Sentences with phrase «see good cops»

I don't see good cops trying to get bad cops out of the system.

I don't see good cops speaking out about the abuse.

Not exact matches

Well I pulled outta Pittsburgh a rollin» down that Eastern Seaboard I got my diesel wound up and she's a runnin» like a never before There's a speed zone ahead alright I don't see a cop in sight Six days on the road and I'm a gonna make it home tonight I got my ten forward gears and a Georgia overdrive I'm takin» little white pills and my eyes are open wide I just passed a Jimmy and a White I been a passin» everything in sight Six days on the road and I'm a gonna make it home tonight Well it seems like a month since I kissed my baby goodbye I could have a lotta women but I'm not like a some other guys I could find one to hold me tight but I could never make believe it's alright Six days on the road and I'm a gonna make it home tonight...

Having watched the TV cop / crime procedural shows jurors want to see scientific evidence — there will be at least one on every jury who will be thinking to him / herself «Ted Danson and Elisabeth Shue would have done a much better job with this case.»

Top the Cops is also an opportunity to generate some good PR with the teens and with the community at large, McKinnie explains: show them they're human, that they're not just trying to get them in trouble, and let the other, older drivers see them making nice with the youngsters.

The merchants are being patriotic, you see, for Capes, in addition to his duties as a cop, happens to be the best shotputter in the history of the United Kingdom.

It's a good way to quickly see each other, but it also feels like a cop - out.

Shy at first but hang on... cause I am a complete goofball later!always been attracted to cops.love what they stand for an everytime I drive I see a cop car and do my best to get pulled over!

Bad Cop / Good Cop is a rotating head figure that using the classic crime drama shtick in an attempt to breakdown Emmett; but seeing as how Emmett barley knows what is going on, the routine fails to work.

Nerve - rattling in the best way, the sharp, visceral urban police procedural End of Watch is one of the best American cop movies I've seen in a long time.

Mostly it is a means to show some events that transpired before the execution of certain key characters, which come to a head in the present - day Hong Kong that sees Ming trying his best to eradicate any information that would tie him to being the triad mole in the police department so that he can continue to be the good cop he dreams of being.

Such well - documented failures as Nothing But Trouble (1991) and Cops and Robbersons (1994) became his crosses to bear during a decade that also saw the colossal failure of his Fox comeback variety show, which was canceled two months after it premiered in 1993.

So, when I saw Danny McBride in his cameo, which made me guiltily think of Denis Leary in Judgement Night, if it was a masterpiece, and Ben Best, playing a pony - tailed cop who seduces the screen like cheap cologne and cheap NBA seats, I was immediately more drawn to those characters, to arcs drunkenly filled out in private over beers.

I think that Farrell does his best to bring in his tough guy routine that you see in his earlier films and it works perfectly in this badass cops and robbers story frame.

Opening in September: Kirsten Dunst and Isla Fisher take a turn in the comic bridesmaid well in «Bachelorette» (Friday); Bradley Cooper is an author whose stolen work becomes a hit in «The Words» (Friday), a thriller co-starring Jeremy Irons and Dennis Quaid (see story on Page 17); Pixar adds another dimension to one of its most popular films in «Finding Nemo 3 - D» (Sept. 14); Milla Jovovich returns for one more zombie slaughter in «Resident Evil: Retribution» (Sept. 14); Jake Gyllenhaal and Michael Peña are Los Angeles cops in «End of Watch» (Sept. 21), which aims for a realistic look at inner - city law enforcement; Elizabeth Shue and Jennifer Lawrence are mother and daughter, discovering a horror - tinged secret in «House at the End of the Street» (Sept. 21); Karl Urban plays «Dredd» (Sept. 21), a helmeted avenger who cleans up the futuristic Mega City as its judge, jury and (wait for it...) executioner; In the animated «Hotel Transylvania,» Dracula (voiced by Adam Sandler) struggles to cope with his daughter's new non-vampire love interest (Sept. 28).

When Alex Murphy (Joel Kinnaman)-- a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit — is critically injured in the line of duty, OmniCorp sees its chance to build a part - man, part - robot police officer.

Sheridan's script, while meticulously crafted in places, is comprised of numerous clichés (the rookie cop angle is well - mined and one character's motives wind up being, somewhat disappointingly, a revenge sortie boilerplate), but Villeneuve's striking vision and Blunt's ferocious cynosure more than compensates for any see - through shibboleth.

