Join us on May 10th at Greentown Labs, the largest cleantech startup incubator in the U.S., to hear a variety of success stories and lessons learned, meet organizations at the forefront of impact investing, and
see curated group of startups from the Greentown Labs community share how their innovations are impacting our clean energy future.
Not exact matches
Her work in wine has also
seen her founding the wine school at Divertimenti in Marylebone, helping to
curate the drinks offerings at eco-luxury resorts including Soneva Fushi in the Maldives and Kittitian Hill in St Kitts and founding Bacchanalia, a private members wine club for a select
group of professionals in the City.
,» 303 Gallery, New York, NY, April 12 — June 14, 2003 2002 «Liz Larner: Untitled,» Museum of Contemporary Art, Chicago, Chicago IL, May 1 — September 8, 2002, on MCA plaza in conjunction with Art Chicago / Pier Walk,
curated by Dave Hickey 2001 «Liz Larner,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, December 2, 2001 - April 7, 2002, catalogue 1999 «Liz Larner,» 303 Gallery, New York, NY, May 15 - June 12, 1999 1998 «Liz Larner,» Regen Projects, Los Angeles, CA, June 27 — August 1, 1998 «Liz Larner: I Thought I
Saw a Pussycat,» MAK, Austrian Museum of Applied Arts, Vienna, Austria, June 3 — August 9, 1998; catalogue 1997 303 Gallery, New York, NY «Liz Larner,» Kunsthalle Basel, Basel, Switzerland,
curated by Peter Pakesch, June 8 — August 24, 1997, catalogue 1994 303 Gallery, New York, NY 1993 Jennifer Flay Galerie, Paris, France 1992 Peter Pakesch, Vienna, Austria 1991 Stuart Regen Gallery, Los Angeles, CA 303 Gallery, New York, NY 1990 Galleri Nordanstad - Skarstedt, Stockholm, Sweden 303 Gallery, New York, NY 1989 Galerie Peter Pakesch, Vienna, Austria, December 12 — January 20, 1990 303 Gallery, New York, NY 1988 Margo Leavin Gallery, Los Angeles, CA Selected
Group Exhibitions:
2015 Ten Year Anniversary, GAVLAK, Los Angeles, CA & Palm Beach, FL A Painting is a Painting isn't a Painting,
curated by Hamza Walker, Kadist Art Foundation, San Francisco, CA Summer
Group Exhibition, GAVLAK, Los Angeles, CA America Is Hard To
See, Whitney Museum of American Art, New York, NY
We mentioned Resurrection when it opened, and if you still haven't
seen the exciting and elaborate
group show
curated by James Prez, Friday night is the time to do so.
Tate Collective
curate whole evenings, based on their own interests and how these inform how they
see Tate Britain and the collection, and they
curate for their peer
group of 15 to 25 year olds.
Curated by 18th Street Artistic Director Clayton Campbell, we are proud to present a stellar
group of international and Californian visual artists, many of whom are contributing works which will be
seen for the first time.
Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she
curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the
group exhibitions Last
Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-
curated with Paul Clinton) at Focal Point Gallery (2015).
This is the last week to
see the
group show HURTS TO LAUGH at Various Small Fires,
curated by Sarah Lehrer - Graiwer, and featuring Sascha Braunig, David Gilbert, Jay Heikes, D'Ette Nogle, Carol Rama, Lee Relvas, Claude Wampler.
Pavilion of Chile (Arsenale):
Curated by Ticio Escobar, the Chilean pavilion
sees Bernardo Oyarzún focus on the theme of the current representation of the Mapuche community, a
group of indigenous inhabitants of south - central Chile and southwestern Argentina.
