Sentences with phrase «see more of your work later»

I love the opening painting you've shared here and I hope to see more of your work later — no pressure, no pressure!

Not exact matches

Wieman introduced Whitehead's works at the University of Chicago Divinity School, but later broke from the British philosophers metaphysics in favor of what he saw as a more thoroughgoing empiricism.
Jeremy have been asking the holy spirit for his help with this and in regards to the lame man that Jesus healed I do nt believe that sin was the issue for him just like the blind man was it his parents or did he sin the answer was neither but so that God would be glorified.What was the sin that may have been worse for him.The two situations are related of the woman caught in adultery the key words being go and sin no more only two references in the bible and will explain later the lame man we see at first his dependency on everyone else for his needs he cant do it he is in the best position to receive Gods grace but what does he do with it.Does he follow Jesus no we are told he goes to the temple and Jesus finds him now that he has his strength to do things on his own what his response to follow the way of the pharisees that is what is worse than his condition before so he is warned by go and sin no more.We get confused because we see the word sin but the giver of is speaking to him to go another way means death.Getting back to the two situations of the woman caught in adultery and the lame man here we see a picture of our hearts on the one our love for sin and on the other the desire to work out our salvation on our terms they are the two areas we have to submit to God.My experience was the self righteousness was the harder to deal with because it is linked in to our feelings of self worth and self confidence so we have to be broken so we are humble enough to realise that without God we can do nothing our flesh hates that so it is a struggle at first to change our way of thinking.brentnz
There is a more theological way to put this» a way suggested by the work of the French literary critic turned American theologian, René Girard, whose latest book, I See Satan Fall Like Lightning, is as clear and systematic a primer to his thought as he has yet produced.
Her own sympathies, at least with respect to causation, focus upon Whitehead's early philosophy of nature: «I now find myself distanced from his later writings, but increasingly sympathetic to the middle ones [e.g. SMW], especially as he was working towards a generalized notion of «organism,» and when his «passage of nature» could be seen not as one datum after another, but as a pattern - forming and pattern - sustaining process which could support a dynamic view of a causation underlying more restricted kinds» (CE vii).
Wanting another striker might have more to do with Welbeck than it does Giroud but up until this latest spell from Giroud prolific isnt a word i would describe to him, hard working clever and a good standard of finishing is how i seen him before coming back.
«The latest polls are welcome indications of the strong backing for the SNP we are seeing in communities across Scotland - while Labour are continuing to pay the price for working hand in glove with the Tories during the referendum, and lining up with them at Westminster to vote for more cuts.
Due to the fact that it is considerably smaller than the Assembly, the Senate tends to work a lot more quickly, and has fewer late nights — though it certainly has seen its share of epic debates, thanks to Sens. John DeFrancisco and his verbal sparring partner, Liz Krueger.
Although given how one side handles the truth, it is not clear that that would be more convincing than classical journalistic work (see eg the inaugural crowd controversy, or the denial of the «grab them» comment or various other documented (via video / audio / tweet) cases where Trump said something only to deny having said it later).
It's my last semester of college, and between the seven classes I'm taking in order to graduate, work, a side job (more on that later), job hunting, this blog, and trying to make the most out of my last semester with all of my friends here (some of whom I'm not sure when I'll see again after graduation), I'm struggling to stay sane.
Lovely coat — I wish you'd styled it more formally since I think most of your readers who would be interested in this coat would probably be using it for work / more professional events (II feel like a trench with sneakers is wrong somehow) so I'd love to see more pics of this later this fall!
About a month later I saw her profile again and for the heck of it I wrote to her and said, «If it doesn't work out with that guy read more >>
Our latest video in our 10 Things series looks at one of Allen's more acclaimed but lesser seen works — Sweet And Lowdown.
In some ways it plays like a sardonic post-script to their great success, The Third Man, in others a transition film between the gritty but heroic espionage thrillers of the forties and fifties and the far more ambivalent and skeptical work of John Le Carre, as seen in The Spy Who Came in from the Cold just a few years later.
