Sentences with phrase «see from the photograph at»

Not exact matches

In 1969, two years after King spoke at Riverside, humanity saw for the first time a color photograph of the earth, taken from space by the crew of the Apollo 11 spacecraft.

Whether from New York, Bangkok, Tel Aviv or Gaza, we can look all at his photographs and see our own lives within them.

Dr. Audouin Dollfus of the Observatory of Physical Astronomy at Meudon, France, spotted Saturn's tenth satellite on three photographs taken in mid-December when the planet's rings were seen edge - on from earth.

A convoluted vaginal anatomy can prevent a penis — which in mallards and other ducks is a long, counterclockwise corkscrew - shape organ that can explosively inseminate a female in less than a third of a second (see photograph at right)-- from fully everting inside her oviduct.

Yes, he could see that she looked different from her photograph, but not in a bad way at all.

Gold membership features: • There are advanced search features, so you can narrow down the list and increase the chances of finding the right match in your case; • You can look at any other profile on the site, when you want and which one you want; • You can receive messages from others, reply to these messages, or initiate new messages; • You can see full - size photos and video, plus to leave any comments for the ones you like; • You can watch any webcam you like, without any limits; • You can send friend requests and flits to the people you like; • You can create a hotlist that can hold up to 1000 members; • Customer support is provided with priority, via phone, and via e-mail, if you want, with an answer received in approximately 12 hours; • You can see when there is a contest of photographs, and you can participate by commenting, viewing and liking your favorite photos; • You can upload photos and videos to your own profile; • You will enjoy access to the available groups and blogs; • You can use chat rooms or IMs of the members to communicate in real time with them;

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

For example, Doc's nemesis, LAPD Detective Lieutenant Christian «Bigfoot» Bjornsen (Josh Brolin), is first seen in a television ad costumed in «hippie» gear promoting the «Channel View Estates» housing development; Coy Harlington (Owen Wilson), a musician and former dope addict, now supposedly an undercover government agent, is first glimpsed in a family photo taken by his ex-junkie wife Hope (Jena Malone); Mickey Wolfmann stares out at us from a newspaper photograph before he makes his one and only appearance in corporeal form late in the film; hit man Adrian Prussia (Peter McRobbie) first appears to us in FBI photo files.

If you look at the photograph below, you will see examples of cell phone book reports (and other projects) hanging from the ceiling of my classroom.

Albrecht Goertz's gorgeous 503 could not have come at a worse time for BMW, as Douglas Blain explains in Drama Queen / In 1966 and All That, Steve Welsh reports from the unrivalled Goodwood Revival historic race meeting, which this year marked 50 years since Australian driver Jack Brabham won the Formula One World Championship in a car of his construction / Kit Foster tells the story of the American Underslung, the first American sports car, and examines one of the prized survivors of this pioneering but short - lived marque in Swing low, sweet chariot / In his article, Cross-Channel concours, Jörg Sierks chooses his favourites from two prestigious concours events, held on the same weekend on opposite sides of the English Channel / With the help of rarely seen archive photographs, D'Arcy Lever looks back at the highly effective trials specials built by Sydney Allard before World War Two.

Find him on Twitter at @jacksonwbarnett and see his photographs taken in places from North Dakota to northern India at Jackson-Barnett.com.

The exhibits at the London Transport Museum really were amazing as you can see from the photographs: some of our partners realised their dreams of being bus conductors!

The photographs really don't do it justice, to see it in person with the sun shining was like looking at a photo from the Mediterranean, the colour and sparkle of the water against -LSB-...]

A new Site Specific project by Matthew Jensen at Green - Wood Cemetery where he has assembled a room - sized cabinet of curiosities drawing from specimens and photographs amassed in his many walks through the cemetery, as well as from Green - Wood's rarely seen collection of fine art and historic objects

Tate Modern expands the scope of the investigation to include the years pre - and post-1917 (from the first revolution of 1905 to the death of Stalin in 1953), showcasing rarely - seen posters, photographs, and other graphic works, while at the British Museum, an Art Fund supported exhibition explores how Russia and other communist states radically restructured their economies to reflect Marxist ideology.

