Sentences with phrase «see human space»

Where do you see human space exploration going over the next decade?

I wouldn't want to see human space zeroed out to support a whole bunch of earth science» either, he added.

Not exact matches

We see that in creating those types of spaces, there is an amazing human potential for excitement and happiness.

More than three decades after the launch of the first space shuttle mission (and three years after the last one), investment in new human spaceflight systems is back with an intensity the aerospace industry hasn't seen since the heady days of the Space space shuttle mission (and three years after the last one), investment in new human spaceflight systems is back with an intensity the aerospace industry hasn't seen since the heady days of the Space Space Race.

As with most companies and entrepreneurs operating in the AI space, he sees increasing automation not as a threat to human jobs, but as something that can't happen soon enough.

The way of distinction, therefore, puts a positive valuation on the time - space continuum and, though it sees divine redemption as the remaking of history into something new, it can not conceive of divine - human interaction in other than historical terms which preserve the qualitative difference between God and man.

Needless to say, if the dominant society of human consciousness is small enough to flit through the empty spaces between the brain cells, it must be very small indeed — too small certainly to be seen by the naked eye.

What exactly does it mean for a (human) body to exist in space - time or as a macroscopic extension of a quantum foam, and how can the soul be seen to exist in a universe whose hidden dimensions go well beyond the three we can observe?

«When I lie on my back and look up at the Milky Way on a clear night and see the vast distances of space and reflect that these are also vast differences of time as well, when I look at the Grand Canyon and see the strata going down, down, down, through periods of time which the human mind can't comprehend....

I also know what I know, and know what I see and believe... spontaneous combustion of gases in space will never explain the universe or human consciousness as we know it... we can not define «nothingness».

Our place in the universe, including all our human history all along, as is seen from space starting at 600,000 miles away, and down to a flyby proximity, a tiny speck.

«When I lie on my back and look up at the Milky Way on a clear night and see the vast distances of space and reflect that these are also vast differences of time as well, when I look at the Grand Canyon and see the strata going down, down, down, through periods of time which the human mind can't comprehend... it's a feeling of sort of an abstract gratitude that I am alive to appreciate these wonders, when I look down a microscope it's the same feeling, I am grateful to be alive to appreciate these wonders.»

These are as real in human experience as space and time, and the way contingent future events are sometimes altered by volitional decision makes us unwilling to see that human effort is of no avail.

Hello, dumb alien from out of space (you see that's funny because hollywood tells us that aliens are super intelligent and will subdue and colonize humans if they finally get within our gravitational field and crash into earth), Arsenal had key players absent too.

It's a powerful moment in a parent's life when they suddenly see their sweet little one as a separate, intelligent, worthy human being who can plan, make decisions, snap out orders, and lead other humans on a journey through an imaginary rainforest or on a trip through outer space.

Long before the space age, humans looking at Mars thought they saw evidence for the presence of water, in the form of giant canals built by some very advanced, very thirsty civilization.

No space probe or telescope built by humans has ever escaped the Milky Way to turn back and take a portrait; because we are embedded in our galaxy's disk, we can only see it as a bright band of stars across the sky.

«Europeans take great pride in seeing our astronauts in space,» says Daniel Sacotte, ESA's director of human spaceflight, microgravity, and exploration.

But as commercial space flight heats up and costs go down, he thinks the future lies in swarms of low - cost robots (see «Termite robots build castles with no human help «-RRB-.

Similarly, no space voyage will ever allow humans to observe the dramatic blue spiral arms and golden cores of galaxies seen in astronomy posters.

Yes, the Conquest of Space once and for all silenced any muttering that the opposable thumb and the giant brain weren't all they were cracked up to be, but it also showcased human nature at its selfless, rational, rarely seen best.

The commercial crew program — subsidies for companies like SpaceX to develop privately owned, human - rated rockets — would get $ 805 million, while the agency would spend $ 2.051 billion on its own rocket, the Space Launch System, a lumbering, and delayed, heavy - lift vehicle that will not see its first launch until the end of 2018.

The green landscapes that harbour most human life would not be easily seen from space.

A common theme was the Obama Administration's FY2013 budget request for the future of the human spaceflight program and what many see as a competition between commercial crew services to the International Space Station (ISS) and a NASA - developed system to take astronauts further into the solar system.

Seen from space humans, trees, elephants, or even whales are undetectable and unremarkable, yet Earth would reveal its secret to an outside observer through the surprising abundance of a highly reactive gas, molecular oxygen.

Provided you're in a safe, respectful space with others, seeing new body shapes and sizes different from your own can help you develop an appreciation for the human body, often minimizing any aesthetically oriented complaints you have about your own.

