Sentences with phrase «see giant pieces»

Through the restaurant window I could see giant pieces of cheesecake slathered with chocolate, strawberry, and other sauces on display.

Not exact matches

When it's finished, an engineer will be able to walk right over to the manufacturing floor and see a rocket engine milled from a piece of stainless steel or a fuel tank formed from giant sheets of aluminum.

Thibaut Courtois has backed Chelsea to do the impossible and win the quadruple this season, after his heroics in goal at Anfield on Tuesday saw the Blues take a giant step towards their first piece of silverware this season.

SEE MORE: Arsenal fan Piers Morgan wants this manager to replace Wenger Arsenal boss Arsene Wenger loses it in press conference after Olympiakos defeat Arsenal chase «New Mesut Ozil» signing: Italian giants also keen on set - piece specialist

But the spacecraft will see only a narrow piece of giant Jupiter at a time.

Opt for pieces that you can imagine styling — there's no reason to buy a giant peacock feather pin even if you're drawn to it, unless you can see yourself stepping out with it on the lapel of your black tuxedo jacket.

Stay tuned to see more of my favorite pieces from the fashion giant SHEIN.

Even when things take a breather in the third act — which becomes an enclosed, clearly budget - cut chamber piece that's closer to an episode of «The Walking Dead» than the giant scope we've seen before — we're not any clearer to understanding who he actually is as a person.

► A giant caged gorilla is placed into a military cargo plane, accompanied by a man and a woman in handcuffs who argue with soldiers and an agent; the gorilla growls, snarls, and roars, showing large sharp teeth until he breaks apart the cage and several soldiers and government agents fire rifles and handguns to no avail as the animal roars and throws pieces of metal, striking some of the men, tosses several men against the bulkheads of the plane, and stands on the chest of an unconscious agent, who wakes up and shouts; a sliding military vehicle in the cargo hold pins the gorilla to a wall, the man and the woman in handcuffs break free and don parachutes, placing one on the agent and after the plane crashes in smoke and flames we see few bloody footprints of the gorilla leading away from the crash site (we do not see the bodies of the other passengers) and the agent has a cut on his forehead and the other man has lots of blood on the back of head and his T - shirt while the woman's face is scraped on one cheek and one side of her forehead.

You'll likely see little of yourself in the harrowing «Cartel Land,» a piece about a giant swath of the continent that has basically become a lawless, vigilante state.

We see giant scorpions, boats floating across fields, dog - faced guards, statue - faced birds and amazing landscapes straight out of a piece of surrealist art.

Also, see if you can find a giant piece of toast hidden somewhere.

These pieces are from a few years ago and totally pre-date the contemporary trend of giant metallic meteorites and painterly ceramics we saw at Frieze this year.

Among the works to be seen outside this summer are major pieces by Anthony Caro, Barry Flanagan, Richard Long and Antony Gormley as well as one of Angus Fairhurst's tragi - comic but also faintly malevolent giant gorillas.

Among those glorious pieces of print and photography, we see the likes of Kendo Nagasaki, Giant Haystacks, Jackie Pallo, Crusher Mason, and a visual history of «a lost era when wrestling was huge and bouts took place every night in halls all over the country.»

Seen alongside, the board in the video begins to seem like a giant piece of paper, on which the artists appear as their own drawings, magically brought to life.

My having previously only seen giant - sized pieces in the flesh — Moore at Kew Gardens, 2008 — and pictures of Moore's sculptures in books and magazines, the tiny ones — not much bigger than a Philippe Starck lemon squeezer — included in the current Tate Britain retrospective, each produced with the same care and sensitivity to materials as their larger siblings, come as a pleasant surprise.

Her presentation is disconcertingly similar to Mike Kelley's curatorial venture of 1993, The Uncanny (see my second travelogue entry), which not only included some of the same artists and pieces — for instance, Paul McCarthy's Children's Anatomical Educational Figure (1990), a giant ragdoll whose internal organs spill out of its stomach — but also featured a photographic series of mannequins and prosthetics by Sherman herself.

One theory pedalled by a former tobacco advertising guru is that opposition to the «joys» of living with giant fans is only a problem among English speaking countries: the guru reckons that complaints like those heard from dozens of wind farms around Australia are a cooked - up phenomenon exclusive to the English speaking world — as pitched - up in this piece of propaganda on ABC radio and parroted in this piece of eco-fascist drivel from ruin - economy (for a taste of what the Taiwanese — not the world's strongest English speakers — think about giant fans, see our post here).

For those who have been keeping tabs on the construction, watching as the big «spaceship» design came to fruition, seeing the pieces of the giant puzzle come together is certainly worthwhile.