Not exact matches
... if it touches and
sees, this is not because it would have the visibles before itself as
objects: they are about it, they even enter Into its enclosure, they are within it, they line its looks and hands inside and
outside.
The
object, 1994 ES1, was
seen on 14 March, when it was 2.2 million kilometres
outside the Earth's orbit.
However, time on the event horizon slows down so much that for an
outside observer the collapsing process almost stops (if a ship falls into a black hole, for example, to an
outside observer it will appear to be continually falling toward the horizon), therefore all the black holes we
see are
objects that are eternally collapsing.
«It's remarkable that we've now
seen for the first time a physical
object from
outside our Solar System,» says lead author Dr Alan Jackson, a postdoc at the Centre for Planetary Sciences at the University of Toronto Scarborough in Ontario, Canada.
Going
outside at night at one of these observatories and
seeing the eyes of giant telescopes staring up at the sky, gathering in photons from distant
objects, is an extraordinary experience.
«The Treatment» (TBA):
Outside of the «X-Men» movies, we just don't
see enough of Famke Janssen, who stars here as the
object of desire of a man (Chris Eigeman) ruled by his shrink (Ian Holm).
In a fractious political year that has
seen many a film, from Get Out to Three Billboards
Outside Ebbing, Missouri, take on intensified topicality, Anderson's guarded, gilded
object has somehow been released into its optimum moment: a time when the manifold forms of male - female abuse that enable art are being placed under the microscope, and any solutions are up for discussion.
School grounds should be inspected for potential hazards such as: • Verandah poles
outside doorways, in thoroughfares or in situations where students are unlikely to
see them, especially while running; • Steps and changes in level which are poorly proportioned, difficult to
see or lack handrails; • Fencing, gates and railings which students climb and which have structural problems, sharp protrusions, splinters or other hazards; • Trip hazards at ground level — protruding drainage pit covers, irregular paving, cracks or tree roots in thoroughfares, broken off post or other remnants of old structures; • Loose gravely surfaces on slopes and where students run; • Slippery patches which may stay damp in winter; • Rocks which students can fall onto or throw around; • Embankments which students can slip down or which have protruding sharp
objects; • Blind corners in busy areas; taps and hoses which are positioned where students play or walk; window glass at low levels through which students could fall; • Holes, cracks or exposed irrigation fixtures in ovals; • Trees or shrubs with poisonous parts, sharp spikes or thorns or branches at eye level; • Splinters and deteriorating timbers in seats, retaining edges and other wooden constructions; • sSeds or other areas with hazardous chemicals or machinery to which students have access; rubbish skips which students can climb into or around, or which place students at risk when trucks enter the school; • Areas within the site used for car parking when students are present; and, • Sporting equipment such as goal posts or basketball rings which have structural or other design or maintenance problems.
My dog is amazing on leash at home or in the backyard, he is not the best
outside in the park, the thing is he is not neutered so he kinda wants to smell everything, also the surprise stay is very hard because he has a super high prey drive which is good because I can distract him with various toys or
objects but it backfires when he
sees something easier to get can you help with thisï» ¿
Whether it's another cat or
object outside moving about, the cat will
see it and simply go into his native hunting instinct.
To the extent that they represent an
object outside themselves, Kline's black - and - whites grasp the kinetic nature of things and the partial, incomplete nature of
seeing.
A prolific curator and writer
outside of his artistic practice, Cattelan is
seen by many as one of Duchamp's greatest contemporary heirs, enacting morbidly humorous transformations on
objects and history alike.
Outside of the norms and conventions of an
object - based art world, Willats has developed work which reacts against what he
sees as the historical determinism within art.
In these works, blue gazing balls, hand blown from glass, have been placed on white plaster sculptures depicting signature examples of antique statues from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, along with everyday utilitarian
objects encountered in today's suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically
seen outside during Christmas.
I first
saw his work in a Whitney Biennial in the mid 1970s, only I didn't know who had made the
objects I noticed — in fact I wasn't totally sure the strange
objects were artworks in the exhibition — strange steel wool like oblong discrete
objects placed in unusual locations, inside the building, but not exactly where an art work might be located — near a fire alarm, above an exit door, and, as I recall,
outside the building as well.
We
see literal
objects and situations in front of us everyday, both in our familiar personal spaces and as we venture out into new spaces
outside of our daily routine.
This exhibition pairs 76 artworks that have rarely been
seen outside of France with a selection of
objects that inspired Matisse's studio practice.
Made to function (physically and conceptually)
outside of the commercial gallery system, and thus a critique of the value of art and commercial real estate, Open House represents Matta - Clark's career - long desire to create a new way of
seeing through the transformation of discarded
objects into new works of art.
Keane writes: «To the extent that they represent an
object outside themselves, Kline's black - and - whites grasp the kinetic nature of things and the partial, incomplete nature of
seeing.
And while Ms. Schwartz argues that relational aesthetics, a participatory form of art, flourished mostly at biennials
outside the United States — putting it
outside the scope of this show — one of the first
objects you
see in the main gallery is a cardboard box of beer bottles commemorating Rirkrit Tiravanija's gatherings where he would prepare food for visitors.
[Direct Link] The camera's smart learning algorithm allows it to decipher between
objects, people, and animals, and subsequently send notifications that dynamically warn users of exactly what's appearing
outside their home with the text: «Person
seen,» «Car
seen,» or «Animal
seen.»
There's a dark aura on the outlines of
objects and the colors are a little drab — it's something we have
seen on all of Samsung's non-flagship phones, but the images are otherwise quite useful even
outside of your Facebook or Instagram posts.
The fabrics in the Lightweaves Sheer roller shades transmit light, allowing a clear view of what lies beyond; people and
objects are visible
outside as well as
objects in the room can be
seen quite clearly through shades.
The exhibition is a rare opportunity to
see some of these
objects in the UK, since it's the first time that many of them have been on public display
outside of France.