Sentences with phrase «see me paint something»

If you have any questions or would like to see me paint something special, please send me a e-mail or leave me a comment.

Please leave me a comment or send me an e-mail if you have any questions or want to see my paint something special.

Please leave me a comment or send me an e-mail if you have any questions or would like to see me paint something special.

Please let me know if you have any questions or would like to see me paint something special.

If you would like to see me paint something special or have any questions, please leave me a comment or send me an e-mail.

Please leave me a comment if you would like to see me paint something special or have any questions.

If you have any questions or would like to see me paint something special, please leave me a comment or send me and e-mail.

Not exact matches

If he needs something to look at, there's a painting of his hero, Christopher Reeve, and a color - copied image of what looks like a photo taken by accident — all you can see is a ceiling, partially in shadow.

So in some of the paintings you can see that I tried to draw in something of the beauty of Islamic art and often poetry, and I think this is kind of motivated by a real desire to somehow express and celebrate the really rich cultural heritage there is in the Middle East.

Hand painting yarn is my art that I create and then I get to see my art turned into something else that is magnificent and from the heart.

Then at the end you can see him wiping off something his feet, maybe water (sweat) soluble paint.

If you've ever painted an old or boring piece of furniture before, you know there's a satisfaction in seeing your hard work pay off when the end result is something truly special and one - of - a-kind.

I have a tall cabinet in my workshop that I painted but after seeing your fish, I want to decoupage something fun and funky on the front.

Something about these shows always mesmerize me — no matter how many shows I've seen before I'm always in awe of how the fireworks paint and color the night sky.

I don't know the color, since it was painted when I moved in BUT I will see if I can find something similar to color match it to and let you all know.

When even though you see some of them every day, there's always something new — a new haircut, a new ding on someone's car, a newly painted wall color following a newly signed mortgage.

, wear something coffee colored, or just wear whatever comes to mind when you see this painting.

Hi what can i do about my kids bunkbeds satin or eggshell paint mixed with chalk i can do touch ups on the bed when i see something wrong or use flat paint and go over with a clear poly finsh which of them works the best i just want something that i do nt have to repeat once a month or ever other year

Some of the superheroes who will be introduced to the viewing audience include Peter Petrelli, an almost 30 - something male nurse who suspects he might be able to fly, Isaac Mendez, a 28 - year - old junkie who has the ability to paint images of the future when he is high, Niki Sanders, a 33 - year - old Las Vegas showgirl who begins seeing strange things in mirrors, Hiro Nakamura, a 24 - year - old Japanese comic - book geek who literally makes time stand still, D.L. Hawkins, a 31 - year - old inmate who can walk through walls, Matt Parkman, a beat cop who can hear other people's thoughts, and Claire Bennet, a 17 - year - old cheerleader who defies death at every turn.

Though it's nice to see Elizabeth Shue back in front of the camera as Lawrence's protective mother, her character is perhaps the most one - dimensional of the bunch (and that's saying something), while just about every scene featuring Max Thieriot is the equivalent of watching paint dry.

Although an artist as a hobby, expressing himself is something that doesn't come easy for Neal with a loving father that tries to paint his son in his own image, an image that Neal doesn't see for himself.

I just had never read anything that painted with such humanity something that I think is typically seen as inhuman.

I just want to see him do something different as right now, almost all of his films have been painted with the same brush.

But when painted - up soldiers emerge from enormous wooden lean - tos and start slashing each other's throats with what looks like serrated ping - pong paddles, that kind of local color lends novelty to something that a lot of action fans will have otherwise seen before.

To use in the classroom: - They can be part of a Spanish art unit - Used for substitute lesson plans - Extra credit activities - Expansion activities for the special ed student (of any spectrum)- Decorations to post on the wall for the parents» night - Well coloured pictures can be used to discuss what is seen, happening / happened, why something happened, why artist wanted to paint this, compare and contrast between artist's other works, classmates choice of colors...

I have seen some pictures of people replacing their OEM valve covers with something aftermarket, usually something painted.

Inside, the SUV's interior resembles a black velvet painting, a superhero's costume, and something you might see at a rave, depending on where your eyes land.

It's partly due to the flat gray paint, which is not something you see every day, and it's also due to the menacing look this thing gives off.

EINHORN: «This is something that we see in a number of these types of positions, where when there is an effort by a management team to promote the stock they go and get a large number of insiders to make what we call nominal purchases or to use a term of art to «paint the tape.»

You can tell it's something quite special from the moment you enter and see the lobby's pretty vintage tiled floor, bookcase of antique documents and hallways full of old black and white family photos and colourful painted portraits.

The paintings are highly regarded for their vivid colors, which is something rarely seen at other Mayan sites.

