Ticket purchase includes same - day admission to the Museum (
see gallery hours).
Not exact matches
How many who pass an enjoyable
hour in our art
galleries see mirrored in the art of the last 100 - 200 years vivid portrayals of the desolation and yearnings of humanity today?
Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National
Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain
Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final
Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
Half day Monkey forest tour package will
see some interesting Bali destination will take about 6
hours, we are going to to start from Batuan Temple, Painting
Gallery Royal Palace and Monkey Forest.
• It is stunning, with enormous suites in which everything is a work of art • It is well situated: around a half
hour from Denpasar International Airport and a scenic 45 - minute drive to Ubud's markets,
galleries, and cafés • The resort's beach town, Sanur, is fun to explore, with good souvenir and batik shops and inviting eateries • The resort has terrific on - property dining — Balinese, pan-Asian, and bistro • And an exceptional spa • And more (a fine beach, a vast pool) •
See the hotel's website and special offers
Many local
galleries keep limited
hours, which sometimes makes it difficult to
see the amazing work our creative neighbors toil over day in and day out in countless studio spaces.
«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art
Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East
Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist
See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister
Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within
Hours We Would Be in the Middle of Nowhere,» 303
Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar
Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002
Never, I vowed, would I attempt to
see a
gallery blockbuster during peak visiting
hours.
This exhibition can be
seen at New Boone from the 8th to the 9th of October during
gallery hours 12pm - 3 pm or on the selected dates by appointment.
Howard, Katie, «Keith Mayerson in My American Dream @ Marlborough Chelsea», Art Blog Dog Blog, December 19 (link) Indrisek, Scott, «7 Must -
See Gallery Shows in New York», Blouin Artinfo, December 16 (link) Wolin, Joseph R., «Critic's pick — Keith Mayerson: My American Dream», Time Out New York, December 5 (link) Pollack, Maika, «Keith Mayerson», Interview, November 10 (link) Lehrer, Adam, «Artist Keith Mayerson's Meta - Narrative of Appropriated Americana Explored in «My American Dream» at Marlborough Chelsea in New York», Autre, November 5 (link) Brown, Jeffrey, «Whitney Museum opens more space for risk - taking artists», PBS News
Hour, April 30 (link) Johnson, Paddy, «At the Whitney: Industry, Advertising, and Death Makes America Hard to
See», Art F City, April 27 (link) Russeth, Andrew, «The Whitney Opens With a Winner», ARTnews, April 23 (link) Indrisek, Scott, «The Whitney, Chapter by Chapter: How to
See 100 - Plus Years of Art in One Day», Blouin Artinfo, April 23 (link) Mogilevskaya, Regina, «Prewiew: America is Hard to
See at the Whitney», Blouin Artinfo, April 23 (link) Bilsborough, Michael, «Course of Empire», SVA Continuing Education Blog, April 23 (link) Shaw, Dash, «Go Burn Brightly», American Book Review, Volume 36, Number 2, January / February 2015, p. 4 Shelton, David, «David Shelton Reports from the Dallas Arts Fair», PaperCity, April 17 (link) Lin, Allie, «Iconoscapes at Freddy, Flowers at Franklin Street», Post Office Arts Journal, January 25 (link)
what you
see is what you get Marco Zumbé Presented as part of the Workspace ’15 exhibition series, featuring recent work of LES Studio Program residents On view: December 11 — January 17, 2016
Gallery Hours: Tuesday through Sunday, 12 - 6 pm Location: 120 Essex Street (inside Essex Street Market) NY, NY 10002
In this essay Judd surveys a number of New York's most significant museums («The exceedingly impressive Frick Collection is small enough to be
seen in a few
hours»; «It is The Museum of Modern Art which has shown the power and quality of American Art»), as well as an assessment of notable
galleries, singling out Green
Gallery, an uptown gallery that showed work by downtown a
Gallery, an uptown
gallery that showed work by downtown a
gallery that showed work by downtown artists.
Over sixty
galleries, auction houses, shops and restaurants will be open to the public, offering exclusive out of
hours entrance and behind closed doors access, allowing the public to
see some what are normally private and hidden collections of art.
