To read more and to
see reviews of her films, click here.
Not exact matches
Why am I reading a
film review of Fast and Furious 6 when I decided at age 13, after
seeing 2 Fast, 2 Furious, that I was too old for anything involving Paul Walker?
I typed «stay - at - home daughter» into Google, and found my way to a
review of the documentary «Return
of the Daughters,» a
film I'd
seen and that was exalted by most
of the women I knew.
See page 95 for our
review of the
film.
generates a «sour»
review they could (in theory) change the end
of that very show as soon as they read it... the Story NXT tells is set on
film (digital file) 4 days to 4 weeks before the Audience
sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride,
see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic
Then you'll want to
see the documentary «Lunch Line», for which The Lunch Tray is, fittingly enough, a sponsor: Here's a trailer
of the
film and a recent
review from The -LSB-...]
Rather than write this type
of review, I wanted to offer my personal take on the
film as a parent
of a child with concussions and as concussion educator, and why I think parents should
see Head Games.
And so the other day, when I read a
review of the new London rom - com «Man Up» and
saw another dating blogger slagging off the choice
of date venue in the
film — The South Bank — I have to admit I was taken aback.
Blind Date (one
of the most popular syndicated dating shows on TV) is a show in which a guy and a girl hook up and go around town to
see if they are right [Blind Gossip] This
film from earlier this century didn't get good
reviews, but it does have a memorable name... and it did produce some good
REVIEW: I'm going to start this review off with a bit of an embarrassing admission: I've never seen a film by Hayao Miy
REVIEW: I'm going to start this
review off with a bit of an embarrassing admission: I've never seen a film by Hayao Miy
review off with a bit
of an embarrassing admission: I've never
seen a
film by Hayao Miyasaki.
In all, Sony managed to collect terrible
reviews for a third
of its movies and
saw its percentage
of films with positive
reviews drop from 42 % in 2012 to just 27 % last year.
I actually appreciate
reviews like this, not because I agree with them (or are likely to agree; I haven't
seen the movie yet), but because they say exactly what I would expect to read from an articulate
film lover who just isn't really
of the mindset to enjoy the MCU for what it is.
And, as you can
see below in our quick look back at the last two decades
of best picture nominees, having the best
reviews among just the nominated
films isn't even enough to guarantee a win.
L.A. - based Roadside once again
saw half
of its
films (including Chilean drama Gloria and festival hit Dear White People) earn positive
reviews, but its Metascore average (and box office grosses) fell a bit compared to 2013.
I was not solely thinking about Ebert's essay (he hasn't written a
review that I have
seen so far), but also Tod Browning's FREAKS which even has a bit
of a similar ending, Sam Fuller's Naked Kiss which has the female lead «realize» a horrific situation at the and several modern
films.
I didn't think much
of the first
film and skipped the 2nd but I have to say that this
review increases my inclination to
see part 3.
This must be the age
of bliss for Harry being he loves absolutly every movie he
sees... it's fairly obvious he's being paid off, after the Batman And Robin fiasco (back when the site was pure) studios realized how powerful this kinda site can be so they decided to give knowles a wad
of cash to give their
films a good
review... Only reason Star Trek Nemesis didn't get a good
review was because Moriarty and others bashed Rick Berman so much he didn't wan na give them Money he was so insulted... everyone do a favor and goto http://www.corona.bc.ca/
films it's a real movie lovers site withreal
reviews and NEWS... no shit about how they got the news or that they think the
film reminds them
of from their youth, just news..
For the remainder
of the
review, you'll find highlights or tidbits that don't give away any plot points that merely serve as an enticement to
see the
film.
I can't wait to write my
review, but suffice it to say that it's unlike any
film you'll
see this year, just as its probably one
of the last gasps
of this kind
of film from a major studio, where the shock and awe comes from expert artistry
of the hand drawn variety rather than CGI (which Scorsese mastered in Hugo).
Texas Chainsaw 3D, the first
film I get to
review this year is actually one I
saw a while back in December, Ruben Fleischer's (director
of one
of my favorite comedies
of recent years, Zombieland, and one
of the most forgettable comedies
of recent years, 30 Minutes Or Less) stylistic 1940s tale
of heroism, gangsters, and a colorful - but - corrupt Los Angeles, Gangster Squad.
I
see a fair number
of films and read the
reviews before I go.
Christy Lemire's
review of Whiplash, posted October 15, 2014, just five days after the initial theatrical release, is the best I've
seen of all the
reviews on this
film.
The
film has not yet been widely
seen or
reviewed so we'll have to wait to
see what sort
of traction he picks up in terms
of an Oscar nomination.
Asghar Farhadi's
film has already been
reviewed for the site by Jansen, but as I wanted to
see it badly since Cannes (and also because Blue is the Warmest Colour is one
of the hardest
films to get into this year) I took the chance to catch it.