2014 Gallery featured in Andrew Russeth's article, «A Look Around the Untitled Art Fair,» in Artnews, featuring works by Josh Slater, Goldschmied & Chiari, and Peter Rostovsky, http://www.artnews.com/2014/12/08/a-look-around-the-untitled-art-fair-in-miami-beach/ Peter Rostovsky featured in Ben Davis's article «Hidden Gems of Miami's Satellite Art Fairs «ArtnetNews, Dec 5, 2014, http://news.artnet.com/art-world/hidden-gems-of-miamis-satellite-art-fairs-189968 Gallery featured in Paddy Johnson's article «Untitled Continues to Make Gains in Miami,» ArtFCity Dec. 4, 2014http: / / artfcity.com/2014/12/04/untitled-continues-to-make-gains-in-miami/ Goldschmied & Chiari in ICI Annual Benefit & Auction https://artsy.net/feature/ici-benefit-auction-2014 Goldschmied & Chiari in The Kitchen fall 2014 benefit art auction https://paddle8.com/work/goldschmied-chiari/41755-untitled-portrait Goldschmied & Chiari solo exhibition «La democrazia e» illusione,» at the Museo d'arte Contemporanea, Villa Croce, Genoa, Italy, November 14, 2014 - January 25, 2015 Scott Alario in SLIDELUCK NYC XVIII at Photoville,
curated by Gideon Jacobs and Matthew Leifheit, under the Brooklyn Bridge, Fri, Sept 26, 7 pm http://slideluck.com/nyc-xviii/ Gallery to exhibit in «Untitled» art fair, Miami Beach, Dec 1 - 7, 2014, http://www.art-untitled.com/index.php/exhibitors/ Gallery
group exhibition «Site / Displace,» in ArtFCity's «This Week's Must -
See Art Events: Death to Normcore, by Whitney Kimball, Corrina Kirsch, and Andrew Wagner, July 21, 2014 http://artfcity.com/2014/07/21/this-weeks-must-
see-art-events-6/
Museum and
group shows include: «We Could Be Heroes: The Mythology of Monsters and Heroes in Contemporary Art» at Brigham Young University, Provo, UT, «Size Does Matters,»
curated by Shaquille O'Neal, the Flag Foundation, New York, «As Others
See Us: The Contemporary Portrait,» Brattleboro Museum, VT, and at the Corcoran Museum, Washington, DC.
Major
group exhibitions include; «America is Hard to
See», Whitney Museum of Art, New York, USA (2015), «The Painter of Modern Life»,
curated by Bob Nickas, Anton Kern Gallery, New York, USA (2015); «The Optical Unconscious»,
curated by Bob Nickas, Gebert Stiftung für Kultur, Rapperswil, Switzerland (2014); «Flash Back - November 22, 1963», Addison Gallery, Andover, MA, USA (2013 - 2014); «LAT.
Seeing Other People, a
group exhibition
curated by Jessica Baran, considers the rhetoric of the constructed self as it is shaped by the act of gazing or being gazed upon.
Selected
group exhibitions include
Seeing Songs, Museum of Fine Arts, Boston, Massachusetts, 2009; Soundwaves: The Art of Sampling, Museum of Contemporary Art, San Diego, California, 2008; California Diaspora at the Las Vegas Art Museum, Las Vegas, Nevada,
curated by Dave Hickey, 2007; Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, New York, 2005; Specific Objects: The Minimalist Influence, Museum of Contemporary Art, San Diego, California, 2004; New in Town, Portland Museum of Art, Portland, Oregon, 2002; Neo Painting, Young Eun Museum of Contemporary Art, Kwangu - City, Korea, 2002; The Magic Hour: Dir Konvergenz von Kunst Und Las Vegas; and Ultralounge, University of South Florida Art Museum of Contemporary Art, Tampa, Florida, 2000; and DiverseWorks Artspace, Houston, Texas, 1998.
Projects + Gallery presents TRANSPARENCY SHADE:
Seeing Through the Shadow, a
group exhibition
curated by Modou Dieng featuring artists Zoë Buckman, Philip Aguirre y Otegui, Kendell Carter, Kahlil Irving, Ayana Jackson, Michael Riedel and Hank Willis Thomas.
Our good friend Richard Duardo of Modern Multiples in Los Angeles will be
curating LA St.
Seen, a
group exhibition at Red Arrow Contemporary in Dallas, Texas.