Selected group exhibitions include
Seeing Songs, Museum of Fine Arts, Boston, Massachusetts, 2009; Soundwaves: The Art of Sampling, Museum of Contemporary Art, San Diego, California, 2008; California Diaspora at the Las Vegas Art Museum, Las Vegas, Nevada, curated by Dave Hickey, 2007; Extreme Abstraction, Albright - Knox Art
Gallery, Buffalo, New York, 2005; Specific Objects: The Minimalist Influence, Museum of Contemporary Art, San Diego, California, 2004; New in Town, Portland Museum of Art, Portland, Oregon, 2002; Neo Painting, Young Eun Museum of Contemporary Art, Kwangu - City, Korea, 2002; The Magic
Hour: Dir Konvergenz von Kunst Und Las Vegas; and Ultralounge, University of South Florida Art Museum of Contemporary Art, Tampa, Florida, 2000; and DiverseWorks Artspace, Houston, Texas, 1998.
Thousands of visitors will wait in
hours - long lines to
see Yayoi Kusama's exhibitions, «Festival of Life» and «Infinity Nets,» at David Zwirner's Chelsea locations and new Upper East Side
gallery, respectively.
The Paula Cooper
Gallery extended its
hours to accommodate visitors who wanted to
see the single screen projection of the film at any
hour, day or night.
For this unique and challenging performance, the
gallery will have special
hours (
see below), to facilitate repeated attendance by the public, as their presence is integral to the work.
Recent solo exhibitions La Femme Radicale or The Point of No Return, 2013, D+T Project Brussels (BE); The Absence of Work, 2012, Platform3, Munich (DE); The Factory of Forms, 2012, Manifesta Parallel, Genk (BE) and group shows Zero
Hours, Art Sheffield 2013 Sheffield UK; Original Doubtat Plataforma Revolver, Lisbon; Throw a Rock and
see what happens, Casa Encendida, Madrid; Vers une Hypothese Fort Du Bruissin Xll Lyon Biennial Lyon, Material Conceptualism at Anaant and Zoo
Gallery, Berlin; Pacific Standard Time, LAXART, 2012, Los Angeles; Perform Now!
Adventure is on display from April 26th — 28th, and may be
seen during the
gallery's normal business
hours, Thursday — Saturday, noon to 5PM, or by appointment.
«Textile Landscapes» is on display from January 17th through February 3rd, and may be
seen during the
gallery's normal business
hours, Thursday — Saturday, noon to 5PM.
We've also got recommendations on what to
see on Saturday and Sunday during
gallery hours, including dramatic monochromatic works at OUTLET and a journey of excavation at ART - 3 G
gallery hours, including dramatic monochromatic works at OUTLET and a journey of excavation at ART - 3
GalleryGallery.
Seeing the Light: Prints and Photographs Joseph Pentheroudakis July 6th - July 29th, 2017 Opening: First Thursday, July 6th, 5:00 — 9:00 pm
Gallery Hours: Fridays & Saturdays, Noon — 5 p.m. -LSB-...]
I spent over 15
hours at the fair determined to
see all there was to
see, a task that required visits to nearly 100 international
gallery booths and about three dozen photobook publishers.
Gallery / Office
Hours When exhibitions are on, the project space is open Friday — Sunday from 12 — 5 pm (except statutory holidays) and by appointment
See what's on now
Working for a day in central London, only yards away from New Cavendish Street where FOLD
Gallery's summer exhibition Kaleidoscope, curated by Dominic Beattie, is on show, I get my lunch
hour to go and
see it.
New Contemporaries VI can be
seen from June 1 through 8 by appointment, or during
gallery hours (11 a.m. to 6 p.m. Monday through Friday, noon to 8 p.m. Saturday) from June 9 until June 30.
Please check our exhibitions and events pages to
see what is happening in the
gallery and to check special
hours for events.
Please
see our ABOUT section for
gallery hours.
Amos Eno
Gallery's recent move to 56 Bogart sets the lower level up for a «Blood Moon» viewing, and there's more to see from Space B and Anthony Philip Fine Art, as well as our recommendations for the weekend gallery
Gallery's recent move to 56 Bogart sets the lower level up for a «Blood Moon» viewing, and there's more to
see from Space B and Anthony Philip Fine Art, as well as our recommendations for the weekend
gallerygallery hours.