I agree with you, back then games were constantly evolving and devs were coming up with new and interesting game mechanics and sub genres to keep you interested, and you were genuinely excited to see a sequel because you knew it was going to at least add something new and interesting to the mix, now devs are so afraid of loosing the fanbase most sequels are the same game with a new coat of paint and setting.

- character creation lets you choose skin color, face, eye color and haircut - later in the game you can get glasses, pants, shoes and other stuff - start off by meeting Tom Nook and his posse of Happy Home employees - this includes Lyle the Otter and Digby the Dog, who give advice and help to keep the game moving forward - Lottie the Otter is Lyle's niece and handles the front desk in the game - she welcomes you every time you boot up the game and tells you what to do next - gameplay starts off with placing furniture, but quickly evolves into something more - place a house on the world map and cycle through seasons to see what you like - house can modified with different roofs, doors, colors and more - every animal unlocks new furniture for you to use - completing a lot of requests is vital to getting a lot of content - characters will react to everything that you place and remove in the house - three pieces of furniture must be in or outside of the house and these need to implemented into the final design - if you don't follow this rule, your animal customer will not approve - add wallpaper, carpets, lamps, signs, music covers, paintings and much more - by completing special objectives in the office, which you pay for with Play Coins, you can even expand the feature set - set background sounds, choose curtains, change up furniture, display fossils and get a bigger variety of fish and paintings.

I might drop the real colour of the object in favour of something I want instead; so, for example, a cloth that might be blue ends up being something quite else in the painting... Everything I do is related to something out there, but I usually have an idea for a painting before knowing how the seen thing, the motif, can be used for making the painting.»

I thought that Art Tutor didn't allow us to use digital images, and to be honest, I think that using something like this is not all that far from going digital... As far as Dragongirl's comment that she was sure Phil did not mean us to use this tool to make our paintings look better than they actually are in «real life», well, just look at his demo of how to use Pixlr and see how much better the cropped, colour enhanced, brightened, pictures look at the end compared with the «original» photos and it's obvious they are different (otherwise why go through the process if not to make a difference) AND they have more impact, i.e. are BETTER than before.

Seeing the way light bounces off high and low points on a painting as you shift your view is something that will be hard to reproduce, although eventually I think we'll get there.

«Any kind of formal invention in the work of black artists was seen as, if not second rate, then something done the second time around,» says Odita, noting that Clark laid claim to making the first shaped painting — before Frank Stella — and that the king - making art critic Clement Greenberg regularly visited Bowling's studio but never took the opportunity to write one word in support of his work.

Of course there is the complication of seeing a painting and seeing something as a painting, which I'll leave to one side.

FAIRFIELD PORTER: Well, for one thing they see something that is hard for the person who's painted it to see.

They see a great painting, like one of your paintings next to something like text art or video and it's a totally different feeling.

The odd perspective of Untitled (Tennis players)(1945) owes something to Marc Chagall; and the marvelous Landscape in Hangzhou (1946) is, in effect, Southern China as seen by Paul Cézanne (both paintings were made in China).

PAUL CUMMINGS: I don't think I've ever seen any finger paintings like the nudes or something like that.

Here was an only vaguely known, or for many of us a previously unheard of, German artist who, in works dating from 1972, had brought off with great confidence something similar to what one was seeing, and being excited by, in the new American paintings by, among others, Julian Schnabel, David Salle, Carroll Dunham, and Terry Winters.

A crack of synesthetic thunder sounded inside me as I felt the cold, hard marble through my shoes, grasped the lightness of the canvas by comparison, and came to terms with an artist bypassing Serra's fearsome weight and brawny power; finding essences between painting and sculpture, perception and experience, I crossed a delicate line between something I'd never seen before and something I already feared I'd never see again.

The impulse to paint or sculpt what we see as reality is actually irrelevant to the current zeitgeist — finding something perpendicular to that impulse is where our culture should be going.

Some painters endure critical and marketplace neglect for all or most of their careers, but if they're painters» painters — if other painters see something in their work that changes the way they look at painting — they'll eventually get their due.

Conversely, I once saw a very small painting by Jake Berthot, a pocket - book - size picture that was a complex layering of different greys with some wonderful reds breaking through the field and also at the edges of the canvas — it seemed like I was looking at something almost infinite in its dimensions.

Critic Helen Sumpter suggests in her recent essay on Gabb: «It's almost as if Gabb had taken something of the cool colour field paintings of Barnet Newman and turned them into something like the gestural action paintings of Jackson Pollock... These extraordinary artworks could also be seen as somewhat flighty but if they've become sculpture, paintings should at least stay fixed in their final form, shouldn't they?

Out of the corner of his eye he will see something that catches his fancy and inspires him to paint.

There were others that had never been stretched, and that she saw differently after so many years: at the time, maybe she'd thought the painting hadn't worked, but looking back she realized there was something there.