Sentences with phrase «see authors talk»

Not exact matches

As Nicholas Boothman, speaker and author of How to Make People Like You in 90 Seconds or Less, explained in one of his talks, «when you like someone you see the best in them.

As Jon Goodman, author of Viralnomics: How to Get People to Want to Talk About You, says, «People shouldn't see your design; they should feel your design.

They had seen Rich Dad, Poor Dad author Robert Kiyosaki on TV talking about using real estate investments to build wealth.

Not only do you see the author's passion for starting his own business, he shows other entrepreneurs and business owners talking about their own experiences.

Those words were written by mere mortals no smarter than you or I. Anything Jesus said in the bible is strictly hearsay as the authors who wrote about Jesus never knew him, saw him or talked to him.

talks so confidently about the inerrant, perfect, infallible character of the original Autographs of the Bible when no one has seen one for more than eighteen centuries Moreover, it is clear that originally no one thought the wording was perfect since copyists, translators, and authors had little fear of changing it.

I don't like how these books talk a lot about how the author went about discovering their «never - before - seen - by - anyone - else» insight into the human condition.

I am not a medical professional, so please correct me if I am wrong, but we do understand how much of an important role that stress hormones play in labour — the way medical professionals do talk about birth in terms of risk without paying attention to emotions (I am getting this from a somewhat flippant comment earlier on this thread where the author says the would like to see 100 % c - section rate) does exacerbate the problem.

Dr. Justin Marchegiani: Yeah, I've seen it work phenomenal and I find that, you know, a lot of your conventional psychologist, psychiatrist or a way author, typically more just in the drug interventions but most of the psychologists, they're just only working on the conscious mind, just the talking, and I feel like these type of therapies really get below the surface like you said.

Over the summer I did a book study and in the book the author talked about having something in a high traffic area that every time you saw it you would pray for your family.

See him talking about ideas, trends and technology as a part - time author to this blog.

On June 5, 70 seventh graders from Harlem's Democracy Prep Charter School spent the day at Harvard seeing the sites, sitting in on the Ed School's diploma ceremony, and hearing Harry Potter author and commencement speaker J.K. Rowling talk about the importance of imagination.

I talked with one author last month, someone who's very experienced — like, they are not new to the publishing industry — and they wanted to know why they weren't seeing sales in like the hundreds of copies per day, and their book had only been out a week.

< And in our preparatory column to last week's Issues on the Ether column for our #EtherIssue live discussion, Bringing Tools of the Trade to Self - Publishing, we askwed our readers to talk with us about what tools entrepreneurial authors need most; to what degree those tools can be as much of a burden as a help if they slow down writers with steep learning curves; how well the commercial world seems to be responding so far to the needs of entrepreneurial authors; and what kind of results they're seeing from their own experiences and experiments with new tools.

Many of the more successful authors are talking of taking books off perma - free for a few months at the beginning of 2014 to see how this affects the rest of their series, and if that book they were giving away can become profitable.

Wiley Cash, author of The Last Ballad Radney Foster, author of For You to See the Stars The Pat Conroy Literary Center Presents Porch Talk Live with Wiley Cash and Radney Foster 1:30 - 2:30 pm Nashville Public Library Commons Room

As if in echo of the forthright debate about self - publishers» balance - sheet woes that London author Roz Morris opened (see the «provocation» on it at Writer Unboxed)-- and naming an issue we'll be taking up on 30th November at The FutureBook's Author Day — McLaren is ready to talk of a glutted marketplace, of lower unit sales, dwindling revenue... and yet of an optimism not always encountered in this discussion: «Hard work will be rewarded.&author Roz Morris opened (see the «provocation» on it at Writer Unboxed)-- and naming an issue we'll be taking up on 30th November at The FutureBook's Author Day — McLaren is ready to talk of a glutted marketplace, of lower unit sales, dwindling revenue... and yet of an optimism not always encountered in this discussion: «Hard work will be rewarded.&Author Day — McLaren is ready to talk of a glutted marketplace, of lower unit sales, dwindling revenue... and yet of an optimism not always encountered in this discussion: «Hard work will be rewarded.»

Another secret: «(I've talked to other readers who say the same... When I read a NEW author: I'll remember them when I read their PAPER book (maybe I've touched their book day after day — seeing their name in front of me over and over with their headshot picture to boot)-- but when I read a NEW author on Kindle — I can't for the life of m remember «WHO wrote that book»??? Why is that???? Simple....

I do talk to the CEO's of the biggest publishers but I can assure you that when we happen to see each other at charity functions or industry functions the people who run publishing companies don't sit around taking about how long their company takes to revert rights to authors.

We actually talk to authors - you see a few blog posts and articles and believe we are at war but the reality is many of us know trad published authors - some are happy, some are becoming unhappy, some are in the middle of lawsuits, some are no longer writing because they couldn't afford to sue and gave up.