Selected group exhibitions and screenings include I like to fondle, Acme Fire Station, London UK (2017); Cruising Spaces, LUX, London UK (2017); Now We Are Six, Marian Cramer Projects, Amsterdam NL (2016); The Ultimate Vessel, Koppe Astner, Glasgow UK (2016); Discursive Objects, WAH
Gallery, Eindhoven NL (2015); Blurred Edges: Non / Fiction, Seattle Art Museum, Seattle US, as part of the Black Box Festival, (2015); The Best Tailor in Town, Hunt Kastner, Prague CH (2015); On the Devolution of Culture, Rob Tufnell, London UK (2014); Last
Seen Entering the Biltmore (curated by Anna Gritz), South London
Gallery, London UK; I love you Me either, Project Native Informant London UK (both 2014); SECCESSONE (curated by Rhys Coren, Paul Flannery & Attilia Fattori Franchini), bubblebyte.org (2013); Blue Lagoon (curated by Candice Jacobs), One Thornesby Street, Nottingham UK (2013); One and One and One, CGP London UK (2012); Forth & Back, Limoncello, London UK; Florence Loewy, Paris FR; 10,000
Hours, Glasgow International, Glasgow UK; YBAII (curated by Ryan Gander and Christina von Rotenhan), Dienstgebaude, Zurich CH (all 2012).
2011 Postcards from the Edge, CRG
Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM
Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel
Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy
Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper
Gallery, New York, US As Long as it Lasts, Arratia, Beer
Gallery, Berlin, DE After
Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst
Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian
Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli
Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can
See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
We're also sharing recommendations on what to
see during weekend
gallery hours, plus another artist talk is in the que.
ADDRESS,
HOURS + ADMISSION Parc Promenade Gallery, Waikiki Parc Hotel Lobby 2233 Helumoa Road, Honolulu Daily hotel hours / Free admission Complimentary parking with hotel validation see erin at
HOURS + ADMISSION Parc Promenade
Gallery, Waikiki Parc Hotel Lobby 2233 Helumoa Road, Honolulu Daily hotel
hours / Free admission Complimentary parking with hotel validation see erin at
hours / Free admission Complimentary parking with hotel validation
see erin at work.
BOCA RATON, Fla. — Color / Line / Form, an exhibition pairing contemporary artists James Little of New York and Louis Vega Treviño of Texas with the late renowned masters Kenneth Noland and Cleve Gray, opens May 12, 2018, in Rosenbaum Contemporary's Boca Raton
gallery (150 Yamato Road, Boca Raton, Fla.) The exhibition will be on view through July 9, 2018, and can be
seen during regular
gallery hours, Tuesday through Saturday, 10 a.m. to 5 p.m.
Ragnar Kjartansson @ Barbican Art
Gallery Quite easily the best performance art we've ever
seen is The Visitors — a multi-screen melody that ebbs and flows as nine artists craft a moving
hour long song.
The Hole
Gallery hosted a live performance piece by Tara Subkoff starring Selma Blair and Caroline Vreeland, «Synaptic Fatigue / Dear in the Headlights»
saw 15 actresses and performers including a moving vocal performance by opera singer Rebecca Ringle who sang four songs over the course of the
hour - long show.
Gallery Hours: Saturday & Sunday, 12 pm — 4 pm Opening Reception: Saturday, September 16, 2017, 4 pm — 6 pm Free and...
