Sentences with phrase «see life as the artists»

Not exact matches

Like the ancient apocalyptic seer, the modern artist has unveiled a world of darkness, but whereas earlier seers could know a darkness penetrated by a new æon of light, the contemporary artist has seen light itself as darkness, and embodied in his work an all - embracing vacuity dissolving every previous form of life and light.

She saw the religious artist as living in a world in which imagination had so badly eroded that signs of hope and transcendence were just barely perceivable.

But as an artist I see and hear so much that delights me that my response to life is ecstatic.»

The Sierra Chef Challenge will be one must - see during a day of food and drink that includes entertainment from local bands Sierra Gypsies and Taking Root, a marketplace of local vendors, artisans and artists, as well as a live art experience after - show at Benko Art Gallery.

«We can not measure the influence that one artist or another has on the child's sense of beauty, upon his power of seeing, as in a picture, the common sight of life...» ~ Charlotte Mason, Original Homeschooling Series, Volume 1, Home Education

Daily, as I scroll through my feed (and I follow mostly fellow artists, designers and creative businesses), I must remind myself that what I am seeing are really, really small, highly «curated» glimpses into the lives and work of the people I follow.

Crack the code and you can read the messages, but as a hint, Venter revealed the quotations: «To live, to err, to fall, to triumph, to recreate life out of life,» from James Joyce's A Portrait of the Artist as a Young Man; «See things not as they are but as they might be,» which comes from American Prometheus, a biography of nuclear physicist Robert Oppenheimer; and Richard Feynman's famous words: «What I can not build I can not understand.»

While living out her first dream as a live sound engineer touring the world with Grammy Award winning artists, she saw firsthand that everyone needs daily inspiration.

She started as a make - up artist in college (The Fashion Institute of Design and Merchandising, California) and soon begun to see that there are diverse ways of making a living in the beauty / fashion industry.

I don't know if Greg and Tommy's interest in Dean as seen in Disaster Artist was a real - life coincidence or if it was added for the movie, but if it's the former, that parallel is telling.

Although The Disaster Artist maintains a great reverence for The Room, the film can be seen as a funny comedy about how such true - to - life absurdities can be a catalyst for such a terrible yet mesmerising piece of art.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

Nell Minow: Sally Hawkins gives an exquisite performance as the outsider artist whose vibrant, life - affirming paintings brought joy to everyone who saw them.

But though no cinephile's life would be complete without a viewing of The Room — an experience one early reviewer compared to «getting stabbed in the head» — there's no need to have seen it in order to enjoy The Disaster Artist, James Franco's hilarious and big - hearted adaptation of Sestero's memoir, starring Franco himself as the eccentric maestro and his brother Dave Franco as Sestero, a Sancho Panza — style sidekick to Wiseau's grandiose Quixote.

Produced by Papadopoulos, the narrative feature focuses on Dickinson's early life as a schoolgirl, and on her later years in Amherst as a tortured artist who saw but seven of her poems published in her lifetime.

«It's a sobering position to be in as a filmmaker,» referring to life after his Festival premiere, but MacLean sees Artist Services as a crucial reinforcement, «These partnerships make it so much easier to take the next step.»

It was clear that the young artists saw no distinction between their online and off line lives — they move between the two seamlessly — with little evidence of the concerns, we as adults occasionally have.

Sometimes the connection between writer and artist doesn't work out as well as one hopes, but other times, Torres says, «it's fulfilling to see what comes back» when his words are brought to life by an artist's pencil.

The first issue, which sees Bendis continuing his collaboration with former «Ultimate Spider - Man» artist David Marquez, will find Tony Stark stepping into a new suit of armor and a new era of his life as he tries to uncover the mystery of his parentage.

I'd also just like to share that as a mom of two, I am so glad to report that my kids (ages 8 and 11) are proud of me and are at an age when they are beginning to see and appreciate what I bring to our family life as an artist.

Beautiful works, full of life and color, that is what I hope to see at the Prado Museum auctions that will begin in February of this year, with artists such as Munuera Nico, Perianes Jorge, Gabino Amaya Cacho, Diego de Giráldez, Guillermo Pérez Villalta, and many more artists.

It took me many years to get from this artist's form to his content, but now I see that move as a necessary step toward understanding the exceptional lives his familiar objects live.

You can see more of the artist's portraits, as well as her still life paintings, ink drawings, and political posters on her website and Instagram.

A critic of institutions and a believer that the artist should act as what he termed an «incidental person» — one who operates in a non-art context, inserting oneself into political and social life — Latham created an oeuvre that paved the way for much socially engaged and politically charged art practice that we see today.

Rather than get hung up on Isaac Julien's recitations of Das Kapital (which even Enwezor admits is «a book that nobody has read and yet everyone hates or quotes from,» [5]-RRB- a more engaged viewer might see these readings as part of a larger program of live performance [6] that periodically animates the installation, both in David Adjaye's massive red «Arena» and throughout both exhibition venues, with musical compositions arranged by artists including Charles Gaines, Jason Moran and Alicia Hall Moran, Jeremy Deller, and Jennifer Allora and Guillermo Calzadilla.

