Sentences with phrase «see exhibitions around»

Not exact matches

The best design exhibitions to see in March from around the globe, from furniture in Paris to interiors in New York to sculpture in London.

The «Now Play This» exhibition, part of the London Games Festival, sees gaming used to tackle sensitive subject matters, challenging misconceptions around the industry.

It's a way to see what is important to you, what you care about, and the diversity of those around you,» says Hussain, the creator of the current interactive public art exhibition at Gutman Library Gallery...

The iCub you can see on display in the Robots exhibition is the world's most advanced robot that learns the same way we do — through exploring and interrogating the world around it.

Instead, you see the incredible products, the sense of community built around learning exhibitions, and the faces of excited children.

The Le patrimoine mondial vu du ciel («Heritage seen from the sky») photography exhibition features around 40 natural or cultural sites around the world, showcasing the outstanding richness of the UNESCO cultural heritage.

We've already posted detailed accounts of all the games from Sense of Wonder Night 2009, Tokyo Game Show's exhibition of innovative and experimental indie games from around the world, but if you would like to see the actual presentations and Q&A sessions from the event, SOWN's organizers have posted videos from each of the 10 game presentations.

Continuing its programme of opening up rarely seen collections from around the world, the four exhibitions are each titled after a key artwork in each display.

Felix Salmon on the phenomenon of institutions around the world putting on art exhibitions that have high budgets and low quality standards: «If a museum becomes popular by putting on blockbusters, then people start to think of it as a place to check out temporary exhibitions and see no reason to go there at any other time.»

In the introduction to her much - needed and admirable exhibition Black Paintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state» (2).

Tancons is focusing on an exhibition called «Look for Me All Around You» exploring futurity, seeing, unmasking, dispossession and the Diaspora.

MUST - SEE EXHIBITIONS featuring some of the most interesting black female artists working today are opening around the world this month.

His works have been exhibited around the world, in prestigious institutions and galleries, with solo exhibitions such as William Klein + Daido Moriyama, Tate Modern (London, 2012); On the Road, The National Museum of Art, Osaka (2011); Daido Retrospective 1965 - 2005 / Daido Hawaii, at the Tokyo Metropolitan Museum of Photography (2008), Centro Andaluz de Arte Contemporaneo, Sevilla (2007), Foam (Amsterdam, 2006), Fondation Cartier pour l'art contemporain (Paris, 2003), Fotomuseum Winterthur (Winterthur, 2000), San Francisco MOMA (1999, saw ell as the Metropolitan Museum, New York).

If you stop in to see «Younger than Jesus,» the New Museum's first triennial survey of new art from around the world, check out «Wiser than God,» May 27 - July 27, 2009, an exhibition organized by art critic Adrian Dannatt at the BLT Gallery, located across the street.

- ISelf Collection displays: The exhibition continues the Whitechapel Gallery's dedicated collections programme in Gallery 7, which reveal rarely - seen works from around the world.

The work of Keith Haring can be seen today in the exhibitions and collections of major museums around the world.

2016 will see the main exhibition tour from Swansea to Wrexham and include satellite exhibitions, events and residencies in and around Swansea, Wrexham and Cardiff.

Check out the art we saw this week, from the fruits of the para-events around Art L.A. Contemporary to a riveting new Chinese art exhibition at eFlux.

This is the first in a series of projects that will see her work simultaneously at Modern Art Oxford with another solo exhibition, Invisible Strategies (21 January — 30 April) and her participation to The Place is Here at Nottingham Contemporary (4 February — 30 April), a major exhibition bringing together around 100 works by over 30 artists and collectives exploring the pivotal 1980s decade for British culture and politics.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, this is the second of four exhibitions drawn from the ISelf Collection.

This display highlights works in The National Museum of Women in the Arts collection — the only international museum dedicated to the exhibition, preservation, and acquisition of works by women artists of all nationalities and periods - as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the world.

Almost all of Bernhardt's two - dozen solo shows, some of which saw her covering walls with advertisements from Spanish bodegas or collaborating with Jdia, oftentimes — as in her current exhibition — activating the space by covering the floors (in this case, with burlap coffee sacks), have been downtown, in small group shows, and around the globe.

Viridian's International Juried Exhibitions are a series of exhibitions that serve to encompass a diverse selection of outstanding art from around the world that might not otherwise be seen in NewExhibitions are a series of exhibitions that serve to encompass a diverse selection of outstanding art from around the world that might not otherwise be seen in Newexhibitions that serve to encompass a diverse selection of outstanding art from around the world that might not otherwise be seen in New York City.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, the four exhibitions are each titled after a key artwork in each display.

The exhibition marks an historic moment, when treasures from around the world can be seen together.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, this is the third of four exhibitions drawn from the ISelf Collection.

There are some excellent in - focus exhibitions opening around the world in 2017, including a chance to see Guercino's frescoes up - close, and a revealing look at the school of Rimini

Sure to be one of the most in - demand exhibitions of the season, the Royal Academy's window onto Matisse's working environment allows visitors to see how his collection of objects from around the world shaped his art.

The exhibition includes around 100 drawings from Jean Dubuffet's most innovative decades along with rarely seen works borrowed from private and public collections in France and the United States.

