Sentences with phrase «see objects in space»

About 150 tiny reflective beads are held together by laser light, forming this arrangement (inset) that can act as a mirror to see objects in space.

Not exact matches

Let's see, hmmm, even if I didn't have to pay for it or the cleaning of it with my tax dollars, I would object to any monument to any religion being placed in a public space that I pay to keep clear for my and others use.

In a few thousand years of recorded history, we went from dwelling in caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERIn a few thousand years of recorded history, we went from dwelling in caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERin caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERin their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERE.

If an object is massive enough, it can actually create detectable gravitational waves, or ripples in space - time, which scientists saw for the first time earlier this year.

Seeing Red Astronomers think MU69 is part of this cold classical population because of its location in the solar system and because its reddish hue matches the Hubble Space Telescope's catalog of thousands of other such objects.

The Red Square nebula ranks among the most symmetrical objects ever seen in space.

«We think we are seeing the collective light from millions of the first objects to form in the universe,» explains Alexander Kashlinsky of the NASA Goddard Space Flight Center, who details the finding in the current issue of Nature.

The Hubble Space Telescope's «Ultra Deep Field» reveals about 10,000 objects in a tiny patch of sky, including some of the most distant galaxies ever seen.

«About a third of the gamma - ray objects seen by Fermi remained unknown in the most recent catalog, and this result represents an important advance in understanding their natures,» said David Thompson, a Fermi deputy project scientist at NASA's Goddard Space Flight Center in Greenbelt, Maryland.

«From 423 miles in space, we'll be able to see an object the size of home plate on a baseball diamond,» says Brender.

Another, much smaller effect is gravitomagnetism, or frame - dragging, in which the spin of a massive object tugs space - time in the direction of its rotation, like a spoon twisted in honey (see «A twist in space - time»).

Astronomers harnessing the combined power of NASA's Hubble and Spitzer space telescopes have found the faintest object ever seen in the early universe.

For example, NASA's Spitzer Space Telescope, which launched in August, can see an object the size of Pluto located a few hundred astronomical units away [one astronomical unit is 96 million miles — the distance from the Earth to the s Sun], and Spitzer can detect a planet the size of Earth out to about 1,000 astronomical units.

Images from the Deep Space 1 spacecraft show that Comet Borrelly is the darkest object yet observed in the inner solar system, and several spots on its surface are blacker than anything planetary scientists have ever seen.

«Micro-scale 3D models are an important tool for many areas of science, but for most micro or nano - scale objects only a portion of the object can be seen in the field of view,» says Gopala Mulukutla, a research scientist in the Institute for the Study of Earth, Oceans and Space at UNH and the study's lead author.

Most telescopes capable of seeing a dim object at such distances, such as the Hubble Space Telescope or the 10 - meter Keck telescopes in Hawaii, have extremely tiny fields of view.

Not only were the objects near the ecliptic at perihelia, but their perihelia were physically clustered in space (see diagram, above).

All groups who exercised saw some benefit, and those who exercised more saw more benefits, particularly in improved visual - spatial processing — the ability to perceive where objects are in space and how far apart they are from each other.

At 7:41 a.m. local Livingston time that morning, the Fermi Gamma - ray Space Telescope, LIGO Hanford and the Virgo gravitational wave detector in Europe had all detected two incredibly dense objects called neutron stars smashing into each other — an event some astronomers thought they would have to wait years or even decades to see.

The answer actually applies to many subjects studied in physics and deep - space astronomy — when you can't observe something directly, or you can't explain something you are seeing, you make educated guesses based on what you do see: the effect on other objects.

Until its fiery landing in the Pacific Ocean in Mach 2001, the MIR space station was one of the largest objects orbiting the planet, so large that it was especially easy to see — if you knew what you were looking for.

«TMT is quickly developing the technologies that will enable it to see distant objects in the Universe as clearly as if the telescope were in space,» said TMT Adaptive Optics Group Leader Brent Ellerbroek.

The Swapper features a unique art style that uses real - world clay - models and found objects to create an explorable space station realised in unique detail; gameplay sees players swap between different bodies to achieve otherwise impossible tasks.

Docking at space stations and your ship is like entering a small instance and is uninspiring seeing the same graphics with the same objects in different places.

That doesn't mean she was able to move objects or through space; the way Dern sees it, Holdo's Force sensitivity is evident in her convictions.

Provides signal metering and a dynamic view of all mix objects, so you can see where each object is placed in the 3D space

He pivots here to a feminine perspective but only abstractly: This is a film about objectification that mainly sees its characters as objects, to be dressed and undressed, plastered in glitter and gore, and arranged like furniture against vast expanses of negative space.

First of all there were a lot of individual effects on the children from introducing this type of playground: children were seen to be a lot more excited going out to play; they would enter their classrooms after lunchtime and would still be talking about what they did during that play; they were a lot more engaged, they were using the space a lot more readily, so, taking these materials out - and that could be one influence on how physical activity actually increased; they were solving problems and using their creativity skills - which I can also talk about how the children use all these objects to be creative in the school playground.

xAPI (also called Tin Can and the belle of the ball of late in the learning space) is a web service specifically developed to facilitate the passing of data to and from a Learning Record Store (LRS — see below) in the form of «statement» objects.