Armie Hammer has been working his clean - cut golden boy looks to his advantage in The Social Network, J. Edgar, and the upcoming Mirror, Mirror, but the latest addition to his slate will see him transforming into a bit more of a «badass.»
Co-written and directed by David Greenwalt, who would later do mostly television work for teen series such as «Buffy the Vampire Slayer» and «Angel», this is a smart and energetic film that, despite some of one of the more contrived premises you're ever likely to see, manages to succeed by keeping the story constantly moving and changing, and actually do it with some wit.
Take the cultural cues in his work: the Rockwellian Americana he essays in Blue Velvet; the Bauhaus by way of Antoni Gaudi of Dune; or the late - Hitchcock identity puzzles he rejiggers in Lost Highway and Mulholland Drive — both commonly seen as satires of what they represent but more accurately described, perhaps, as simple, uncommented - upon representations of what a lower layer of consciousness might consider to be unadorned gospel.
That desire to not fall behind on my work came at the expense of some movies I missed this year that I had wanted to see... but perhaps we can talk more about that later.
The latest survey saw a big drop in the proportion of teachers who agreed to respond, raising fears that those who were working the longest hours might be more motivated to reply.
Taking a look at the latest numbers available, courtesy of Mike Antonucci, we see that the National Education Association lost 42,000 active members in 2013, «bringing the union's total losses among working public school employees to more than 310,000 (10.7 %) over the past five years.»
They will squirm a little with the 1963 late adolescents talking and experiencing life like late adolescents; they will come to appreciate the underside of Soviet / Russian life as experienced by more - or-less ordinary people, who also tell bad Russian jokes; they will learn perhaps more than they ever knew of the way advertising works in international contexts; and will come to see how they, too, are bounced along the edges of history.
(cont'd)- I'm giving away hundreds of listings on the Vault, and as a result of doing so, won't see one thin dime of income on the site until October or later - Given all the time and money I've already sunk into developing the site, I don't even expect to earn back my upfront investment until sometime next year - I'm already personally reaching out to publishers on behalf of authors who are listed in the Vault, on my own time and my own long distance bill, despite the fact that I don't stand to earn so much as a finder's fee if any of those contacts result in an offer - I make my The IndieAuthor Guide available for free on my author site and blog - I built Publetariat, a free resource for self - pubbing authors and small imprints, by myself, and paid for its registration, software and hosting out of my own pocket - I shoulder all the ongoing expense and the lion's share of administration for the Publetariat site, which since its launch on 2/11 of this year, has only earned $ 36 in ad revenue; the site never has, and likely never will, earn its keep in ad revenue, but I keep it going because I know it's a valuable resource for authors and publishers - I've given away far more copies of my novels than I've sold, because I'm a pushover for anyone who emails me to say s / he can't afford to buy them - I paid my own travel expenses to speak at this year's O'Reilly Tools of Change conference, nearly $ 1000, just to be part of the Rise of Ebooks panel and raise awareness about self - published authors who are strategically leveraging ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow authors.
A second volume of Black Sun, released as a one - shot with a very open end by 801Media, is not currently being worked on by the artist so no way of saying if a second volume will ever actually exist for release though in more positive news, the second book of Close the Last Door by Yugi Yamada should see publication in late 2010.
If you hesitate waiting to see if it is going to work out then your entry is later and you will have to hold through more of a pullback if price retests the neckline.
