Sentences with phrase «see cultural shows»

Not exact matches

But as Temin and Vines show, history is much more usefully seen as the evolution of often complex institutions — financial, political, legal, cultural, and so on — through which economic behavior is mediated and which affect the ways in which recurring patterns of finance, commerce and trade unfold, and that without an understanding of history we lose so much complexity in our models that we often end up making very obvious mistakes.

did anyone take the quiz... there is a question about what is the religion of most people in indonesia... the answer is muslim, yet... the picture that goes along with the question and answer is confused... i think i saw an elephant trunk on the idols face... maybe the folks who put together the quiz and slide show should brush up on thier religious and cultural studies as well...

Christian cultural commentators like me are used to seeing God show up in music, films and TV shows all the time.

Studies conducted during the 1950s and early 1960s often took an optimistic view of economic development and, in keeping with this outlook, showed how traditional religions were adapting to westernization and saw value in the accompanying cultural shifts toward rationalization and individual piety.

Go visit the Polynesian Cultural center in Hawaii (which is run by the Mormon Church) and you will see thet have a map showing emigration from south America to Hawaii.

Lindbeck's recent book shows the same concern in proposing a cultural - linguistic model for understanding religious truth claims (see ND).

And as others show us the working out of their problems to which Jesus was the answer, we will see our own cultural and theological idols more clearly.

«Where belief in free will is linked to happiness: Researchers show that the phenomenon, previously seen in Western populations, also occurs in Chinese teenagers, and can cross cultural divides.»

Cultural and physical anthropologists may work in museums, putting exhibits together and conducting important original background research that leads to the development of exhibits and publications in scholarly journals.The work of physical anthropologists may even be seen in clothing stores and automobile show rooms: The way clothing is sized and car seats are shaped is based on anthropological measurements.

It shows that when we label a cultural group as «individualist» or «collectivist», this can lead us to make a lot of false assumptions about how people in that group will see themselves, and so we may wrongly predict how they might respond to our communications or interventions.

The filming of Bran Nue Dae, then, can be seen as a heritage project, passing onto future generations a stage show that has passed into cultural memory.

Now we wait for the Oscar show, where showbiz hypocrites will blather about «bringing us together» while they continue to destroy the cultural foundations that used to make us see, think, and feel as one.

So the next time someone asks me why it matters whether students go to art museums or see live theater, I can tell them that there is at least as much rigorous evidence showing the long term benefits of cultural activity as there is for interventions designed to boost standardized test scores.

This goes to show that a woman who has the appropriate tools to support herself and her children would not necessarily see a reason to sell her daughter into sex trafficking or slavery, this is because she is empowered enough to fight traditional and cultural beliefs.

The national data shows that the group of young people who have yet to see education as the cultural passport it is, are the white British and in particular white British boys.

There's plenty to see and do at Xcaret, which is just outside Playa del Carmen, including floating down the underground river, lounging on hammocks by the lagoon, enjoying a buffet lunch, touring the aviary, checking out the many animals and marine life as well as all the cultural centers and the huge Xcaret Mexico Espactacular night show.

We then travel to the Rosr Garden for a buffet lunch and see the Thai cultural show.

Angkor Village resort is well located for extensive site - seeing trips around the amazing Angkor Watt temple complex is also not far from Siam Reaps international airport yet it is a little bit far away from the colonial town itself so if it is night - life, traffic, and night - time crowds you are after then this may not be the best choice of residence, but for cultural exploits this location is perfect.The resort provides its own guides to show guests around the sprawling temple complex and can offer advice on both history and culture as well as when the best time to avoid the crowds are.You can alternatively rent bicycles and tour the complex yourself but this can be often hot, exhausting and complicated work during the hot season.

Learn more about Aboriginal cultural and walk the boardwalk through lush mangrove forests to see Australian wildlife on show at David Fleay Wildlife Park, or experience the joy of hand feeding rainbow lorikeets at Currumbin Sanctuary.

The Kecak dance is one of Bali's most famous cultural shows, and the best place to see it is at the open amphitheatre located only a hundred meters south of the Uluwatu temple complex.

Come and see the brand new Aboriginal Cultural show in our newly built premises in Smithfield.