I just want to hear a publisher either admit it, or try to talk in circles without actually answering it (so authors who either might not know, or are on the fence, will be able to see the truth about which side publisher execs are on).

If we're talking indie authors, I'll see if the book's been deployed to Smashwords.

I've talked about this with some other black female writers — as indie authors especially — with our suspicions that the majority of romance readers (non-black) will not pick up a book with a black woman on the cover, should we do it anyway and take the risk just to see ourselves on the cover?

Recently I've even seen some articles written by successful, traditionally published, bestselling, award - winning authors talking about how little money they've actually made (a $ 30K advance, split up over three years, for example).

He doesn't even seem to be aware that those arguments won't work anymore because the authors are talking to each other and all too many of them have seen the man behind the curtain and will never believe in Oz the Great and Powerful again.

We've been talking about this a lot behind the scenes lately, and you can expect to see us changing our approach to include more guidance and author education in future.

Could they be talking about those authors the houses had basically been subsidizing because they wrote the «right» kind of books — books that were seen as politically or socially relevant but didn't sell worth a dime?

When you see authors on a talk show, it's clear they're not just there for casual conversation.

Having seen some recent trends and talk among many serious independent authors is the appeal of a book series to net extra revenue.

I love my job and hope to see my author's succeed, so I'm not complaining about them, just a challenging situation — and a situation perhaps that is critical to the success and failure of indie published books that nobody else is talking about.

Then she saw a guy give a talk to about 100 authors in Austin, Texas, which not only changed her perspective, it also changed her plans.

For me (I'm an indie author), I see social media as a way of building a community, a tribe of fans who are interested in what I write, but who are also interested in simply talking about books and reading.

As you go through the process of selecting someone to help you, make sure you see their track record — who have they worked for, and, if possible, talk to a few authors who have worked with them.

On the other hand, as we talk to agents about potential Point acquisitions, we do want Vantage Press to be seen as a high quality self - publishing home for their authors whom they can't place in the trade but who are not right for Point either.

In between panels and author meets, we talked to publicists about the trends they see dominating in the romance world and the upcoming books they're most excited about.

Today on the show they talk about how the Hachette / Amazon contract negotiations will likely play out and how authors have seen a dramatic decrease in book sales The RT Booklovers... [Read more...]

Of all the many authors I had the pleasure of seeing and meeting at this year's Southern Festival of Books, it was especially thrilling to take a moment with award - winning author Jacqueline Woodson to talk about her new memoir - in - verse, Brown Girl Dreaming.

A lot of authors are talking about how they are seeing less and less return on free promotions like this.

Not long ago I was talking to a traditionally published author who saw what I was doing — stories, novellas, novelettes, non-fiction, backlist (all in addition to my trad books)

I know this post is long past by now... but I felt I needed to come back after recent experiences reading / talking to other indie authors in my genre and let you know that I now, unfortunately, see what you're saying.

I was self published by Westbow Press and was cast into publishing hell, I have cancelled my publishing agreement with them in Feb 2013 but Westbow and Author Solutions is still selling my book to online book stores and now Author Solutions has place new publishing dates and ISBN Numbers on my book title if you go online check my book titlw «God Sent Us Angels In The Form Of Good White Folks» you will see what I am talking about this is a new Author's Nightmare.

Many aspiring authors or bloggers ask this question a lot, and really I see this as a question of confidence more than anything — what do I have to talk about?

There, Jonny Geller talks to us of «a space where agents can invest and work with their authors to get the material out and then see what happens.»

That's really interesting, because there is a lot of talk around serializing novels now with Kindle Unlimited, and there has been a lot of talk around audiobooks for some time now; but combining the two and serializing audio is something I haven't seen any authors do so far.

I also talk to fellow authors about making sure they don't link Amazon to their facebook or twitter accounts, as the Amazon crawlers are making those connections in their database, and removing reviews that might be legitimate, but since that person is your «friend» on your author facebook profile, Amazon sees it as a non-legitimate review.

If non-Kindle readers want to see more authors» works available on B&N, Kobo, etc, they need to talk to those distributors about being more competitive instead of bad - mouthing Amazon for being business - smart or authors for being concerned about reach.

If all the talks have been about how the industry plays out, authors who are the original creators of content in the first place would need a direct reference to see which publishing method works best for them.

Social media, discussion boards, websites and blogs such as this one have become sounding boards for readers and authors to talk about what they see as the problems with traditional publishing.

I've seen imprints (especially YA) become very active on twitter talking about their authors, books, and attempting to connect with readers.

Getting media exposure tends to be easier for non-fiction authors (see tip # 22) as you will have something to talk about that relates to the real world.