You can
see from the example photograph that my students were able to use the structure strips to help form their response.
Not exact matches
Regarding «missing bone»
from the left mastoid process, apparently also considered suspicious by Dr Cuozzo, this area has been described,
photographed, radiographed, scanned and replicated on various occasions since the discovery in 1921 (
see, for
example, Montgomery, P.Q., Williams, H.O.L., Reading, N. and Stringer, C.B. 1994.
For
example, Doc's nemesis, LAPD Detective Lieutenant Christian «Bigfoot» Bjornsen (Josh Brolin), is first
seen in a television ad costumed in «hippie» gear promoting the «Channel View Estates» housing development; Coy Harlington (Owen Wilson), a musician and former dope addict, now supposedly an undercover government agent, is first glimpsed in a family photo taken by his ex-junkie wife Hope (Jena Malone); Mickey Wolfmann stares out at us
from a newspaper
photograph before he makes his one and only appearance in corporeal form late in the film; hit man Adrian Prussia (Peter McRobbie) first appears to us in FBI photo files.
If you look at the
photograph below, you will
see examples of cell phone book reports (and other projects) hanging
from the ceiling of my classroom.
For instance, the measurements of the 1.662 carat, F - color, VVS - 2 clarity, Brian Gavin Signature Cushion Cut Diamond used throughout this
example, measures 7.91 x 6.62 x 4.83 millimeters, which would result in a length to width ratio of 1.00:1.19 if the measurement represented a traditional fancy shape diamond, this gives the illusion that this diamond is slightly rectangular, however as you can
see from the
photographs, this diamond faces up pretty square.
You'll
see examples of his work scattered throughout Union —
from grisly
photographs of his victims, to the «moment of death» tableaus he creates, capturing the last seconds of a person's life in a tangible, looping scene.
The Production Line of Happiness features Williams's little -
seen Super-8 shorts, major projects
from the 1980s to the early 1990s, and
photographs from his subsequent magnum series For
Example: Die Welt ist schön (The world is beautiful)(1993 — 2001) and For
Example: Dix - huit leçons sur la société industrielle (Eighteen lessons on industrial society)(2003 — today).
Con Te Partiro (Time to Say Goodbye), 2006, for
example, presents a cluttered studio — paint encrusted palette, paint splattered floor,
photographs and paintings covering the walls, a tripod - mounted camera in the center of the room —
seen from above.
Whereas northern European artists, sculptors, and architects of early modernity traveled to Italy, Greece, and elsewhere to learn and draw
from the sources of our Western humanistic tradition, here we find Albers and his wife driving down to Mexico to discover and
photograph what they perhaps
saw as the original
examples of a different kind of art.
Combining works of the imagination with rare
examples of actual «surreal» houses, the exhibition presents a diverse range of paintings,
photographs, films, models and installation
from public and private collections in Britain, Europe, Canada and the United States, many rarely
seen in the UK.
«At the core of the show are
examples of his most famous technique: seamlessly fabricating
photographs from apparently unrelated negatives, creating scenes both imaginary and intensely real, with well - known works shown alongside never - before -
seen recent images,» says Michener Director and CEO Lisa Tremper Hanover.