Now after two days he held his head up, stuck his tail up and by Tuesday he was moving around.I kept him on Clavamox for a week just in case he was getting a cold.I was also putting fluids under his skin several times a day.One week later Friday the 31 st.he was eating up to 5cc of milk.He only weighed 2 oz.on the vets scale and 4 oz.on my scale.Today November 16,2008 my husband has named him Beetle Bug and he is 6 weeks old Monday November 17,2008, and only weighs 5 oz.He walks, plays, pees and poops on his own.Why he even has his teeth coming in.I took him to show the vet and I saw a huge smile on his face.I just wanted to thank him for taking the time to show me how to tube feed a puppy his size as I felt more at ease now doing it.I was just afraid to try it.He told me he didn't think the puppy would make it, and told me I was the one who saved him, not him.I believe Jesus sent me to him that day for the vet to show me how to tube feed; for if I ever was in that situation ever again.And I believe it was Jesus working through me that saved that puppy.The part of this story and hopefully it might save a puppy out there someday is Never give up.Remember Heat is the most important factor.Get your puppy warm and it might save their life.
That working holiday visa opened my eyes to the world of travel and, 5 years later, I'm even more crazy about seeing the world than I was back then.
- after the remakes of Terry's Wonderland 3D and Dragon Quest Monsters 2, Yuji Horii asked the team what should be next - the choices were Caravan Heart (GBA), a professional version of Dragon Quest Monsters 2, or a brand new game - the staff made the plot together with Takeshi Uchikawa (who is currently directing Dragon Quest XI)- the suggestion was to make the theme become something catchy, which lead to a science fiction vibe - Horii said «anything's alright as long as it's interesting» - the creation of the Dragon Quest Monsters: Super Light helped build Joker 3 - fan feedback from the mobile game was used, which lead to monster stats being seen - the Reactor device lets you easily see all the things that occur on the field - the team had some trouble bringing together the ridable monsters aspect of the game, but eventually worked it out - the full game starts off with monsters that players can ride on land - you'll eventually unlock sea, air, and multi-jump land rising monsters - a «Big Air ride» was teased as well - by clearing the story, features will be unlocked that further modify monsters such as abilities and changing their sizes - Stealth Boxes which can not be found without using the Reactor only contains useful items that are optional - compulsory items that are needed to be found with the Reactor are placed in non-stealth locations - accessories can strengthen monsters, but monster strength is mainly determined from raising and combining them - features more offense - related content in the form of new spells and skills - new water - type spells are included - new skills added enable more detailed adjustments in versus, adding more strategic features - one of the items that can be bought with Communication Coins has the same effect with «Key of Encounters» - this lets players recruit monsters a bit more easily they've befriended before - since Communication Coins can only be obtained from multiplayer battles, it's completely optional - people who still do StreetPass but don't want to do multiplayer battles can still get them by combining monsters - DLC monsters are planned to be added regularly post-release until around Golden Week (April 29 — May 5)- - A national tournament is also planned, with more details coming later - carryover feature from Dragon Quest Monsters 2 that comes into play after the ending - players can bring up to 10 monsters which are ranked A or below from DQM2 to DQMJ3 each day
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
James Johnson Sweeney, chief curator of the Museum of Modern Art, who had organised Calder's retrospective in that institution in 1943, later noted: «1945 saw him once more working sheet metal, wire and wood as he had for so many previous years, but now with a new grace and a fresh treatment of pierced planes made to swim lazily horizontal.
Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).
It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9
If a vibrant life force can be found within Still's compositions, then this work is more like a weak, flickering flame of a candle than the roaring fires we see in his later works.
Below you can see more of his etchings or visit Thomas Amerlynck's website to see his latest work: www.thomas - amerlynck.
Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.
Luciano Fabro thrived in works that treated sensibility and seeing as symbiotic.His later and more mature pieces may have employed sumptuous materials such as silk, marble and bronze, but the works of this latest show incorporated experimental artistic poetry that eventually turned out to be the creative roots of the man's near five - decade - long career.
See more of D'Elia's work on his personal website, or catch the latest show in the unusual curving space at Rome's Ex Elettrofonica.