Shown in a dedicated Collections Gallery as part of the Whitechapel Gallery's programme opening up rarely seen art collections for everyone, from around the world this final exhibition follows three previous displays Barjeel Art Foundation: Debating Modernism I (8 September — 6 December 2015), Barjeel Art Foundation: Debating Modernism II (15 December -17 April 2016) and Mapping the Contemporary I (26 April — 14 August 2016).

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, this is the first of four exhibitions drawn from the ISelf Collection.

Proceeds from the gala help underwrite the AFA's traveling exhibitions, which are seen by well over one million visitors to museums located across the United States and around the world.

Richard Meier says the walls he designed for the Glass Gallery «make the space divided but also fluid... as you move around the space, you see the different relationships between the art shown here... It's a phenomenal exhibition space.

It is hard to see the exhibition with its ornate treasures from around the globe and not think of Sarah Baartman.

2014 Gallery featured in Andrew Russeth's article, «A Look Around the Untitled Art Fair,» in Artnews, featuring works by Josh Slater, Goldschmied & Chiari, and Peter Rostovsky, http://www.artnews.com/2014/12/08/a-look-around-the-untitled-art-fair-in-miami-beach/ Peter Rostovsky featured in Ben Davis's article «Hidden Gems of Miami's Satellite Art Fairs «ArtnetNews, Dec 5, 2014, http://news.artnet.com/art-world/hidden-gems-of-miamis-satellite-art-fairs-189968 Gallery featured in Paddy Johnson's article «Untitled Continues to Make Gains in Miami,» ArtFCity Dec. 4, 2014http: / / artfcity.com/2014/12/04/untitled-continues-to-make-gains-in-miami/ Goldschmied & Chiari in ICI Annual Benefit & Auction https://artsy.net/feature/ici-benefit-auction-2014 Goldschmied & Chiari in The Kitchen fall 2014 benefit art auction https://paddle8.com/work/goldschmied-chiari/41755-untitled-portrait Goldschmied & Chiari solo exhibition «La democrazia e» illusione,» at the Museo d'arte Contemporanea, Villa Croce, Genoa, Italy, November 14, 2014 - January 25, 2015 Scott Alario in SLIDELUCK NYC XVIII at Photoville, curated by Gideon Jacobs and Matthew Leifheit, under the Brooklyn Bridge, Fri, Sept 26, 7 pm http://slideluck.com/nyc-xviii/ Gallery to exhibit in «Untitled» art fair, Miami Beach, Dec 1 - 7, 2014, http://www.art-untitled.com/index.php/exhibitors/ Gallery group exhibition «Site / Displace,» in ArtFCity's «This Week's Must - See Art Events: Death to Normcore, by Whitney Kimball, Corrina Kirsch, and Andrew Wagner, July 21, 2014 http://artfcity.com/2014/07/21/this-weeks-must-see-art-events-6/

Whitewall spoke with its director Chris Byrne to hear about the increasingly recognized international fair and what exhibitions he's looking forward to seeing around town this week.

Walking around his big, bright new exhibition at the Marian Goodman Gallery in London, it is hard to see why these suspicions of Wall's elaborately staged images still linger, 37 years after they first went on show.

Her artwork can be seen in exhibitions and collections around the world.

That's the concept of an exhibition where visitors can see the artwork themselves or don a virtual reality headset and move around using a game pad.

The result was refreshingly informal, you could actually walk around the backs of many of the works and see the wooden frames, the stretched canvasses — things that are normally hidden in a gallery exhibition.

Despite the massive changes that the field of contemporary art has undergone in the past several decades, that saw the dematerialization of the art object and onset of experiential events, most art institutions continue to be oriented around static, object - based exhibition formats.

But next time you go to an exhibition, glance around the room to see if anything nonrepresentational jumps out at you, keeps you coming back.

During this bi-annual conference, photography enthusiasts flock from around the world to see exhibitions, share their portfolios and attend lectures.

Around 800 guests gathered in a party tent outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend for, in Vergne's words, his pivotal role in the formation of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group shows, and 4,000 works of art — not to mention Baldessari's position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief Curator of LA MOCA).

Hrag Vartanian curated this exhibition around the relationship between architecture and the act of seeing.

The exhibition at Tate Modern captures the hectic pace that Robert Rauschenberg's life and artwork were conducted, the swerves and creative shifts that saw him endlessly explore the changing world around him.

Making my way around the structure, I peered through a small roped off doorway and saw a room featuring the soulful paintings of McGee's late wife, Margaret Kilgallen; a tiny solo exhibition of her work unfolded.

«The Museum is delighted to bring this extraordinary exhibition to Columbia, giving visitors from around the Southeast the opportunity to see incredibly beautiful works by highly skilled painters of the 19th century,» Karen Brosius, executive director, said.

Obscura, the current offering at Eyedrum Art and Music Gallery, is an exhibition organized around what you might call a formal coincidence: All the works in the show can be seen in the dark.

The exhibition presents a selection of the artist's rarely seen artworks articulated around the original Il Muro (The Wall), shown for the first time in a commercial gallery.