This parking system incorporates a wide - view front and side monitor that draws from cameras in the front grille and under the passenger - side mirror to help the driver see unseen objects or obstacles, a benefit when parking or maneuvering in tight spaces.

It can help you to see more clearly when maneuvering in tight spaces, and can instantly alert you if a moving object is detected nearby.

«I wanted a video game to enjoy scenes like you see in those television programs and movies in which all sorts or objects are flying through space and a fighter craft dodges and weaves through them or a large fleet of starships is approaching to you.»

Immense potential, but on the other hand, I've seen how poorly voxel games run such as Space Engineers, hell even minecraft block style ones such as Spacemade making full use of culling can't maintain large objects in view without melting a CPU / GPU, and when you add physics, the server melts down too.

Contemporary sculptors interested in working with physical materials, as Maychack is, often take as their source material the recesses and underpinnings of architectural space, whether it is the moldings of a room (see Francis Cape), the sprayed girders of an underpass (Karlis Rekevics), or the negative spaces in and about actual objects (Rachel Whiteread).

Regardless of the mode of making or the content within the form, each work in the exhibition asks us to reevaluate the way we see and experience the spaces we are in, the objects we confront, and the relationship between vision and perception.

Attuned to the poetics of space, from the street to the rarefied galleries that keep its noise at bay, and to the orchestration of everyday objects and materials in his work and the encounters we have with it, David Hammons always sees life as preceding art.

In another space, Ms. Holzer, a Conceptual artist, said she would display «some old, some new» works, including her signature electronic light projections of poetry and slogans, and a new piece, still in development, that would allow visitors with smartphones to see augmented reality projections, blending the real with 3 - D virtual objectIn another space, Ms. Holzer, a Conceptual artist, said she would display «some old, some new» works, including her signature electronic light projections of poetry and slogans, and a new piece, still in development, that would allow visitors with smartphones to see augmented reality projections, blending the real with 3 - D virtual objectin development, that would allow visitors with smartphones to see augmented reality projections, blending the real with 3 - D virtual objects.

The elusive, transitory images in the abstractions, when framed, can be seen as objects in space, displaying both buoyancy and weight.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

Conor O'Shea: I think it is important to view exhibitions in different ways, it really excites me to see objects in different scenarios, we can not always for the rest of time see shows just in gallery spaces.

As you're moving through this world, you can see this hexagonal object in the distance and you kind of move towards it, and as you approach you're almost flying through this subconscious space, yet it's so real.

Two unique constructions by Frank Stella join hand - painted abstract 3D - printed forms to create complex and vibrant objects that are reminiscent of his paintings (see John Dorfman, «Working in Space,» Art & Antiques Magazine, October 2013).

In creating this series, Azoulay interviewed past and current Israel Museum staff members, using their testimonies as a guide for gathering information on rarely seen objects and spaces that carried special meaning for her subjects.

Manders makes a physical as well as mental space for the viewer to «enter the world of objects and matter and find poetry in it... and to know how poorly we normally see our daily life.»

The plantings also serve as a screen that will guide views both in and out of the space, highlighting the potential of the bench to be both a place for restful seeing and an object of playful looking.

Ryan McGinness, #metadata March 19 - April 15, 2016 Dean Levin, XTC (Gallery 2 & 3) January 16 - February 27, 2016 Lita Albuquerque, Embodiment January 9 - February 27, 2016 2015 Simmons & Burke: Dutch Masters November 6 - December 19, 2015 Object / Space: Robert Ryman + Giorgio Morandi September 19 - October 31, 2015 Annette Bonnier, India's Elephants (Gallery 2) September 19 - October 31, 2015 The West Coast Avant - Garde, 1950 - Present July 17 - September 4, 2015 Jess's Didactic Nickelodeon and Lawrence Jordan's Collage and Film (Gallery 3) June 6 - July 10, 2015 William Monk, The Cloud is Growing in the Trees May 29 - July 10, 2015 Camille Rose Garcia, Mirror, Black Mirror (Gallery 3) April 25 - May 20, 2015 Tom LaDuke, Candles and Lasers April 11 - May 20, 2015 LAND, AIR, SEE February 21 - April 2, 2015 Troika, Cartography of Control January 10 - February 12, 2015 2014 Lita Albuquerque, Light Carries Information November 15 - December 20, 2014 Bruce Conner, CROSSROADS & Works on Paper November 8 - December 20, 2014 Eddie Martinez, Nomader September 12 — October 25, 2014 Joe Goode, Flat Screen Nature July 12 - August 29, 2014 Mark Ryden, The Gay 90s West May 3 - June 28, 2014

In other words, viewers no longer focus on an object atop a pedestal placed within the open space of a room as they do in regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a wholIn other words, viewers no longer focus on an object atop a pedestal placed within the open space of a room as they do in regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a wholin regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a whole.

We see literal objects and situations in front of us everyday, both in our familiar personal spaces and as we venture out into new spaces outside of our daily routine.

Cubist painters were not bound to copying form, texture, colour, and space; instead, they presented a new reality in paintings that depicted radically fragmented objects, whose several sides were seen simultaneously.

«Whether choreographed or improvised, Rhode sees the drawing as something interwoven with space and context, which is ultimately captured in the form of photo sequences, videos, or objects,» the statement read.