Sentences with phrase «see objects behind»

Shift into reverse, and the display helps you see objects behind the car that might not otherwise be visible.

Not exact matches

Look closely and you'll see shadows behind various objects in the environments, as if they are cardboard cutouts.

UNILEVER, the company behind brands such as Walls ice cream, Knorr and Dove, has given commitments to the Scaling Up Nutrition (SUN) initiative on breastfeeding that are being seen in a different light following an advertising campaign supporting those who object to breastfeeding in public in the UK.

In movie theatres, the eyes need to focus on the screen itself to see objects in focus, but the 3D effects can force the viewer to try to focus several metres in front of or behind the screen instead.

While there is general consensus that the ability to imagine a never - before - seen object or concept is a unique and distinctive human trait, there is little that we know about the neurological mechanism behind it.

Instead of seeing the object, an observer would see what was behind it.

These two drifts across the solar system meant Jupiter crashed through the asteroid belt twice, mixing asteroids that had formed either side of its original orbit and leaving behind the well - mixed objects we see today.

Any attempt to see through this retina is only successful as long as the object behind it is in the closest proximity to this tissue, clearly indicating strong interaction of light with the tissue, that would not occur in a truly transparent medium, such as the homogeneous and isotropic vitreous humor (Fig. 1, right).

We often see objects on Disk Detective that consist of an otherwise dust - free star that just happens to be in front of (or behind) and unrelated blob of interstellar dust.

The idea behind the Odd Object Training is to get him better prepared for the altercations he sometimes sees in his job.

Players can move back forth enough to see behind objects and characters in the room.

Added to that we also see the same motion blur effect on PS4 as before, with moving objects producing an unusual banding behind them - while Xbox One's blur is more refined.

Solondz is the bamboo splinter beneath the fingernail of that shame — his manifesto lies in the decision to confront the ultimate causes behind our embarrassment with fetishism, our horror at the recognition of racial difference (suggested by George Bush Sr.'s boldly insane, «I don't see colour»), and our inability to treat people with physical disabilities as anything other than children or objects of pity.

Its rear vision camera allows you to see stationary objects behind you to eliminate chances of collisions and so that nothing misses your eye.

Conequence: If the back - up camera is inoperable, it may be more difficult for the operator to see people or objects behind the vehicle, increasing the risk of injury or crash.

The research showed that cameras are more effective at helping drivers avoid unexpected objects than parking sensors (see «Preventing driveway tragedies: Rear cameras help drivers see behind them,» March 13, 2014).

REARVIEW MONITOR Offered as part of the S Convenience package, the RearView monitor allows the driver to see objects directly behind the vehicle yet out of the sight of the rearview mirror.

Unless you watch the backup display continuously, you may miss a child or animal that darts behind the car, or you may be watching and not see a currently animate object if there's sun glare, or if it's dark and the back - up lamps aren't very good.

The lock screens are beautiful, and you can't help but move your head to peer around the objects, like a fountain pen, to see what's behind them.

If I were walking my greyhound and it saw a fluttering bag or rodent or little dog, would it quickly bolt dragging me behind or would it ignore the object and stick by my side?

However that said, if you really could turn your head to the side and still see what is on the side and behind the object, then we would have a real game changer like the GBA - > DS transition.

But I need to address once again the importance of getting behind the story and the characters to see why this might not be too short of a game after all when you realize what you are left with as the game ends, and how much small environmental objects and characters you can interact and play with, and hopefully you get the same feeling I personally got.

Just as one example, I'd like to have seen the overall real - time combat experience get tightened up a bit: the fact that the characters can only take cover behind certain objects is sort of an unnecessary limitation, and the aiming and collision detection just feel a little dated by comparison to more modern games.

