The fighting (the main thing to
see in an action film), is also quite disappointing.
There is some good character development which is nice to
see in an action film these days.
Not exact matches
It's closer to an immersive
film than a fully interactive simulation, but as Fortune reported when we first checked
in on StriVR
in 2015, research shows that
seeing real humans
in action helps the brain refine its timing and stay focused.
Many
in Hollywood say they
see the spiritual - memoir - turned - movie as the next hot genre, suggesting there are ongoing talks about turning Lauren Winner's «Girl Meets God» into a romantic comedy, Ian Cron's «Jesus, My Father, the CIA, and Me» into an
action flick, Anne Lamott's «Traveling Mercies» into an indie road trip
film, Kathleen Norris» «The Cloister Walk» into something really creepy involving monks.»
«I hope you will encourage everyone to
see this
film and also think how you can help Baby Milk
Action and the rest of IBFAN
in their work,» said Syed Aamir Raza at the end.
The importance of a surface's roughness can be
seen in car engines, where if the walls of the engine's cylinders are too smooth they will seize, meaning that the surface needs to be just rough enough to carry a
film of lubricant to maintain a smooth piston
action.
Visit to get the The new
film sees good old Captain Jack back
in swashbuckling
action and on the hunt for another bit of mythical gubbins, the legendary Trident of Poseidon
All
in all, «X-Men» pulls its weight as an
action film worth
seeing, while faithfully delivering to the fans all they could expect and hope.
I've
seen that happen
in far too many
films - good premise + good first act degenerates into standard
action cliches.
Good sci - fi has all these things, of course, but «bigger» isn't better, and most of the «big» idea movies use «the future» as a setting for
action and adventure, whereas true sci - fi
films (and books) use that setting to tell human stories
in new ways; human relationships (with others, with self, with the environment, etc...) are are the core of the best sci - fi movies we've
seen.
While strict and unbending, the matriarchy of the Rivera household is a family system rarely
seen in films live -
action and otherwise.
It's mostly a «get what you
see» type
film, with the trailers really ruining the
film's short third act
action that brings about the conclusion
in a deflating manner.
In 2000 alone, she could be seen in no less than four films, including the action comedy The Crew, Red Planet, and as a bartender with questionable motives in director Christopher Nolan's unconventional breakthrough, Mement
In 2000 alone, she could be
seen in no less than four films, including the action comedy The Crew, Red Planet, and as a bartender with questionable motives in director Christopher Nolan's unconventional breakthrough, Mement
in no less than four
films, including the
action comedy The Crew, Red Planet, and as a bartender with questionable motives
in director Christopher Nolan's unconventional breakthrough, Mement
in director Christopher Nolan's unconventional breakthrough, Memento.
Unlike series co-star Biel, Mitchell remained with the program throughout its run, and through many character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn
in the fantasy -
action thriller The Crow: City of Angels, and continued intermittent
film appearances (such as a supporting role
in 2005's slasher movie
Saw II), she made no secret of her real passion: performing country music as a guitarist and vocalist.
While Harlin's big
action sets
in other
films like Die Hard 2 suffered from an unfortunately dated sampling of CGI, everything you
see in CutThroat Island has been constructed — and destroyed
in grand fashion.
Written and directed by Karen Leigh Hopkins, the
film's tone looks to be all over the place, but it's good to
see James Badge Dale as something other than a supporting character
in an
action blockbuster.
After lambasting him for his disaster of an
action film 12 Rounds, I now
see that as a director he was hideously robbed of the fame CutThroat Island should have brought him when the box office of its time failed to recognize the greatness inherent
in pirate epics.
Even if it may feel a bit overlong, this fantastic sequel is perhaps even more thrilling than the first
film, this time investing more
in the
action and first - rate special effects with a bigger budget to create something epic - and it is always awesome to
see Schwarzenegger as the big hero.
Time Warner's slumping
Filmed Networks division
sees bright spot to 49 percent income drop
in Traveller's Tales» family - friendly
action game.
It's the type of circular insanity you don't
see in your average
action film.
Carrey looks to be wearing a bit of prosthetics to get the character's look just right, and it should be fun to
see him
in action when the
film hits theaters.
Alas, my heart sank when I realized that the
film I was about to
see was not a remake of the 1995 forgotten Cindy Crawford - William Baldwin classic but a
in fact change of pace low - key political drama from the go to high concept
action film - maker of the past decade, Doug Liman (The Bourne Identity, Mr & Mrs Smith) focusing on the Plame Affair, one of the key scandals
in recent American political history.
The Peter principle was born
in»60s corporate America, but it's not relegated to stuffy old workplaces — we basically
see it
in action every time a new series or
film turns out to be a hit.
The
action is surprisingly clear, with the focus rarely faltering; with so many animations opting for a much denser, clustered style, its good to
see this
film do much better
in that regard, making it more eye friendly.
Thus far we've only heard an incredibly brief snippet of the actor singing, so everyone's eager to
see Crowe
in action once the
film hits theaters.
Instead of using his newfound clout to take a starring role
in another prestige picture, an
action vehicle, or a superhero movie, his next gig will
see him play a supporting role
in a twisted comedy from the mind of Taika Waititi, the director of
films like Thor: Ragnarok and Hunt for the Wilderpeople.
Once the set up is there, it's easy to
see where it's all going, and consequently, the tempo never comes close to the fever pitch required to make this the thrilling
action film it needs to be
in order to truly entertain.
