Sentences with phrase «see exhibition call»

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And the day I see an exhibition called Peter Blake: Pop Artist and Man is one I look forward to.

Not exact matches

And, echoing an exhibition called La Galerie d'Absinthe, Toups serves Gulf shrimp deglazed with Pernod as a special (see the recipe).

When we first saw the silver embroidery on Gucci's jeans, the butterflies and flowers called to mind the pieces Alessandro Michele designed and displayed at the «House Style» exhibition at Chatsworth, England.

On the way you call at Tynwald Hill, in the village of St John's, where you see the Church of St John and the Tynwald Exhibition.

Selections from the permanent collection can now be seen in an exhibition at the museum called «Circa 1970,» which features works from its holdings made during the 1970s, including pieces by Benny Andrews, Barbara Chase - Riboud, Ed Clark, Beauford Delaney, and Betye Saar.

Tancons is focusing on an exhibition called «Look for Me All Around You» exploring futurity, seeing, unmasking, dispossession and the Diaspora.

With a vast and varied portfolio that has seen him represent Canada at the Venice Biennale in 2007 and present a solo exhibition at Musée d'Art Moderne de la Ville de Paris (which runs until 1 February), Altmejd's latest exhibition at Modern Art, his fourth show with the London - based gallery, is dedicated to what he calls portraits.

This year the public will see the launch of a program called High Line Commissions with the opening of the first ever group exhibition Lilliput to be held on The High Line.

Exhibitions to see in Venice: «Christine Macel's international exhibition Viva Arte Viva, which is what I call an exhibition of optimism.

Please see our Call for Entry page to learn more about participating in our open call exhibitiCall for Entry page to learn more about participating in our open call exhibiticall exhibitions.

(Scott told Alan Bowness that, in 1946, he had seen an exhibition in Paris called A thousand years of still life painting; as there is no record of such an exhibition in Paris that year the exhibition he remembered must have been La Nature Morte de l'Antiquité à nos Jours, which opened at the Orangerie des Tuileries in April 1952).

On 30 July our first ever REcreative tour explored two of south - east London's best known art spaces - Bold Tendencies, the annual sculpture exhibition held on the top floors of the Peckham multiplex carpark - and White Cube Bermondsey, to see an exhibition by UK artist Sarah Morris, called «Bye Bye Brazil» that featured her amazing film about the city of Rio.

I went there specifically to see an exhibition of new British painting organised by an organisation called ArtLines

The Whitney calls the major exhibition, drawn from its own collection, with which it opened its new building, «America is Hard to See.»

As one entered Gagosian's fashionable new Chelsea space for his 2000 exhibition, one saw a huge anatomical model — male, of course — called Hymn.

Roberta Smith of the The New York Times called the show «One of the best exhibitions you'll ever see at The Museum of Modern Art...» Jerry Salz of New York Magazine proclaimed «Whatever you do, don't miss this exhibition; this is exactly the kind of show MoMA is made for.»

I had an appointment to meet Kahlil Joseph and see a video that two of my Museum of Contemporary Art colleagues — Emma Reeves and Bennett Simpson — had urged me to see in an exhibition organized by Noah Davis called «The Oracle.»

In 1979 you took part in an exhibition at Artists Space where you exhibited your work Display # 7 which has been called seminal / very important, why is it seen as so important?

Away from the Democratic national convention, an art exhibition called Truth to Power has been one of the must - see events in Philadelphia this week.

All the work exhibited in the three gallery spaces will have been made over the past year, and the pièce de résistance will be Smith's 11 - metre long painting called This Artist Is Deeply Dangerous, based on an article written by the Guardian's sports correspondent Steve Bierley about an exhibition he saw of the art of Louise Bourgeois.

For more in this series, see my thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

Patrons planning a visit to The Hudgens often call ahead to inquire about the current exhibition to see what's on display.

Now, as the gallery embarks on an expansion plan that will see its exhibition space almost doubled, director Iwona Blazwick has decided it's time to call in a few favours.

The 1960 show was dubbed «the exhibition of the century»; William Hickey in the Express called it «the most vigorous entertaining, interesting merry - go - round of art that London has ever seen».