In a catalog essay describing the broader social, cultural and political context of early - 20th - century New York, the historian Max Page sees the Armory Show as emblematic of a distinctively modern process of «creative destruction» in which the new must always obliterate the old.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

The following comments on Vaulting Limits — a group show seen last month at the Tenri Cultural Institute in the West Village — may offer a slightly different perspective than what some of my colleagues have chosen to see as important in contemporary Chinese art today.

Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western Exhibitions What's Going On?

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Another series, this one of birth related images, one of which was in the Mercer show, was seen as part of a group show at the Pauline McGibbon Cultural Centre June 27 to July 21st.

This show continues Uwadinma's explorations surrounding the idea of collective memory and cultural forgetting which he sees as

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

After her standout shows at Mary Boone and Jack Shainman this past Winter, Nina is keeping busy in Paris, and seeing her Royal Flush museum show travel to the Chicago Cultural Center on Februrary 18th.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

Marianne says sheis intrigued to see how the artists and curators she meets in Helsinki will respond to her project, and what she can learn from them about the cultural and social connotations of shyness and showing off, here and elsewhere.

January to April 2013 saw the Ullens Center for Contemporary Art (UCCA), Beijing, show «On Off: China's Young Artists in Theory and Practice», which focused on emerging and mid-career artists born after the Cultural Revolution.

Another leading paper El Mundo stated that this was the right time to see IMMA's Collection «This seems the right moment to show what is being made in the visual arts in Ireland, especially after the big cultural and economic boom of the last decade».

This concluding exhibition is the last of a series of interconnected shows spanning 2016, which has seen the Gallery take a nostalgic journey through some of its curatorial highlights from the past 50 years, presenting works from across this span of time and recontextualising them with contemporary works of art and the present day; highlighting everything from globalisation, temporality, consumerism, consciousness, the body, and cultural identity.

Paul McCarthy's energetic new London exhibition at Hauser & Wirth does not disappoint, turning out to be one of 2011's «must - see» shows Paul McCarthy's major new exhibition at Hauser & Wirth is a joyous sprawl of pop cultural reference, creaky robotics, and splayed legs.

The show offers Bay Area art lovers who might have heard of Crown Point but not realized its cultural weight to see its achievements for themselves.

However you interpret these complex wax creations, Kapoor's show is worth seeing for its combination of technical mastery and a unique tapestry of cultural allusions.

Research is a good start, but it won't do much without parallel processes: innovating policy for designing and financing new energy infrastructure, supporting cultural production that explores a range of futures (when was the last time you saw a future depicted in a movie or TV show that wasn't dystopian?)

Their suggestions for summer activities include: a trip to Barcelona for its long cultural history, museums, art exhibitions and outdoor sculptures; Granada to see the Alhambra, an outstanding complex of gardens and buildings from the Nasrid era with origins in the 9th century; Andalusia to watch the «How Andalusian Horses Dance» show in which the horses perform choreographed dances to Spanish melodies.

In financial and cultural hub New York, tourists flock to attend Broadway shows, see the lights of Time Square and explore the history of Ellis Island and the Statue of Liberty.

Give your children opportunities to see and take part in cultural events - festivals, puppet shows, different foods and music.

In this comprehensive article below, they outline the cost of mental health issues to the social fabric of Indigenous communities and point to international research showing that indigenous communities with «cultural continuity» are seeing significantly lower rates of suicide among young people as those under cultural stress.

Along with this, «A Study of Three Measures of Expressed Emotion in a Sample of Chinese Families of a Person With Schizophrenia» (Li & Arthur, 2005) also shows that while there can be high levels of expressed emotion in families from these cultures, many times the cultural norms of the society must be taken into account in order to see the full picture of what is going on within the family environment.

The Budget and Taxes Trigger Video This video is a compilation of On - The - Street Interviews that show what dangers lurk in the «swamp» of cultural models, and what prevents people from seeing how responsible budgets ensure the well being of communities and how taxes support those budgets.

Releasing the results, VicHealth warned the prevalence of racism may actually be much higher in schools than this latest survey shows, with far more students reporting that they had witnessed racism directed at someone else every day, and more than two - thirds saying they have seen another student being teased because of their cultural background at least once a month.