While best known for his seminal series The Americans (1958), the exhibition at Bowdoin brings together a selection of nearly 50 rarely seen photographs from 1947, the year the artist first moved to the United States from Switzerland, to 1961, when he was featured in his first major museum exhibition.

Additional expected highlights at The Photography Show include photographs by Swiss born Henry Leutwyler of the New York City Ballet in 2012 (Foley Gallery); historically important photographs from André Kertész and a collection of photography by Jerry Uelsmann including never before seen color work (Catherine Couturier Gallery); recent work by Alison Rossiter who creates photo based work by dipping expired photo paper into liquid photo developer or by pouring or pooling it directly on the paper to create abstract minamimal work (Yossi Milo Gallery) and others.

Photographs from the series «Equilibres» (1984 — 87) are on view at Matthew Marks Gallery, while extensive archival material can be seen in «Books, Editions and the Like» at the Swiss Institute in SoHo.

From early aviation pioneers to Google Earth and drone surveillance, At Altitude explores how the Earth has been photographed from above, as well as the social, political and cultural inferences of new technologies that allow us to see ourselves — and be watched — as never befFrom early aviation pioneers to Google Earth and drone surveillance, At Altitude explores how the Earth has been photographed from above, as well as the social, political and cultural inferences of new technologies that allow us to see ourselves — and be watched — as never beffrom above, as well as the social, political and cultural inferences of new technologies that allow us to see ourselves — and be watched — as never before.

At the Whitney he brings together his own works, alongside historical photographs, sculptures, paintings, drawings, film and video from the Whitney's holdings and those of other public and private collections — all presented within a layered exhibition design by Mauss that allows for the works to be seen in a new light.

What to see at the museum The large collections of fine arts of the Smithsonian American Art Museum include paintings, sculptures, drawings, prints, photographs, installations, videos and new media, ranging from early colonial times to contemporary American authors such as Nam June Paik, Barbara Bosworth, Robert Longo, Sean Scully and Jim Campbell, among others.

Now, 65 photographs from that collection will once again see the light of day at meCollectors Room in Berlin.

Johnson, who was 24 years old at the time and the youngest artist in the exhibition, presented photographs from his Seeing in the Dark series of portraits of homeless African American men in Chicago.

From there on the viewer is treated to a series of some tightly cropped and some medium signature «pixelated» portraits that are renderings of the photographs you see at the start of the show.

With photographs by Walker Evans, Georgy Zelma, Nathan Lerner, and Paul Strand, among others, this exhibition of works from the Smart Museum collection looks at the modern city as seen from the street.

From the closure of the market at Covent Garden and the last ever rag and bone man to the end of legal smoking in public places and the final days of Woolworths — O'Brien has an uncanny knack of photographing something before it's gone for good, never to be seen again.

If these thirty - four photographs lined up in the side gallery as FOMO, 2015, remind you of Warhol's dance diagrams, you will be happy to see at the back of the gallery the source image for Warhol's «Marilyns» smiling out from behind her protective glycene.

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Pphotographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

Part of the Whitechapel Gallery's programme of exhibitions curated from archives, the display features rarely seen prints, photographs, woodcarvings and clothing, and revisits the group's major exhibition at the Gallery in 1929.

The lightboxes become almost sculptural at the Stedelijk, and the layout of his works in the gallery draws the viewer from room to room, eager to see the next scene and the photographs» fantastical, magical and oddly tense auras.

Joseph Beuys: Utopia at the Stag Monuments is seen through a retrospective lens; it includes masterpieces apart from Hirschdenkmäler (Stag Monuments), including Feldbett (Campaign Bed), 1982, Kleines Kraftwerk (Small Power Station), 1984, and Infiltration - homogen für Cello (Infiltration - homogenous for Cello), 1966 - 85, alongside early drawings, sculptures and extraordinary early photographs from the late 40s and early 50s.