As you can
see, it's not all doom and gloom from the critics so far, but even the first positive Dracula Untold
reviews out
of the gate aren't exactly tripping over themselves to praise the
film.
They may not have
seen the
film yet, but they were tired
of critics slating their beloved universe after not - so - nice
reviews for Batman v Superman: Dawn
of Justice earlier this year.
No critic, no bad
review, nothing could take away the feeling
of seeing our first real action role model in
film.
Fox announces their distrust
of critics with this title by splaying «Property
of 20th Century Fox Publicity Department» in huge letters across the screen for the duration
of the
film on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the im
film on both sides
of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies
of the Gladiator Signature Selection in 2000 — which is why you never
saw a
review of it at
FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the im
FILM FREAK CENTRAL), in turn prohibiting an ethical assessment
of the image.
This writer was lucky enough to catch the
film early at Comic - Con last month (read my glowing
review here), and coming fresh off a double feature
of Shaun
of the Dead and Hot Fuzz at The Music Box Theatre in Chicago, I can't wait to
see it again.
The first full day
of the festival
saw several prominent titles make their Los Angeles
review, but the hot - ticket
film was Luca Guadagnino's Call Me By Your Name.
Among the number
of reviews I've
seen of this
film highlighting it's take on «white trash», I'm not sure this would be the kind
of music they would really listen to.
I thought Vantage Point looked like a pretty decent thriller from the trailer - quite refreshing to
see actors
of a certain vintage in a
film like this, rather than a bunch
of kids - but
reviews suggest my enthusiasm was possibly misplaced (I'll get to make my own mind up soon enough).
I
Saw the Light had been set for a fall debut in lieu
of an Oscar campaign, but with early
reviews firmly in the negative column, Sony Pictures Classics has moved the
film away from awards season.
She recently earned rave
reviews for her performance in The Disappearance
of Eleanor Rigby, and this week she can be
seen in the new Christopher Nolan
film Interstellar.
And as if the mere fact
of getting to
see Crowe's latest in advance weren't motivation enough, attendees will also have the opportunity to enter a contest for a trip to San Diego by posting
reviews of the
film.
You may have heard that Paddington 2 was not only the BEST
REVIEWED FILM of 2017 but in all
of Rotten Tomatoes history... we
saw it feature on a number
of respected critics» top 10 lists and we want to know what all the fuss is about so, keeping in line with the explicit, fringe and classic programming you've come to grow and love from Academy we've decided to put on a Paddington double feature....
City
Of God — I avoided
seeing this
film for a long time, despite it playing my theatres in two separate runs and rave
reviews from anyone who
saw it.
And while it's an art that has already yielded our first magnum opus
of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 201
of the year, the 100 Most Anticipated Movies
Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 201
Of 2014, (and we should probably be awarded the rest
of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 201
of January off as a result) there's still a category
of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 201
of film we've left unmined: those movies that we
saw and
reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 2014.
Furthermore, it's possible that the
film might struggle to be
seen as more than a performance showcase — Jones and Fiennes might well be in the running, depending on the strength
of the categories, but it'll really need strong
reviews out
of TIFF to be a Best Picture contender.
Obviously, this
film was meant to be
seen in 3D, read out
review of the 3D Blu - ray here.
Seeing as this
film put so much stock into character, let's dedicate the rest
of this
review talking about the characters.
Black Panther has arrived, and we are thrilled to get to give a no - spoiler
review of this amazing
film, along with the other flicks to be
seen in theaters this week:
Film Stars Don't Die in Liverpool, Samson, Early Man and The Female Brain.
Tasha Robinson (Senior Editor) grew up with limited access to movies, but a great deal
of access to
film criticism, and she voraciously read
reviews while imagining a future where she'd get to actually
see the movies she was reading about.
This
film blog also has some rare movie
reviews, many
of which I have yet to
see.
Director's Cut DVD
Review: Continuing the tradition
of releasing a two - disc director's cut
of the last chapter in preparation for the new one, Lionsgate has released a special edition
of «
Saw III» that delivers three solid commentary tracks and a new cut
of the
film.
And so we went back to the grindstone to bring you this list
of 20 (plus a host
of honorable mentions and also rans)
of the
films that very well might have made it onto our Most Anticipated list had we not already
seen them, along with summaries
of and links to our original
reviews, and their release dates, where they have them.
That's quite fitting for a
film about a man that constantly views and
reviews things he's
seen before to make sense
of it all.
For the purposes
of this
review, I decided to put my own personal prejudices aside (as much as I can anyway), and pretend I know nothing about Paris Hilton or Jason Mewes (Clerks II), treating this
film like any other that I might happen to
see on a daily basis with no - name stars.
We've
seen the
film and we'll be posting our
review very soon, along with an interview with the
film's lead actor Jake Gyllenhaal, who we caught up with a couple
of weeks ago.
While I haven't had the chance to
see this
film yet, I've heard great things and
seen lots
of great
reviews since it premiered at the Sundance
Film Festival earlier this year.