The past 12 months have seen the rise of artist - initiated platforms that extend their influence beyond the white cube, such as For Freedoms, an artist - run super PAC founded by Hank Willis Thomas and Eric Gottesman, and the collective Black Women Artists for Black Lives Matter, facilitated by Simone Leigh.

Tate Britain's director Alex Farquharson has got in early with a reference to Hockney as «one of Britain's Greatest Living Artists»: let's see how many critics follow suit when the show opens next February...

Rather than see herself, as so many female artists did, as failing the call of the avant - garde, she remapped its margins, recognizing that all her labors — both in the studio and in the home — were efforts made to support and preserve life's forward momentum, its future.

She has also authored several books on China's contemporary art scene and its history including As Seen 2011: Notable Artworks by Chinese Artists (Beijing World Publishing Corp., 2012 / Commercial Press 2012) and Nine Lives: The Birth of Avant - Garde Art in New China (Scalo, 2006, Timezone 8, 2008).

This new publication prepares them for the real business of thinking, seeing and living as an artist in the fast - changing contemporary world.

«Entangled Orbits demonstrates the museum's commitment to presenting work by living artists in public spaces and the idea that art should be the first thing you see when you enter the museum and the last thing as you leave,» said BMA Dorothy Wagner Wallis Director Christopher Bedford.

As its European father, the American Impressionism saw different artists gathering and following in its footsteps regarding the depiction of the everyday modern life and the tradition of the en plain air, started with Monet's landscape paintings.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

16 October: Infinite London at The Vaults in Leake Street — This exhibition sees a collective of emerging artists, who were inspired by London as a living, breathing, laughing, screaming entity in its own right.

This exhibition can be seen as a follow up to Rolon's installation «My Mother's Living Room» at Chicago's Museum of Contemporary Art, an exact reproduction of the artist's childhood living room in 1976 where his mother had operated a bootleg Living Room» at Chicago's Museum of Contemporary Art, an exact reproduction of the artist's childhood living room in 1976 where his mother had operated a bootleg living room in 1976 where his mother had operated a bootleg salon.

As a French - Hungarian artist living in Edinburgh, you must have a very rich cultural lens with which you see the world.

These two artists are very different, but their basic message is that painting can be renewed in ways we haven't seen before, whether it is reshaped by Mr. Marshall's erudite meditation on black life in America, or exploded from within, as in Ms. Owens's worldly, encompassing formalism.

One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S. 1, with its fast - paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.

Aliriza's paintings further the living tradition of known motif with her devotion to observing and depicting what is in front of her as the artist along with her approach of seeing freshly the act of painting and the power of direct expression.

And he sees life, like Mike Kelley and other bad boy artists, as a sinister cartoon.

The theme of artists breaking down borders both in their practices and their personal lives unites the diverse works in Tagore's collateral exhibition, but it might also be seen as the impulse driving the New York gallerist's own broader project.

Loic Gouzer, International Specialist declared: With a total of $ 134million and 16 world auction records set for major artists such as Joe Bradley, Dan Colen, Peter Doig, On Kawara, Glen Ligon, Adam McEwen, Richard Prince and Thomas Schutte, and, the If I live I see you Tuesday auction convened works by emerging and established artists who largely exceeded all pre-sale estimates.

Taken between 1983 and 1993, these photographs document a distinct New York era as seen through the eyes of Ai Weiwei, in those years a prominent member of a community of Chinese artists and intellectuals living in the East Village.

Experiencing firsthand both the grandeur of this privately created museum and the impressive scale of the life - size portraits Henry E. Huntington collected, which as a child Rauschenberg had seen reproduced on his mother's playing cards, he understood that becoming an artist could be a viable career choice.2 After his discharge from the Navy in summer 1945 Rauschenberg settled briefly in Los Angeles, eventually relocating to Kansas City, Missouri, in January 1947.

Smith has said that he «thinks in paint» and, to this end, his art can be seen as a vehicle for the testing of ideas and as a form of interrogation, be it about the creative process itself, what it means to be an artist, or the vagaries of everyday life.

Both artists don't flinch from presenting life as they see it, especially in uncensored moments of unpolished realness.

What has «the west» meant to artists, writers, explorers, and how has that translated into what we see in the work of Clyfford Still, in the work of modern artists, the Abstract Expressionists, and maybe, in our own lives, as westerners today?

Calame sees the stains, drips, and drizzles as signs of loss (remnants of past human actions), celebrations of life (the burnt rubber of a victory donut left by an Indy 500 winner), or hubris (graffiti artists» tags).

She first saw their collage - oriented work at the Museum of Modern Art in New York when she lived in the city as a young artist.

This background gave her a special closeness with the other émigré artists of the time — Willem de Kooning and Marcel Duchamp were among her close friends — but she always considered herself American and saw her work as a manifestation of the place where she lived and worked.