In Covenant, Scott and screenwriters John Logan and Dante Harper invert the liberal attributes of internationalism (or universalism, if we are talking space) by presenting a story that sees humanity's attempt to discover new peoples, planets and species result in death — David has essentially been breeding Xenomorphs using human DNA, and unleashes said Xenomorphs on humanity.

If you want to see more Lando before the movie official opens, you can check out Glover's great SNL skit that shows Lando leading a conference for black humans in space... of which there are four.

I particularly liked the following non-traditional elements: that the main human gamer we see is a girl, not a boy, that the kick arse space marine (Jane Lynch) is a woman, and that the second billed character, Venellope (Sarah Silverman), is effectively a child with a disability.

The ideas and themes of human survival and curiosity through space exploration have been seen in Star Trek, Contact, The Right Stuff, Apollo 13, Prometheus, and of course 2001: A Space Odyspace exploration have been seen in Star Trek, Contact, The Right Stuff, Apollo 13, Prometheus, and of course 2001: A Space OdySpace Odyssey.

Two years later, the first human got to see that view when Russia sent a man into space.

The ability to see Earth from space helps scientists to understand both how the planet works and how human activities are affecting the...

It sees a time when humans and automobiles must share space, and this will call for new thinking when it comes to personal mobility.

Without this spice, Bene Gesserit Reverend Mothers could not perform feats of observation and human control, Guild Navigators could not see safe pathways across space, and billions of Imperial citizens would die of addictive withdrawal.

From territorial marking, leash reactivity, human aggression, to excessive barking, our trainer here at Space City Dog Training has seen it all and tackled all types of behavioral problems from all type of different dogs.

To reach this level of biological appropriateness, ACANA separates itself from many others in the dog food space by not giving into the diet fads that many humans might want to see their dogs eating, and instead provides what our pets scientifically need most: meat.

Mason's guardian remarks she hadn't seen a wolf around the for 15 years, and made sure to give the animal ample space and respect, expecting it would be scared off by the sight of a human and four dogs.

I ask this too, in Africa and many other places on the Globe humans breed one after the other, I do not see them in a no space area and then killing them, maybe we ought to do that to.

It's nice to see designers thinking about what ways these wonderful «space marine» armors could change combat, and while the scale of powered armor doesn't exactly match that of mecha, and thus is really a whole different kettle of fish, a lot of the solutions are the same — just as giant robots shouldn't be treated as human analogues, humans in powered armor should have different skillsets following from their upgrade.

Whether it is seen as a flat shape, part of a grid, a three dimensional solid, in shallow or deep space, as one or many, paired, or single — it is a stand - in for the human, a being we project ourselves on.

So as we look into the room — it is arranged according to Byars's instructions as if the entire space were a vitrine — we see the essence of human life brilliantly distilled into these fragile and transparent little reliquaries.

How does one learn to see space as a container that encloses figures and objects and that drawing is less about the documentary depictions of disparate objects or human figures?

Gormley sees Bridge as an objective mapping of the subjective space of the human body.

Literally a vast view of the ground seen from above, the gestural and gritty painting was intended to evoke a continuous, infinite space beyond the fragmented sphere of human action and intervention.

«You have to kneel down to see what's down inside the confined space — a pale, nude torso of a naked man... It's a horrifying image, a human who has become part of a sewer.

These impressions of the human form, whether a cast of an an orifice or a handprint, put the body in what the artist sees as both the real and abstract spaces of politics, which can be seen in her arrangements as well as the works» titles.

The harsh documentary approach of these teachers, again appears in the architectural images of Thomas Struth which are still, structured and yet evocative as the human relationship to space is captured; contrasting with this is the work of Candida Höfer, which sees public spaces completely emptied of human presence.

2010Today is not a Dress Rehearsal, SFMOMA live installation in collaboration with Mika Tajima / New Humans, New York Dance With Camera, ICA Philadelphia and touring to Contemporary Arts Museum, Houston Virtuoso Illusion: Cross Dressing and the New Media Avant Garde, MIT / LIST Visual Art Centre, Cambridge, Massachusetts Albrecht Dürer Gessellschaft, Kunstverein Nürnberg, Nürnberg, Germany Recent Acquisitions, De Hallen Haarlem, The Netherlands Move: Choreographing You, Hayward Gallery, London Body / Space Mechanics, De Hallen Haarlem, The Netherlands 100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage «100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage Centre for Contemporary Art, Moscow Time Based Arts Festival, PICA, Portland Institute for Contemporary Art, Portland Nobody Gets to See the Wizard.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

He carved out sections of buildings with a power saw in order to reveal their hidden construction, to provide new ways of perceiving space, and to create metaphors for the human condition.