Sentences with phrase «see real actors»

As an author, it's really fun to work on — to see real actors and directors creating part of the narrative I worked on for so long.»

Not exact matches

Most fans were happy to see Killian go because of «Iron Man 3's» bizarre twist, in which Killian is the real Mandarin, and Ben Kingsley's character is just an actor.

And while the story is obviously bogus (although the bit about Blackstone buying up low - cost properties is real), we can see why the actor playing Mark chose to do this video; the storyline is even better than most movies nowadays.

We talked to the «Selma» actor about praying on set, playing an icon as a real human, acting as a calling, and why Christians ought to see the movie.

In reality, it's nothing like what you see on TV, where the actors (who are too rested, clean - shaven, and nicely dressed to be real newborn parents) put the baby on a shoulder, pat him a few times, and go on with their day.

Actor - director Edward Norton, after seeing real heroes in action on his Harlem movie set, vowed Saturday to assist the young family of firefighter Michael Davidson, who died trying to extinguish a blaze there.

Now advances in special effects mean that it will soon be impossible to tell the difference between real actors and their digital doubles (see «Digital actors set to break into the big time»).

There are moments in Real Steel where I forgot I'd already seen enough movies about fighting robots, forgot I was too old to be the target audience, forgot that I think Hugh Jackman is turning smarmier with every passing film, forgot that overly expressive child actors set my teeth on edge, forgot to think about all the other underdog / boxing / father - son movies this one is ripping off.

Hanks and Washington are two of the finest actors we have and it's a real treat seeing them together.

While the actors give superb performances the real star of «Fantastic Voyage» are the breathtaking and phenomenol special effects that were unheard of and astounding when audiences went to see this back in 1966.

The second, and real twist, is the fact that making everything look like it was a training exercise, even down to hiring «actors» to pretend to be the truck drivers, the 911 operator, the man he sees through the hole in the trunk walking his dog, Henry, and even his own wife, was fake.

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

Sure, they may have popped up in the odd film to give a solid dramatic performance, or cameo in a comedy, but the real magic from seeing these actors on - screen just is not the same anymore.

Shia LaBeouf, an actor not known for a real - life gentle demeanor, may not resemble McEnroe, but he perfectly embodies the loudest, most aggressive player the sport has ever seen.

All of these comedy duos and trios built characters around their real life personas, so it's sort of strange seeing other actors step into these roles.

Casey Affleck is a damn good actor — his performance in The Assassination of Jesse James by the Coward Robert Ford is brilliant — and I can't wait to see him take his his talents behind a film that is rooted in real - life terror.

You see, what makes Medium Cool special is that director Haskell Wexler, who is better known as a cinematographer and documentary filmmaker, combined fictional drama and actors with real life events.

Real comedians Shannon and Reilly are underutilized in favor of the younger actors repeating gags we have seen them do in other movies.

It's not just kind of latex and a costume; it would be a motion - capture performance of the monster — I can give away maybe not too much by saying there's more than one in our version — and then I would go to Europe, shoot the movie, do scenes with the real actors and I would be able to see the motion - captured monster in real time due to SimulCam, so yes that is our technological VFX paradigm for Frankenstein.»

Year after year her awards are fraught with controversy that includes incomplete nominations lists (check out the TWO nominations in Adapted Screenplay this year), names that are later removed (which happened to Viola Davis for 2008's Doubt), actors being listed as TV shows (I'm looking at your, Lizzy Caplan) but the biggest and most real controversy has been the group's penchant for nominating films they haven't even seen.

Actors were fantastic, and (spoiler alert) We also saw the real Elder Wand.

Instead, the ghostly colour of the actors reinforces the idea that the dead children Agatha's brother Benjie (Bird) starts seeing, and Clarice (Gadon), the returning spirit of Havana's mother, are just as real as the troubled actors they're visiting upon.

They will also see every actor and musician on screen singing or playing every note in real time.

Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

When you saw the actors and the real life people, it was pretty amazing seeing how much they looked alike.

It remains to be seen if the actor has any interest, but the Irish thesp's calendar is getting busy real quick.