In the large photograph unscharfer Rückenakt (Out - of - Focus Nude Back), 1994, the slightly blurred contours of the naked male body possess a painterly quality reminiscent of Gerhard Richter's works; it is only at second glance that a vulnerability evoking life at the margins of conventional society becomes evident in this image of a kneeling man with dirty feet, who is seen from above and contained in a narrow pictorial space.

From contemporary paintings, prints, and photographs to ceramics, graphic design, and sculpture, students at the College of Art & Design have abundant opportunities to see and experience innovative work from a wide range of perspectives and social theFrom contemporary paintings, prints, and photographs to ceramics, graphic design, and sculpture, students at the College of Art & Design have abundant opportunities to see and experience innovative work from a wide range of perspectives and social thefrom a wide range of perspectives and social themes.

See the Del Ray Artisans exhibit «Wish You Were Here» through July 8 at the Del Ray Artisans gallery, 2704 Mt. Vernon Ave.. The exhibit celebrates experiences from travel, including paintings, photographs, ceramics and more.

Outtakes from a Nature Conservancy project commissioned for 2001's «In Response to Place: Photographs From the Nature Conservancy's Last Great Places» at the Corcoran Gallery of Art, these never - before - seen Alabama landscapes are printed large scale — some 4 1/2 feet across — and in striking detfrom a Nature Conservancy project commissioned for 2001's «In Response to Place: Photographs From the Nature Conservancy's Last Great Places» at the Corcoran Gallery of Art, these never - before - seen Alabama landscapes are printed large scale — some 4 1/2 feet across — and in striking detFrom the Nature Conservancy's Last Great Places» at the Corcoran Gallery of Art, these never - before - seen Alabama landscapes are printed large scale — some 4 1/2 feet across — and in striking detail.

Her work was most recently seen in New York in the exhibitions Moving Pictures at the Guggenheim Museum, Visions from America at the Whitney Museum, and Modern Photographs at the Metropolitan Museum.

«At the core of the show are examples of his most famous technique: seamlessly fabricating photographs from apparently unrelated negatives, creating scenes both imaginary and intensely real, with well - known works shown alongside never - before - seen recent images,» says Michener Director and CEO Lisa Tremper Hanover.

Then later on my Audience photographs came more from the question: «If I were the painting, and I would see all these people looking at me, what would I see in a close - up?»

Kudzanai Chiurai shows a new film from his Conflict Resolution series, last seen at Documenta 13 in Kassel, Germany, as well as a new photograph from the same body of work.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

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Artinfo September 14, 2011 The Artinfo Agenda: 11 Exhibitions Not to Miss This Week, From Matthew Barney to Mickalene Thomas By Artinfo Lower East Side Mickalene Thomas's «More Than Everything» at Lehmann Maupin Gallery, 201 Chrystie St., Opening September 15, through October 29, lehmannmaupin.com This show explores a lesser - seen side of Thomas's practice — the drawings, collages, and photographs that form the basis for the artist's bling - baroque paintings.

curated by David Hunt 2005 NAPOLI PRESENTE Posizioni e Prospettive dell - Arte Contemporarea, PAN Contemporary Art Museum, Naples Italy (Oct) Wish, COCA Center of Contemporary Art, Seattle WA (Sept) Only Skin Deep: Chancing Visions of the American Self, San Diego Museum of Art and Museum of Photographic Arts, CA, curated by Coco Fusco (catalogue) Crossings: 10 artists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004 Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003 Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999 Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, Chicago, IL

Josef Albers in Mexico at the Solomon R Guggenheim Museum will feature a selection of rarely seen early paintings from Albers» Homage to the Square and Variant / Adobe series, as well as a selection of works on paper, photographs and photo - collages, many of which have not been on public display.

See more photographs from this event at: Additional Photos, Bronze Advanced Driving Course, MA, USA

Better Homes & Gardens was coming to photograph our kitchen, so I felt like the time had come to put a fresh finish on at least the back deck (you know, since you can see it from the kitchen sliding door).

As you can tell from the photographs, I've got a few items but I could see blue and white ginger jars on the mantle, maybe a neutral sofa at some far - off date, with some blue and white tapestry or other fabric pillows.