We are excited to
see what he has in store next month for «A Major Minority» a
group exhibition that we are
curating...
His work can be
seen at Broomhill Sculpture Park Gallery near Barnstaple and will be included in an upcoming London
group show on the topic of memento mori
curated by Lee Sharrock, Director of Global Creative PR at Saatchi & Saatchi.
Curated by Leif Magne Tangen New Nordic Photography, Hasselblad Center, Gothenburg, Sweden Hela Havet Stormar,
Group exhibition, Pierogi Leipzig, Germany Trust Me Competition, F - stop: Leipzig Photofestival Westflügel Summer show, Exhibition with Rosemary Hogarth in Schaubühne Lindenfelds Westflügel, Leipzig, Germany 2006 The Things I
See When I Close My Eyes, Degree show at The Glasgow School of Art Solo Exhibition, Part One, The Tron Theatre, Glasgow 2005 Wanderlust,
Group exhibition after artist in residency, 10 Leipzig HGB students and 10 Glasgow students, Leipzig Werkschau and Glasgow Newberry Gallery Bed, Suites and Carpets,
Group show in empty shop on Bell St, Glasgow Nation One,
Group show on city screen organized by Nation One, Union St Glasgow 2004 Transition,
Group show in Newberry gallery, Glasgow
Group Exhibitions 2018 Condo, hosted by Union Pacific, London 2017 Interface (s)-- Tales of Babel,
curated by Lucile Bouvard, Haus am Lützowplatz — Studio Galerie, Berlin 2016 Global Female Inventories,
curated by NOTE ON, Project Space Festival, Berlin
Group presentation at ART - O-RAMA, Marseille
Group presentation at Art Cologne, with Chert, Berlin You Can
See the Weakness of a Man Right Through His Iris, in an apartment Rigaerstrasse 69, Berlin Leaping over a bush to surprise a quail, Chert, Berlin 2015 Lügen, Atelier in der Oranienstrasse 189, Berlin
Group presentation at Art Cologne, with Chert, Berlin 2014 Iao Oo, Studio Hodori & Studio Niculescu, Berlin Hotspot Va, Commissariat À Treize, Paris 2013 Interior 301, Galerie Alain Gutharc, Paris Reits, Schaufenster, Berlin Where The Wild Things Go, Fine Furniture Gallery, Berlin 2012 Partouse, Berlin Ballungsrum, Kosmetiksalon Babette, Berlin 2011 J'aime Les Femmes Et Je Le Prouve, Espace À Débattre, Nice Ryhmänäytelly, Macumba Nightclub, Nice 2010 Coulis De Framboises, Kit Invite, Palais De Tokyo, Paris Hic, Villa Arson, Nice Thriller, Berlin 2009 Birds Love Fish, Chert, Berlin Santé, Galerie De La Marine, Nice Pavillon Arson, 54e Édition Du Salon De Montrouge Écotone, La Station, Nice No Way Nevermind, Insitut Française, Dresden
Also, given that I run a gallery and
curate mostly
group shows, I have some ambivalence about solo shows and the way that the artist is often
seen in isolation.
The artist has taken part in prestigious
group shows including, among others: Ennesima - appunti per sette mostre sull «arte italiana,
curated by Vincenzo De Bellis, Triennale di Milano, Milan, Italy (2015); Trittico, Fondazione Prada, Milan, Italy (2015); Everyday Life, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany (2014); MANIFESTA 10, Kuryokhin Modern Art Center, San Pietroburgo, Russia (2014); Collection Sandretto Re Rebaudengo: Have you
seen me before?
Part of the Whitechapel Gallery's programme of exhibitions
curated from archives, the display features rarely
seen prints, photographs, woodcarvings and clothing, and revisits the
group's major exhibition at the Gallery in 1929.
Signalled by Freeze, the now famous
group show
curated by Damien Hirst in July 1988, the coming of the YBA era
saw the London art «village» that Victoria Miro operated in suddenly become a market - driven megalopolis.
