur and the experience of a festival in the South of France.

A film that premiered at Cannes in 2015 and made a big splash at festivals all the way through its 2016 US theatrical release, Green Room is among the most confident thrillers I've seen in many years.

TWC probably won't make a decision regarding the release of that film until the new cut is seen at the festival, and the battle has become contentious.

When I see films at festivals, sometimes I have to see them again to refresh my memory or calibrate my opinion, while trying to remain true to first impressions, which are valuable.

You see this all the time with secret screenings at film festivals.

If you didn't catch this film at a festival, make sure to see it in theaters when it opens this Friday (November 20).

«Many audience members made it a point to see the film two or three times, which is a rare occurrence at the festival where attendees try to see as many films as possible over the weekend.»

The majority of movies at film festivals don't release trailers beforehand, so we often choose which films to see based on the filmmakers involved, the cast, and a brief description.

While it's entirely possible that «Demon» will appeal more to U.S. audiences after its June 24 release than it did to critics who saw the film at Cannes, at the festival, Refn said his intention was to make a «primal» movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.

And while it's an art that has already yielded our first magnum opus of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 2014.

Sadly, getting home from seeing four or five films a day at midnight (and having been out since 10.30 am) and having to write for my own blog — a necessity of the «60 films in 17 days» blogathon challenge I was participating in — took its toll, especially against the backdrop of the flu that I carried all festival.

Also at the festival are under - the - radar pictures like the Clive Owen / Juliette Binoche film «Words And Pictures,» Andre 3000 - starring Jimi Hendrix biopic «All Is By My Side,» comedy - drama «You Are Here,» the feature debut of «Mad Men» creator Matthew Wiener, Biafra war film «Half Of A Yellow Sun» with Chiwetel Ejiofor, the James Corden - starring «One Chance» (which has the Weinstein Company «s backing, but seems more «Unfinished Song» than «Silver Linings Playbook «-RRB- and, perhaps most importantly, Stephen Frears ««Philomena,» which could see Judi Dench being in contention.

I heard the film got booed at this year's Cannes festival, but I guess I had to see for myself.

End your Wednesday with one of the most ambitious films I've ever seen at a festival, Tim Sutton's «Dark Night.»

At the film festival's press conference, Martel revealed she was inspired by science fiction movies that wrongly imagined the future to change how audiences see history.

As you might remember from my review of seeing Cub at Fantastic Fest, it was one of the most satisfying film experience I had the whole festival.

I decided to take that approach with various films I saw during 2015 at press screenings and film festivals including Cannes, Telluride, Toronto and Ebertfest.

The second film I saw at the festival and its wondrous cinematography, resonant performances, and an organic direction that plays right into my wheelhouse; Mr. Turner proves that Leigh can tackle the tricky genre of the biopic better than, well, anyone I've ever seen.

In stark contrast to Kraume's take on German history was one of the best films I saw at the festival, Robert Schwentke's The Captain.

You've seen more nuanced treatises on illegal immigration, but Jonás Cuarón's thriller, which premiered at Toronto and will serve as the L.A. film festival's closing - night offering, is a harrowingly visceral experience, centered around a cat - and - mouse game between a well - matched Gael Garcia Bernal and Jeffrey Dean Morgan.

I've seen three Larson films (1, 2, 3) and two of Wheatley's (1, 2) at previous festivals and can not wait to get my eyeballs on this bloody, funny, and no doubt dazzling action comedy from a filmmaker like no other.

Tully was a last minute, surprise premiere at the Sundance Film Festival - where I saw it and loved it, naming it as one of my favorite films of the festival.

The girls had come to see James Franco, who was at the festival to present three of his «weird artsy films» — films they would watch in spite of never understanding.

At a film festival there are no BBFC certificates and as such there is no guarantee that the animated film you have chosen to see will not feature graphic sexual content.

Since it marks Shults» first film and his first time at Cannes, Indiewire asked him to keep a video diary of his experiences at the festival, the first of which can be seen at the top of this page.

«It's very exciting for me to premiere my film in the city where I discovered I wanted to be a writer and director, and at the film festival where I saw so many films that inspired me and truly showed me the way.

It can be a joke, but it plays into what I was saying before: these filmmakers go to festivals, and those are the types of films that are bought and that you see at the major festivals.

There are many others worth checking out, and this is my final recap of the festival (with a full list of all the films I saw at the end).

It'll be more comforting if we find out that, as with «Moonrise Kingdom» last year, the film is also in competition at the festival, but that's a relative rarity, and one that we'd be surprised to see repeated this year.

By far the most entertaining film I saw at the 2016 SXSW film festival.

Inspired by a nightmare, Twixt — filmed in 3 - D, but never widely seen outside film festivals, and now making a belated debut on home video — drifts between the waking and sleeping hours of down - on - his - luck horror novelist Hall Baltimore (Val Kilmer), whose book tour takes him to the small town of Swann Valley and to a poorly attended signing held at a hardware store.

I was horrified when a valued colleague and friend at the Village Voice recently gave her blanket endorsement to Miramax's recutting two pictures that played at the New York film festival, Billy Bob Thornton's Sling Blade and Chen Kaige's Temptress Moon, approving both new versions before she even saw them.