See Full Post
SELECTED GROUP EXHIBITIONS and SCREENINGS The Concordia Biennial: The Art of Teaching, Concordia
Gallery, Concordia University, St. Paul, MN, 2016 It's so hard to live without you, Helsingborgs Dagblads Photo Salon, Landskrona Photo Festival, Landskrona, Sweden, 2016 The Golden
Hour,
See 18 Film Screening Room, MSP International Airport, Minneapolis, MN 2016 - 17 North of the 45th Parallel, DeVos Museum, Marquette, MI, 2016 Experimental Cinema: Pixels, Minneapolis International Film Festival, St. Anthony Main Theater, Minneapolis, MN, 2016 Society of Scottish Artists Annual Exhibition, RSA
Gallery, National Galleries of Scotland, Edinburgh, 2015 This From There, Circa
Gallery, Minneapolis, MN, 2015 Photography Since the Millennium, Louisville Photo Biennial, Carnegie Center for Art and History, New Albany, IN, 2015 SPE Combined Caucus Juried Exhibition, Ogden Museum of Southern Art, New Orleans, LA, 2015 SPE Combined Caucus Juried Exhibition, UCF Fine Arts
Gallery, Orlando, FL, 2015 Perspectives, MN State Arts Board, St. Paul, MN, 2014 Faux / Real, Non-Fiction
Gallery, Savannah, GA, 2014 Finders and Keepers, Duchesne Academy (participating Fotofest space), Houston, TX, 2014 Acquisitions and Debuts of the Hillstrom Museum of Art, St. Peter, MN, 2013 Art in the Age of Globalization: Outsourced, Minneapolis Institute of Art, MN, 2012 - 2013 What Can not Be Cured Must Be Endured, Paul Robeson
Gallery, Newark, NJ, 2012 Terraforming: Contemporary discourse in landscape photography, King Street
Gallery, Silver Spring, MD, 2012 Then + Now, Hillstrom Museum, St. Peter, MN, 2012 Intersections, Minneapolis College of Art and Design
Gallery, Minneapolis, MN, 2012 EA$ T / WE $ T: A Global Look at Capitalism, New Harmony
Gallery of Contemporary Art, New Harmony, IN, 2011 Faculty Exhibition, Schaeffer
Gallery, Gustavus Adolphus College, St. Peter, MN, 2010 2008 McKnight Fellows Exhibition, Franklin Artworks, Minneapolis, MN, 2010 Re-Generate, Re-Image, Re-Focus: New Directions in Photography, Priscilla Payne
Gallery, Bethlehem, PA, 2009 Yummy, Nexus Foundation, Philadelphia, PA, 2007 Visual Noise, UMC Art
Gallery, University of Colorado, Boulder, CO, 2007 Imagining Namibia, The Art Center of St. Peter, St. Peter, MN, 2006 Soul Searching, Cyrus M. Running
Gallery, Concordia College, Moorhead, MN, 2006 WCA International Video Shorts Festival, Boston, MA, 2006 Cuba Libre, The Art Center of St. Peter, St. Peter, MN, 2004 Faculty Exhibition, Carver Center for Arts and Technology, Baltimore, MD, 2003 SPE Regional Conference Exhibition, Manchester Craftsman's Guild, Pittsburgh, PA, 2002 True Confessions, Charles Theater, Baltimore, MD, 2000 On Sight, The School of Visual Arts, New York, NY, 2000 The Photographic Persona, Belknap
Gallery, Univ. of Louisville, Louisville, KY, 1999 The Y2K Solution, Rutgers University, New Brunswick, NJ, 1999 AugenMusik (installation / performance), Peabody Conservatory, Baltimore, MD, 1999 Emerging Artists, Maryland Federation of Artists, Annapolis, MD, 1999 LaGrange National, LaGrange College, LaGrange, GA, 1998 Choice, Tate
Gallery, University of Georgia, Athens, GA, 1998 Three Rivers Arts Festival, Wood Street
Gallery, Pittsburgh, PA, 1997 She Defies Gravity, Ekhartsberga
Gallery, McKees Rocks, PA, 1996 Exposures, Garfield Artworks, Pittsburgh, PA, 1996 Three Rivers Arts Festival, Wood Street
Gallery, Pittsburgh, PA, 1995 Arts on Tour, Vine Street
Gallery, Sharon, PA, 1994 Manchester Craftsman's Guild Staff Exhibition, Pittsburgh, PA, 1994
At our Boca Raton
gallery, we're enjoying the extra
hours of daylight and
seeing both new and familiar faces dropping by to
see what's new at VFA.
See schedule below for programming dates On View: April 27 - June 10, 2018
Gallery Hours: Tuesday through Sunday, 12 - 6p
Fancy
Seeing You is on view at Slag
Gallery, located at 56 Bogart Street, until August 9, 2015; gallery hours are Thursday — Sunday, 1 &mda
Gallery, located at 56 Bogart Street, until August 9, 2015;
gallery hours are Thursday — Sunday, 1 &mda
gallery hours are Thursday — Sunday, 1 — 6PM
Don't rush through this exhibition;
gallery - goers should allow at least an
hour to walk through the 56 Bogart Street warehouse to
see Paul Pagk's new work at Studio 10.
A contribution to the Art Censorship: the bigger picture forum Museum of Contemporary Art, Sydney, 12 June 2008 Clive Hamilton When I looked at the twenty or so Bill Henson photos on the Roslyn Oxley9
Gallery website just
hours before they were taken down I could
see immediately that they were not pornographic.