ANTE.: «Material And Process Exalted At Equity Gallery's FemiNest,
Curated By Melinda Wang + Heather Zises,» 3/17/17 Artnet: Sarbani Ghosh, «13 Feminist Art Shows to
See In Honor of Women's History Month,» 3/6/17 The Roanoke Times: Mike Allen, «Cornershot: Roanoke artist's works featured in New York
group show,» 2/26/17 Art Zealous: Meng - Chieh Monica Lu, «This Week in the Art World: February 20th - February 26th,» 2/21/17
Expect to
see some of BHQFU's art exhibited in The Hamptons in the
group show «Radical Seafaring» at The Parrish Art Museum from May 8 to July 24, 2106,
curated by Andrea Grover.
A connection to both artists work is discernible in this current exhibition; some of you may have
seen the
group of Pasmore reliefs and paintings that Kavanagh
curated for Marlborough Fine Art at Frieze Masters last year.
We are excited to
see Mini galerie
curate this exhibition allowing the Italians to come together as a
group and exhibit.
She beat competition from the other shortlisted artists: Dexter Dalwood, whose contemporary take on traditional history painting
saw him an early bookies» favourite; Angela de la Cruz, whose mangled, dishevelled canvases place her somewhere between painter and sculptor; and the Otolith
Group, whose work, often in film, encompasses
curating as well as creating.
Selected
group exhibitions and screenings include I like to fondle, Acme Fire Station, London UK (2017); Cruising Spaces, LUX, London UK (2017); Now We Are Six, Marian Cramer Projects, Amsterdam NL (2016); The Ultimate Vessel, Koppe Astner, Glasgow UK (2016); Discursive Objects, WAH Gallery, Eindhoven NL (2015); Blurred Edges: Non / Fiction, Seattle Art Museum, Seattle US, as part of the Black Box Festival, (2015); The Best Tailor in Town, Hunt Kastner, Prague CH (2015); On the Devolution of Culture, Rob Tufnell, London UK (2014); Last
Seen Entering the Biltmore (
curated by Anna Gritz), South London Gallery, London UK; I love you Me either, Project Native Informant London UK (both 2014); SECCESSONE (
curated by Rhys Coren, Paul Flannery & Attilia Fattori Franchini), bubblebyte.org (2013); Blue Lagoon (
curated by Candice Jacobs), One Thornesby Street, Nottingham UK (2013); One and One and One, CGP London UK (2012); Forth & Back, Limoncello, London UK; Florence Loewy, Paris FR; 10,000 Hours, Glasgow International, Glasgow UK; YBAII (
curated by Ryan Gander and Christina von Rotenhan), Dienstgebaude, Zurich CH (all 2012).
'' «IWILLMEDIEVALFUTUREYOU5» is the best
curated group exhibition I've
seen in 2016.
Last week, Mr. Kiwan said, the
group learned that its videos, showcased on Vimeo, were being
seen at an exhibition called «The Restless Earth,»
curated by Massimiliano Gioni, at La Triennale; they were mentioned in reviews of the show.
(ENG) On April 26, Twin Gallery opens «As if we could scrape the color of the iris and still
see» a
group show
curated by Sonia Fernández Pan with artists Ariadna Guiteras - in collaboration with Julieta Dentone -, Rebekka Löffler, Teresa Solar, Lúa Coderch and Eiko Soga.
Last
seen in New York at the Sanya Kantarovsky
curated group show, Sputterances, at Metro Pictures (Spring 2017), this presentation collects paintings from Weber's Adalbertstraße, Krazy Kat, and Artforum - Leser series (among others).
His work has additionally been included in numerous
group exhibitions: Pattern: Follow the Rules at the Eli and Edythe Broad Museum at Michigan State University (2013); Albright - Knox Art Gallery, Buffalo (2012); Nothing Beside Remains,
curated by Shamim Momin, Los Angeles Nomadic Division (LAND), Marfa, TX (2011);
Seeing is a Kind of Thinking: A Jim Nutt Companion,
curated by Julie Rodrigues Widholm, Museum of Contemporary Art Chicago, Chicago, IL (2011); and Big New Field: Artists in the Cowboys Stadium Art Program, Dallas Museum of Art, Dallas, TX (2010).