To coincide with Cornelia Parker's latest exhibition, we'd like to see photos of objects close to your heart and the stories behind them

Kunsthalle Winterthur, Winterthur, Switzerland (2016); Fashioned to a Device Behind a Tree, Camden Arts Centre, London, UK (2015); Drawing Biennial, Drawing Room, London (2015); Cathedral, AV Festival, NGCA, Sunderland, UK (2013); PROJECT, Maureen Paley Gallery, London, UK, (2013); Curiosity: Art & the Pleasure of Knowing, Hayward Touring UK (2013); Alternating Layers of Contrasting Resistance, Rowing, London, UK (2013), Solo Presentation, Art Rotterdam, Rotterdam, The Netherlands (2013), The Little Man of the Forest With the Big Hat, Federica Schiavo Gallery, Rome, Italy (2013); Cyclorama, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico (2013); Relatively Absolute, Wysing Arts Centre, Cambridge; The Little Man of the Forest With the Big Hat, MCZ - Museo Carlo Zauli, Faenza, Italy (2012); An Arrangement of the Materials Ejected, Spacex, Exeter (2011); To See an Object to See a Light, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy, (2011); Vedere un oggetto, vedere la luce, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy (2011); Sentinel - PPS / / Meetings # 4, Palazzo Riso — Museo d'Arte Contemporanea della Sicilia, Palermo, Italy (2011); SI - Sindrome Italiana, Le MagasinCentre National d'Art contemporain de Grenoble, France (2010); Catastrophe?

Fictive Kin presents works by three contemporary artists who all construct photographic tableaux, and are united by their cultivation of modes of seeing that question conventions behind the photographic representation of three - dimensional objects.

The creative studio Flying Object is behind the Sensorium, which emerged from discussions about how different people see things in different ways.

``... the material object, just because of the multitude of unperceived elements by which it is linked with all other objects, appears to enfold within itself and to hide behind it infinitely more than it allows to be seen.»

Kunsthalle Winterthur CH; Teleonomy, Cafe Oto, London UK (all 2016); Fashioned to a Device Behind a Tree, Camden Arts Centre, London UK; The London Open 2015, Whitechapel Gallery, London UK; Une Taxonomie des Sens et des Formes, Centre d'art contemporain La Halle des bouchers, Vienne FR; Project 09: Salvatore Arancio, Contemporary Art Society, London UK; The First Humans, Pump House Gallery, London UK (all 2015); Birds, Cinéphémère, FIAC, Paris FR; The Hidden, Ensapc Ygrec, Paris FR; Cathedral, AV Festival, Northern Gallery For Contemporary Art, Sunderland UK (all 2014); Curiosity: Art & the Pleasure of Knowing, Hayward Touring UK (2013 - 2014); Cyclorama, Museo Tamayo Arte Contemporáneo, Mexico City MX (2013); The Cosmos, Wysing Arts Centre, Cambridge UK (2012); An Arrangement of the Materials Ejected, Spacex, Exeter UK; Vedere un oggetto, vedere la luce / To See an Object to See a Light, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba IT (both 2011); SI Sindrome Italiana, Magasin - Centre National d'Art contemporain de Grenoble FR; Catastrophe?

Although I could see the attraction in terms of how to deal with architectural space and sweeping gestures that would bring fragmentary objects together as one coherent pictorial unity, I'm curious what other impulse is behind it?

The result is an uncanny object, a face reminiscent of ones often seen behind the glass of museum vitrines, yet utterly new.

«Aesthetically, the driving force behind the creation of works I make stem from a need to see and imagine objects, machines and environments in a way I'd like to see them, to imagine how I think they work and expose their inner workings,» said Agdag.

Acrylic will bring layers of transparency, so you can see what's behind an object.

«We took those sheets, and we put them in front of everybody so they weren't seen, because they were behind a solid object and the Kevlar would slow the bullet down,» Haab told CNN.

«We took those sheets, and we put them in front of everybody so they weren't seen, because they were behind a solid object and the Kevlar would slow the bullet down,» Haab told CNN on Thursday.

And although you may like the high seating, it can be difficult to see objects immediately behind you.

The way a collection of white dishes look all piled behind a glass cupboard, the way a reading chair can invite you in to a moment of solitude because of the way it positioned in a room, the beauty of simplicity when you see a pleasing arrangement of beautiful objects on top of a console table, the joy of a burst of color in a mostly neutral room.