Taste comes in to play in the bulk of the exhibition, which explores the acquisition of these works in Venice, their circulation in culture of grotesqueries (fascinating to see an engraving by Raimondi, more famous for his copies after Michelangelo, adorning two sleeping nudes with tiny beasties), as well an gradual influence on later Venetian painters who also sought out extreme, fantastical effects.
Roughness of texture and imperfect finish were qualities that were employed by both sculptors and ceramicists at this time, and half a century later, the works can be seen to be much more alike than was appreciated at the time.
At the end of 20th century, Grotjahn started to focus more on the investigation of the radiant motif in his work, which can be seen in his later Butterfly paintings.
Before heading off to the Guggenheim to see Robert Motherwell: Early Collages, drop by Jacobson's New York gallery for a more intimate view of the artist's later work.
[6][6] For Homer's influence on Marin, see Bruce Robertson, Reckoning with Winslow Homer: His Late Paintings and Their Influence (Cleveland, OH, 1990), 149 — 153 Marin's Maine seascapes have also more recently come to be understood, as they had been at the time of Marin's death, in the context of the works of the abstract expressionists.
We can see Martin working out a direction which we later see her working through for the rest of her career, which started with found sculptures of New York detritus and fascinating small paintings of lines, dots and marks; more fluid and sketchy than we expect of Martin, but they are still identifiably hers.
For example, first work on preventing catastrophic climate change, and use the research from that to address the more general problem of getting shaved monkeys to worry about threats they can't see that will kill them in the impossibly far distant future (viz, later than next fiscal quarter).
In other words, while we TreeHuggers might all love to see a universal carbon price implemented tomorrow, we might be better off laying the ground work with support of specific industries and sectors of the economy that will later generate political will for more wholesale change.
(and because the facts are rarely shared, and if it's on fact, I'd like to see more exposure of it: game devs tend to know (under confidentiality) the facts of the games you personally worked on, and the competitors facts you know only from getting drunk together at GDC and all sharing them late at night in the hotel bar — and that's something I'd like to see converted into some rather more open sharing:)-RRB-.
I saw an early version of Nest Cam support on the Lenovo Smart Display, and Google is planning to work with more third parties later this year.
The development team behind WhatsApp is working hard to make the Group feature work better, more private and less of spam for a long time as can be seen in their latest versions 2.18.83 and -LSB-...]
So on The Vergecast, Nilay, Dieter, and Paul go over the first impressions of Samsung's latest product and what the pricing will mean for future smartphones.Next up, Loren Grush returns to the show to talk about the second episode of Space Craft, as well as her experience seeing the eclipse this week in Nashville.There's a lot more in between, like Android Oreo's name announcement, Verizon's new unlimited data plans, and some new smart speakers on the horizon, so listen to it all and you'll get it all.02: 43 - Note 8 specs and features17: 06 - Apple reportedly planning $ 999 price for new iPhone26: 36 - How I outran clouds to get the perfect eclipse photo with Loren Grush34: 12 - Space Craft episode two with Loren Grush44: 34 - Android O is now officially Android Oreo47: 40 - Google may take on the Echo Dot with a mini Google Home51: 26 - Samsung confirms it's working on a smart speaker52: 13 - Paul revisits Intel's new chip announcements57: 41 - Verizon's good unlimited data plan is now three bad unlimited plans1: 09:38 - Paul's weekly segment «YotaPhone 3; still Yota - ing» 1:12:07 - Apple TV is losing badly to Roku and Amazon in the living room, survey finds1: 13:28 - iOS 11 Safari will turn Google AMP links back into regular ones when sharing1: 19:34 - Nikon's new D850 has 45.7 megapixels and enough features to tempt Canon shooters
But notably, the buyer's manual claims that «the PTR token will work on the chain of NEM blocks» during its pre-sale, referring to the blockchain network launched in 2015 that saw more than $ 500 million of its cryptocurrency stolen from exchange platform Coincheck in late January.
We should see more NEON elements work their way into Windows 10 over the coming months as we approach the release of the next major update later this year.
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