The actor, a theater veteran who first broke out in «Tigerland» and «All The Real Girls» in the early» 00s, seems to get better each time we see him, not least on «Boardwalk,» as Nucky's semi-treacherous brother Eli, where he's been continually impressive.

Reviews for his performance were downright staggering, and the Oscars love them someone playing a real life person (see this year's Best Actor category, where four out of five nominees do so).

There is no way that these accomplished actors couldn't have seen the very real potential for making a subpar movie

This is a real performance by an actor as present and in - tune to the demands of the character as we have seen in some time by a child, with no aw - shucks cutesiness to be found.

Because the movie takes place while the characters are in and out of performing the fictional Broadway play, you could see how each actor slightly changed from real acting to fictional acting with subtle facial expressions and vocal inflections.

His portrayal of a deeply sad man who is having trouble dealing with his past and moving on with his life is so realistic that we no longer see the actor playing the role, but instead view this character as a real person.

It is rare to see an actor so immersed in their role, and to have both leads in the same movie performing at this level is a real treat.

Casting the real - life heroes in the three lead roles in The 15:17 to Paris is no doubt an inspired move by Eastwood, who clearly saw something special in Stone, Skarlatos and Sadler than any name actor who auditioned for any of the three roles.

In fact, you can see this on video as well, only much better, in the Danny De Vito directed, The War of the Roses, which features actors with real talent and a screenplay that actually took chances.

It's worth sticking around for some moments of realisation, as Reeves is persuaded to sing his hit song after a previous less - than - brilliant karaoke session; if you haven't yet seen Inside Llewyn Davis, after 10 Years, you will be in no doubt that Isaac is a real musical talent as well as actor.

I haven't seen any of the other nominated films but if either of these two are going to take home the best actor / actress gong, it's going to be Emma... she seems so real in this film.

Despite a decent cast of character actors, only Reinhold and Pinchot have real comedic personalities, and we've seen both of them do their shtick already in the series — they merely regurgitate the same material for laughs that have dwindled since seeing them do it in countless viewings on video and cable.

It's refreshing to see someone who is patently not conventionally handsome play the lead in a teen movie, as Teller's facial scars (real - life scars from the actor's brush with death in a car accident a year or two ago) actually contribute to Sutter's self - destructive nature.

The sad irony is, one million dead, but it is only after seeing actors re-enacting what played out on the news with real people can the rest of the world finally feel a sense of horror and shame.

plus it was just funny to see them pull out super scopes at the end of the movie... My 1 and only real gripe about The last Airbender were the child actors... they were very bad at their lines....

Using hours of never - before - seen footage along with accounts of real soldiers, told by the soldiers themselves in combination with a cast of famous Hollywood actors, Vietnam in HD succeeds in not only giving a nice history lesson, but also puts a rarely seen human face on the war.

Some shots will never be rid of their overexposed softness, but others look as good as any classic western, with detail so fine you can see the contrast of real dirt caked over fake blood, or the excessive bronzer applied to white actors playing Native Americans (a sadly ubiquitous sight in the genre and a compromise to standards in the otherwise full - throated subversion of racist Hollywood tradition).

You don't see that every day when an actor actually apologizes for being in crap plus he's a real energetic, funny, and nice guy.

Other fine and recognizable actors lend support where needed, including Jason Patric, James Franco, Josh Brolin, Barry Corbin, Frances Fisher, Jonathan Tucker (of Haggis» «Black Donnellys») and unknown young men (some of whom are real Iraq War veterans) who I anticipate to see more from.

«Locke» The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

Christiane's countenance is one of the most memorable in all of horror cinema — yet you barely get to see the real face of the actor playing her.

Neither actor is good, of course; the bloom faded from that particular rose long ago, and these days, it would be remarkable to see Kingsley and Hopkins take a role in something that required them to deliver a real performance, not the dire B - movies like this in which they've both been content to trudge lately.

Professionals who will be affected by proposed changes often see new policies and regulations as distractions from or add - ons to their «real work,» and therefore interpret those policies to fit their needs.245 Rather than being passive recipients of policy, they are actors in the process of making policy.

Want to see a real Porsche stunt (or one with better actors, we can't tell for sure here)?