/ exhibitions 2017 Co • — st • — l W • — ve Tr • — nsl • — tor, RAFT artist - run space, Elizabeth Quay, Perth 2016 Longli International New Media Art Festival, Longli Ancient Town, Jinping County, Guizhou Province, China 2016 Polymorphism, Ideas Platform, Artspace, Sydney 2016 Automated Reasoning Paradigm, Firstdraft Gallery, Sydney 2015 Didactic Tools, Fremantle Arts Centre, Perth 2015 Dead Ringer,
curated by Leigh Robb, Perth Institute of Contemporary Arts 2015 Pica Salon,
curated by Leigh Robb and Nadia Johnson, Perth Institute of Contemporary Arts 2015 sculptures: 5, The Auricle, Christchurch, New Zealand 2015 Firstdraft Auction, Firstdraft Gallery, Sydney 2014 What I
See When I Look At Sound,
curated by Leigh Robb, Perth Institute of Contemporary Arts 2014 Print Award, Fremantle Arts Centre 2014 hyperthymesia, State of the Art Festival, State Library of Western Australia 2014 sculptures: 4, Firstdraft Gallery, Sydney 2014 perspectives [micro], NOW now Festival
Group Show, SNO Gallery, Sydney 2013 perspectives [macro], free range gallery, Perth 2013 Open Curator Studio, Artspace,
curated by Alana Kushnir, Sydney / online 2012 NH7 festival, Pune, India 2011 Wonderland, Museum of Contemporary Art, Taipei, Taiwan 2010 hypnogenia, Scitech Science Museum, Perth
I first
saw the British - born, Ghanian artist's work at the Studio Museum in Harlem, and later, in the N.Y.C.
group show «The Black Eye»
curated by Nicola Vassell.
Group exhibitions include
See This Sound, Lentos Museum, Linz (2009); Crossing, Centro per l'Arte Contemporanea Luigi Pecci, Prato (2008); The Weasel: Pop Music and Contemporary Art, South London Gallery, London (2007); and Ocho Y Medio, Quito and Maac Cine, Ecuador,
curated by Tate Modern (2007).
KB: I couldn't help but smile when I
saw Lee Mullican's paintings from the late»40s and»50s in Marianne Boesky's
group show «I Talk With the Spirits,»
curated by Chris Wiley.
Smithson has been included in numerous
group exhibitions, including Ends of the Earth: Land Art to 1974 at The Geffen Contemporary at the Museum of Contemporary Art, Los Angeles, CA (2012); Ghosts in the Machine,
curated by Massimiliano Gioni at the New Museum of Contemporary Art, New York, NY (2012); America is Hard to
See at the Whitney Museum of American Art, New York, NY
curated by Donna De Salvo, et al (2015), and All the World's Futures,
curated by Okwui Enwezor, the 56th International Art Exhibition, Venice Biennale (2015).
Curated by Kenny Schachter, Nothing But Time: Paul Thek Revisited 1964 — 1987 will feature a rare and unprecedented
group of Paul Thek works, across all the media he used, which has never
seen before to this extent in the UK.
In November his work can be
seen in the
group exhibition, Form and Facture
curated by Karen Levitov for the Paul W. Zuccaire Gallery at Stony Brook University and in 2015 Behnke will present his second one person show at Kathryn Markel Fine Arts.
Group - shows in major museums include: «Single - Channel Catalyst: Alex Hubbard's «Eat Your Friends» and Selections from the Collection», Weatherspoon Art Museum, Greensboro, NC (2016); «America is Hard to
See», The Whitney Museum of American Art, New York, NY (2015); «L'Almanach 14», Le Consortium, Dijon, France (2014); «Chat Jet», Künstlerhaus, Halle für Kunst & Medien, Graz, Austria (2013); «Deep Comedy»,
Curated by Dan Graham, Le Consortium, Dijon, France (2011); «Greater New York», MoMA PS1, New York / NY, USA (2010).