And there's hope that Jeffrey Dean Morgan will reprise his role as Thomas Wayne
in the
film and portray the Flashpoint Batman
in live -
action - but we'll just have to wait and
see what happens.
No critic, no bad review, nothing could take away the feeling of
seeing our first real
action role model
in film.
mmm... a protagonist who complete dominates a long
film to the detriment of context and the other players
in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «
action» but somehow the context is missing and after
seeing the
film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the
film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the
film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
In 2003, he could be seen in feature films from the action moneymaker 2 Fast 2 Furious to the light comedy Duple
In 2003, he could be
seen in feature films from the action moneymaker 2 Fast 2 Furious to the light comedy Duple
in feature
films from the
action moneymaker 2 Fast 2 Furious to the light comedy Duplex.
Olivia Munn is an actor, author and activist and will next be
seen on
film, as the lead
in the
action - thriller Hummingbird and starring
in Shane Black's The Predator opposite Keegan - Michael Key and Sterling K. Brown.
Characters and their
actions in Haneke's
films are often
seen coldly with a clinical eye.
by Walter Chaw Arriving right smack dab
in the latter half of a decade
in American cinema that
saw digital «reality» supplant filmic «reality» (and appearing the same year as James Cameron's Forrest Gump: Titanic), Hong Kong legend John Woo's high - camp Face / Off directly (and presciently) addresses issues of identity theft, terrorism, and the digital corruption of reality and indirectly addresses Woo's émigré influence on the modern
action film.
Universal City, California, February 15, 2016 — Jamie Foxx (Django Unchained, White House Down) stars as an undercover homicide detective seeking revenge on his son's kidnappers
in the must -
see action film Sleepless, available on Digital HD on April 4, 2017 and on Blu - ray ™, DVD and On Demand on April 18, 2017 from Universal Pictures Home Entertainment.
The
film starts off with some awkward, painfully lame flashback scenes of Kyle's childhood and transitions into an opening act that is loaded with full - on patriotism that
sees him go to war to get back at the people who brought suffering to our doorstep
in the events of 9/11 (he was already enlisted, but if we believe the
film that decision was also motivated by
seeing news footage of American lives being taken), but one of the most interesting surprises is how balanced it eventually becomes and how we
see the way that Kyle's
actions negatively impact others and how even he begins to question his commitment to the cause, despite the fact that he would never vocalize it.
I really wanted to start calling him Armie Hammy since most of what he's been given
in this
film are lines that would fit more into children's books than
in an
action movie that has more violence within the story than most young Disney fans might be accustomed to
seeing.
On one level, the
film, written and directed by Leigh Whannell (
Saw, Insidious), trots out a very familiar sort of
action - hero origin story: Victimized by violent crime
in a cyberpunk future, main character Grey Trace (Logan Marshall - Green) vows to hunt down the men who killed his wife.
Sure, the
action in this movie is arguably better than the first
film (partly because we actually get to
see the climactic battle rather than just hear about it
in the background), but is it possible to have too much of a good thing?
The early 1970s to the late 1980s was a unique moment
in Australian cinema history; a time when censorship was reigned
in and home - grown production flourished, resulting
in a flurry of exploitation
films — sex comedies, horror movies and
action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had
seen in Australia before.
As announced
in the end credits for the first
film, the sequel will
see Cable make his first live -
action appearance.
Directors Pierre Coffin and Chris Renaud excel
in pleasing the fans of Despicable Me with much of the same spy
action and slapstick minion comedy
seen in the first
film, only amped up to greater heights for this highly anticipated sequel.
However, if you want sizzle and
action that's even more violent than what we've
seen in previous
films, you've come to the right place, as «Smaug» is more aggressive with its fight sequences and battles.
The bus sequence
seen in the trailer is one of the big
action pieces
in the
film but comes before the biggest final
action sequence.
In the hours surrounding teaser trailer, Trank and screenwriter Simon Kinberg talked with Collider, Empire Online and Yahoo! Movies about their frame of mind for the
film and setting it apart from what they
see as the commodified superhero
action genre.
Of the more than 40
films he's directed this century, I've only
seen a handful, but Yakuza Apocalypse is firmly
in the tradition of earlier
films like Sukiyaki Western Django, 13 Assassins and his remake of the Maskai Kobayashi classic Harakiri
in their critique of the psychotic masculinity that underlies the ideology of Japanese
action narratives.
Being
in the middle of an
action - packed level only to
see Groot start dancing like he did at the beginning of the GoTG 2
film was pretty funny.
In the end, what the film doesn't have in heart it makes up for in action and creative animation (I still get a kick out of seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your fac
In the end, what the
film doesn't have
in heart it makes up for in action and creative animation (I still get a kick out of seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your fac
in heart it makes up for
in action and creative animation (I still get a kick out of seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your fac
in action and creative animation (I still get a kick out of
seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your face.
While not as good as the best live -
action shot
in 3D
films, it might be the best full - length conversion I've
seen (the 20 minutes converted for Harry Potter 5
in Imax looked incredible but I hear it is much harder to do full - length
films), and if you are gonna
see it you should probably go
in 3D, which is not always the case with 2D conversions or animated
films.
Dawn Page: It's fascinating to
see a Tarantino - style
action film set
in the least likely location imaginable.