I suspect the tolerance for this kind of thing will meet better reviews for those seeing on the small screen, as it is little more than a big budget cop show.

But if Hostage seems another of those good - cop - atoning - for - past - sins morality plays that Hollywood never tires of making, it's also leaner, meaner and dirtier than most, making it possible to forget you've seen it all before.

Their costumes however, turn out to be so good that people on the street actually think that they really are police officers, so of course they can't help but push the limit to see what they can get away with as cops.

Praised by no less an authority as director WIlliam Friedkin as the best cop movie he'd ever seen, End of Watch was one of the underseen delights of 2012 and a great new addition to Netflix — Jake Cole

It is good to see Melissa Leo again, not so good that her vengeful cop has one dimension, but effective at how well she evokes it.

Where Se7en ends with Somerset's assertion that the world is a beautiful place and worth fighting for, this season has already seen Morgan Freeman in another cop role (Gone Baby Gone) offering that the world is a sty beyond saving — and now Tommy Lee Jones, in his best performance ever, hangs up his gun because the solution to the problem is that there's nothing to solve.

McDormand's performance is a huge reason why Three Billboard's is one of the year's must see films and one of recent times best reviewed features, but McDonagh's film is also noteworthy for its supporting turns from Woody Harrelson as police chief William Willoughby, who cops the major brunt of Hayes public call outs, while Sam Rockwell is the best he's been since Moon as loose cannon police officer Dixon.

He also thanked the usual round of collaborators as well as U.S. distributor Magnolia Pictures and German partner Warner Bros, following that up with a quip that fell flat, «If you see a cop, warn - a-brother» (see video above).

Hot on his heels is Michael Shannon as a cop with a violent temper — seeing Shannon chew some scenery is probably the best reason to check out the film.

So here's the deal, see: Officer Dwight «Bucky» Bleichert (Josh Hartnett) is partners on the LAPD force with Lee Blanchard (Aaron Eckhart), and they are the most high - profile cops in town, thanks to a well - publicized boxing match between the two.

His pictures always non-traditional (even Beverly Hills Cop is surprisingly stately in its development and resolution), Brest is at his best in presenting the broad, the theatrical, even the melancholy through his word jumble (Walken can say «absconded» without irony; Lopez can't even read in the film without moving her lips), and at his worst when trying to justify surprise moments of spontaneous lovemaking and unlikely romance (see also: Meet Joe Black).

To jump - start the authorities, Frances points out their ineptitude, both on those billboards and by stalking into the precinct house and facing off with good - ol» - boy cops played by Woody Harrelson and Sam Rockwell, who don't stand a chance against Frances, because her hard - nosed stare can see into their souls and snort with disappointment.

There's so much good in Cop Car, it's easy to see why it became one of the «buzziest» tickets earlier this year at the Sundance Film Festival.

In the best headline I've seen recently: Cops bust woman, 74, for pouring mayo in book drop All I can say is there must not be a lot going on in Boise, Idaho.

One thing that is different in the Switch edition, besides the touch screen controls, is the infamous «Truth, Lie, Doubt» from the criminal interviews you partake in has now changed to «Good Cop, Bad Cop, Accuse», which could go some way to balancing out the kind of anger we see from protagonist Cole Phelps when he thinks his suspect is lying.

Well, that last one is a bit of a cop out since Luigi always appears in the sports titles... But still, it's nice to see Luigi is getting some love!

You now have three clear options to pick when responding to a suspect's story: Good Cop, in which you play along in a supportive manner, Bad Cop, which sees you get aggressive with your questioning, and Accuse, which is fairly self - explanatory.

In 2028 Detroit, when Alex Murphy, a loving husband, father and good cop is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part - man, part - robot police officer.

One good demonstration of the right to video police is seen here where an out of state cop brought a gun into a San Diego court room.

I've seen «Cops» before, but this guy doesn't blur faces and lists the fugitive's full name and on what charges they're being arrested for, as well as why they were supposed to appear in court in the first place.

On Volokh Conspiracy, another law professor wrote that The Wire was «simply the best cop show I had ever seen on television.»

«Good cop, bad cop» is a tactic you see in movies and TV shows all the time.