Sentences with phrase «see more of her work published»

It's great to see more of her work published in English and I've always enjoyed her short story collections the most.

Not exact matches

When Jason Boyett and I realized we had both written memoir - style books about our experiences with doubt to be published byZondervan in the spring / summer of 2010, we decided to team up rather than compete — an arrangement that has probably worked more in my favor than his, seeing as Jason's already published a shelf - full of books and has earned a reputation for being one of the industry's most thoughtful and humorous voices.
When I first saw the title of this book I assumed it would be a pamphlet along the lines of those very useful booklets published by the Catholic Truth Society, setting out Catholic doctrine in simple terms for the interested reader without the time or inclination to read more weighty theological works.
Years ago when we published our Behind the Diapers article series we focused on makers of cloth diapers... However as the cloth diaper industry grew we saw small makers have become larger manufacturers, thereby allowing more work at home (WAHM) cloth diaper retailers to enter in the marketplace.
Whilst we are seeing more and more activity though our IPR License platform, a continued frustration remains that far too many authors with highly marketable international works continue to miss out having their work published across a range of international territories.
(cont'd)- I'm giving away hundreds of listings on the Vault, and as a result of doing so, won't see one thin dime of income on the site until October or later - Given all the time and money I've already sunk into developing the site, I don't even expect to earn back my upfront investment until sometime next year - I'm already personally reaching out to publishers on behalf of authors who are listed in the Vault, on my own time and my own long distance bill, despite the fact that I don't stand to earn so much as a finder's fee if any of those contacts result in an offer - I make my The IndieAuthor Guide available for free on my author site and blog - I built Publetariat, a free resource for self - pubbing authors and small imprints, by myself, and paid for its registration, software and hosting out of my own pocket - I shoulder all the ongoing expense and the lion's share of administration for the Publetariat site, which since its launch on 2/11 of this year, has only earned $ 36 in ad revenue; the site never has, and likely never will, earn its keep in ad revenue, but I keep it going because I know it's a valuable resource for authors and publishers - I've given away far more copies of my novels than I've sold, because I'm a pushover for anyone who emails me to say s / he can't afford to buy them - I paid my own travel expenses to speak at this year's O'Reilly Tools of Change conference, nearly $ 1000, just to be part of the Rise of Ebooks panel and raise awareness about self - published authors who are strategically leveraging ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow authors.
In a post on her blog, publisher Jane Friedman said that authors can stop thinking of social media like work if they see it more as a form of publishing.
The biggest problem, as I see it, is that the community itself needs to be more accepting of all authors — big press, small press, self - published, aspiring — and understand that we aren't a threat to one another, that we all work toward the same goals.
I'm fairly certain I'll self - publish some of my stories because I don't see them fitting into agents / editors concepts of genre, but I'm not in a hurry to do so while I'm working on some of my more commercial work.
She wrote her first novel, Cover Her Face, the first in the Adam Dalgliesh series, on the train to and from work It was published in 1962 For a more complete biography of P.D. James and more quotes, please see this week's quote.
If iBook takes off and more and more writers start publishing their works on iBook instead of going through the normal channels, we could be seeing a total shake up of the industry.
It's about how you are going to market and sell books, so you can reap those returns and work towards elevating your author brand, turning your passion of writing and publishing books into more than just an expensive hobby, but a venture that sees income return.
I say this not to be negative or downplay what you're saying, as I've seen it work for lots of writers, but only to broaden the point that not everyone is capable of that upfront investment, and as hopelessly impatient I can be at times, this is an issue than «just writing more books» will not solve regarding indie publishing in the big picture sense.
While this may raise some eyebrows from people who are concerned about the ethics of working with two distinctly different types of authors, most of Red Adept's clients for both traditional and self - publishing assistance know before they contact the company which route to publication they plan to follow; more and more authors are heading into their writing careers seeing either route as a viable option.
She wrote her first novel, Cover Her Face, the first in the Adam Dalgliesh series, on the train to and from work It was published in 1962 For a more complete biography of P.D. James and more quotes, please see this...
My friend also can see the value of indie publishing other work and had planned to write some extra material to indie publish, not only to make more money and have more fun writing, but to support the traditionally published books which were coming out one per year.
As I close in on 50 novels published, I don't think I'm suffering from a lack of my work being available, so see no reason to kill myself on more than a novel every quarter, which in trad pub circles would be considered near miraculous, and for me would be a vacation.
Hi - We specilaise in Ebook self publishing - which is a great way of earning extra revenue from your writing and also making sure more eyes see your work even when browsing the net.
I have seen more and more self - publishing authors promoting the works of others on their websites and even trailers or a «snag - chapter» at the close of their ebook.
«Not too far in the future, the author comes to the Pubslush site,» Ioannou says, «gets a checklist of the steps that the book needs; gets to choose an editor who has lots of experience with that kind of book or a young editor just starting out who will do the work more cheaply; sees samples of the work of a lot of cover designers and picks one; sees an array of publishers who might be interested in publishing the book — or gets various options to self - publish; and gets help to pay for it all» with crowdfunding «or can just pay for it all on the spot if that option appeals more
I would love to see more indies experiment with the content creation process and how they build an audience for their work before publication... less of the «how» we publish.
An increasing number of self - published writers with smaller but enthusiastic audiences are attracting more readers and seeing income directly in their pocket from their efforts, though the work of self - promotion and marketing is constant.
And as authors become more accustomed to testing and choosing various options, I think we'll see some of the collectives and consortia I've been looking forward to — in my mind, chances for like - minded authors to band together and hire the publishing support services they need to produce and manage their work.
Now that I've worked in commercial and independent publishing for a good stretch of time, I can see why control is actually far more important for authors than I would have ever guessed.
The growth of e-books as a business is going to see a lot more firms come into this arena, and the sheer volume of self - published books will draw a lot of them to working with indie authors.
My agency specializes in hybrid authors, authors who have some works traditionally published and some self - published or with small e-book first presses, so we tend to see more of the new ways authors are telling their stories.
2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?
I expect much more work like this in the future, but I have not seen one published in the peer - reviewed literature since R. L. Smith, «Extreme value analysis of environmental time series: An application to trend detection in ground - level ozone (with discussion)», Statistical Science, 1989, vol 4, pp 367 - 393.
For a survey of scientific opinions, rather than the published work, see Doran 2009, whose survey found that among scientists who had more than half of their recent work on climate (i.e., who are actively researching the matter), 97 % agreed that:
To others, the work of academics will be seen as an unwelcome challenge to the established order, i.e. still more back seat drivers, some without first hand publishing experience, engaged in second guessing the decision makers in an industry that is being overwhelmed by the forces of change.
a b c d e f g h i j k l m n o p q r s t u v w x y z