Obscura, the current offering at Eyedrum Art and Music Gallery, is an exhibition organized around what you might call a formal coincidence: All the works in the show can be seen in the dark.

Most recently, we've seen the proliferation of «foodie» snaps on social media — a phenomenon that prompted the Houston Center for Photography to organize a recent exhibition called See Food, which was dedicated to food photography and the socio - political issues surrounding food and food policy.

During a recent exhibition at the Hirshhorn Museum in Washington DC, attendees waited up to three hours to enter to see the work for a mere 30 - seconds, and that was with so - called fast passes.

And we saw that exhibition brought home as it is, in this crazy building called The Flying Saucer, this removed architecture from the 1970s.

As seen in her recent exhibition «Lithique» (Lithic), it amounts to what she calls a «science - fiction povera.»

You can see his latest works in a solo exhibition called It IS You (and me too) at the Adah Rose Gallery until 5 January 2018.

At the exhibition called What's Appropriation: The Art of Revisiting the Art curated by Claudia Giannetti, alongside Moral, the works of Martha Rosler, Marina Abramonic, Bill Viola, Ulrike Rosenbach were also be seen.

Glenn Ligon «s exhibition Call and Response at Camden Art Centre should be seen by any London visitor.

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

Using a torn - out page from the latest New Yorker magazine (which listed just a handful of shows in Chelsea), we pinpointed three galleries for must - see shows: the James Cohan Gallery for a group exhibition called «Everyday Abstract»; the Ameringer / McEnery / Yohe Gallery for another group show called «Stone Gravy»; and the Koenig gallery, for a show of new work by Nicole Eisenman, who had a captivating and witty show at the Tang Museum at Skidmore College in Saratoga Springs in fall 2009.

See her wonderful creations displayed in an exhibition called Anatomy of the Arboreal at Scream gallery.

The cross-disciplinary approach taken by America is Hard to See and Collected by Thea Westreich Wagner and Ethan Wagner, as the gift exhibition is called, is becoming the model for a new generation of curators.

The exhibition's wry title, «Daddy, I want to be a black artist», can be seen as a playful call to action for young people to find inspiration in the works of black British artists and become the artists of tomorrow.

This week's Dispatch is an urgent call out to all those serious collectors of photography who have not yet seen the current exhibition at Richard Saltoun's gallery, just an aerodynamic stone's throw from Oxford Circus.

Though the rubric for selection was not entirely clear to me — a large number of the artists are what might be called Black British, but not exclusively — it was good to see the stakes of representation so explicitly foregrounded (the main exhibition this year contained work by one single female artist of colour; the UK has been represented in the Giardini by three non-white artists since 1948, by my count).

Inhabiting a room under the stairs to the bar that I have not seen used as exhibition space before, Julie Verhoeven has created a new installation called Whiskers Between My Legs.

2012 has been an incredibly busy period for Lyken receiving continued Press attention with two solo exhibitions; a solo album called Bit Rot; a fashion collaboration with Che Camille; The «Forms & Spaces» interventions with Teo Moneyless Pirisi around Scotland; remixes, group shows and murals including See No Evil in Bristol where he was among 30 handpicked artists whos work was viewed by crowds of 50000 attending the worlds largest Street Art Festival.

The collection forms the basis of a series of 50 free touring exhibitions called Artist Rooms that have been seen by almost 30 million people.

Fast forward to February 5th this year and it was a great opportunity to see the work of this artist in his first New York City solo exhibition called Heartfelt.

Outside the Tate Britain gallery, members of the «Stuckist» movement which scorns what it calls the «pretensions of conceptual art» and champions figurative painting, took aim at the Turner even before it had seen the exhibition.

She has titled this series of research - based sound excavations i call america, building on the title of the Whitney's inaugural exhibition, America Is Hard to See.

There are some good drawings from his student days, which you can see in an exhibition opening this Saturday at the Foundation called Becoming Henry Moore.

Last week, Mr. Kiwan said, the group learned that its videos, showcased on Vimeo, were being seen at an exhibition called «The Restless Earth,» curated by Massimiliano Gioni, at La Triennale; they were mentioned in reviews of the show.

These include a suite of mordantly comical prints called «See America First» by the woodworking genius H. C. Westermann, who was revered by almost everyone else in the exhibition.